Bettie Page Reveals All | |
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Directed by | Mark Mori |
Written by | Doug Miller |
Produced by | Mark Mori Thorpe Mori |
Starring | Bettie Page |
Cinematography |
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Edited by |
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Music by | Gary Guttman |
Production company | Single Spark Pictures |
Distributed by | Music Box Films (USA) Single Spark Pictures (world-wide) |
Release dates |
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Running time | 101 minutes |
Country | United States |
Language | English |
Box office | $73,372 [1] |
Bettie Page Reveals All is a 2013 documentary film about the life history and cultural influence of Bettie Page. Directed by Mark Mori, much of its narration is from audiotape interviews with Page. Individuals offering commentary on Page and her significance include Dita Von Teese, Hugh Hefner, Rebecca Romijn, Tempest Storm, Bunny Yeager, Paula Klaw, Jessicka, Mamie Van Doren and Naomi Campbell.
The world's greatest pin-up model and cult icon, Bettie Page, recounts the true story of how her free expression overcame government witch-hunts to help launch America's sexual revolution.
Critical response for Bettie Page Reveals All has been mostly positive. As of 2014 [update] , the film holds a 75 percent "fresh" rating on the review aggregator Rotten Tomatoes with 21 positive reviews and 7 negative and an average rating of 6.8/10. [2]
Bettie Page Reveals All won the Jury Award for Best Feature Documentary at the 2013 Garden State Film Festival. [3]
Bettie Mae Page was an American model who gained notoriety in the 1950s for her pin-up photos. She was often referred to as the "Queen of Pinups": her long jet-black hair, blue eyes, and trademark bangs have influenced artists for generations. After her death, Playboy founder Hugh Hefner called her "a remarkable lady, an iconic figure in pop culture who influenced sexuality, taste in fashion, someone who had a tremendous impact on our society".
Irving Klaw, self-named the "Pin-up King", was an influential Jewish-American merchant of sexploitation, fetish, and Hollywood glamour pin-up photographs and films. Like his predecessor, Charles Guyette, who was also a merchant of fetish-themed photographs, Klaw was not a photographer, but a merchandiser of fetish art imagery and films. His great contribution to the world was to commission fetish art and sponsor illustrative artists, and to indirectly promote the legacy of Charles Guyette and John Willie. Irving Klaw is a central figure in what fetish art historian Richard Pérez Seves has designated as the "Bizarre Underground," the pre-1970 fetish art years.
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