The following outline provides an overview of and topical guide to entertainment and the entertainment industry:
The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
A striptease is an erotic or exotic dance in which the performer gradually undresses, either partly or completely, in a seductive and sexually suggestive manner. The person who performs a striptease is commonly known as a "stripper" or an "exotic" or "burlesque" dancer.
Bettie Mae Page was an American model who gained notoriety in the 1950s for her pin-up photos. She was often referred to as the "Queen of Pinups": her long jet-black hair, blue eyes, and trademark bangs have influenced artists for generations. After her death, Playboy founder Hugh Hefner called her "a remarkable lady, an iconic figure in pop culture who influenced sexuality, taste in fashion, someone who had a tremendous impact on our society".
Irving Klaw, self-named the "Pin-up King", was an influential American merchant of sexploitation, fetish, and Hollywood glamour pin-up photographs and films. Like his predecessor, Charles Guyette, who was also a merchant of fetish-themed photographs, Klaw was not a photographer, but a merchandiser of fetish art imagery and films. His great contribution to the world was to commission fetish art and sponsor illustrative artists, and to indirectly promote the legacy of Charles Guyette and John Willie. Irving Klaw is a central figure in what fetish art historian Richard Pérez Seves has designated as the "Bizarre Underground," the pre-1970 fetish art years.
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla – a joke, ridicule or mockery.
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely related series of acts that alternate between solo performances and dance ensembles.
The Notorious Bettie Page is a 2005 American biographical drama film directed by Mary Harron. The screenplay by Harron and Guinevere Turner focuses on 1950s pinup and bondage model Bettie Page, portrayed by Gretchen Mol.
Sugar Babies is a musical revue conceived by Ralph G. Allen and Harry Rigby, with music by Jimmy McHugh, lyrics by Dorothy Fields and Al Dubin and various others. The show is a tribute to the old burlesque era. First produced in 1979 on Broadway and running nearly three years, the revue attracted warm notices and was given subsequent touring productions.
The Return of the Pink Panther is a 1975 comedy film and the fourth film in The Pink Panther series. The film stars Peter Sellers returning to the role of Inspector Clouseau for the first time since A Shot in the Dark (1964), after having declined to reprise the role in Inspector Clouseau (1968). The film was a commercial hit and revived the previously dormant series and with it Peter Sellers' career.
The Night They Raided Minsky's is a 1968 American musical comedy film written and produced by Norman Lear, with music and lyrics by the duo of Charles Strouse and Lee Adams, and directed by William Friedkin. Based on a 1960 novel by Rowland Barber, the film is a fictional account of the invention of the striptease at Minsky's Burlesque in 1925. It stars Jason Robards, Britt Ekland, Norman Wisdom, Forrest Tucker, Harry Andrews, Denholm Elliott, Elliott Gould and Bert Lahr.
The Raymond Revuebar (1958–2004) was a theatre and strip club at 11 Walker's Court, in the centre of London's Soho district. For many years, it was the only venue in London that offered full-frontal, on-stage nudity of the sort commonly seen in other cities in Europe and North America. Its huge brightly lit sign declaring it to be the "World Centre of Erotic Entertainment" made the Revuebar a local landmark.
Neo-burlesque, or new burlesque, is the revival and updating of the traditional American burlesque performance. Though based on the traditional burlesque art, the new form encompasses a wider range of performance styles; neo-burlesque can include anything ranging from classic striptease to modern dance to theatrical mini-dramas to comedic mayhem.
Dance, Girl, Dance is a 1940 American comedy-drama film directed by Dorothy Arzner and starring Maureen O'Hara, Louis Hayward, Lucille Ball, and Ralph Bellamy. The film follows two dancers who strive to preserve their own integrity while fighting for their place in the spotlight and for the affections of a wealthy young suitor.
Evergreen is a 1934 British musical film directed by Victor Saville starring Jessie Matthews, Sonnie Hale and Barry MacKay. The film is based on the 1930 musical Ever Green, also starring Matthews, who plays a dual role as mother and daughter.
Burlesque in Harlem is a 1949 revue film directed by William D. Alexander that features a cast of singers, dancers and comedians who were prominent on the so-called Chitlin' Circuit of vaudeville theaters and nightclubs that exclusively presented African American talent.
Burlesque is a 2010 American backstage musical film written and directed by Steven Antin. It stars Cher, Christina Aguilera, Kristen Bell, Cam Gigandet, Stanley Tucci, Julianne Hough, Alan Cumming, and Peter Gallagher, and features cameos from Dianna Agron, and James Brolin. The film tells the story of Ali (Aguilera), an aspiring singer who leaves her small hometown for Los Angeles, where she becomes a dancer at a struggling burlesque lounge owned by Tess (Cher). After a performance is sabotaged by her rival, Nikki (Bell), Ali sings the song herself, impressing Tess and leading to her becoming the main attraction of the lounge. Burlesque marks Aguilera's first leading role, as well as Cher's first musical performance on screen.
Teaserama is a 1955 American low-budget sexploitation film directed by Irving Klaw. It follows the performance of a burlesque show.
American burlesque is a genre of variety show derived from elements of Victorian burlesque, music hall, and minstrel shows. Burlesque became popular in the United States in the late 1860s and slowly evolved to feature ribald comedy and female nudity. By the late 1920s, the striptease element overshadowed the comedy and subjected burlesque to extensive local legislation. Burlesque gradually lost its popularity, beginning in the 1940s. A number of producers sought to capitalize on nostalgia for the entertainment by recreating burlesque on the stage and in Hollywood films from the 1930s to the 1960s. There has been a resurgence of interest in this format since the 1990s.
Varietease is a 1954 American burlesque film and the first such directed by Irving Klaw. According to its plot, the iconic pin-up model Bettie Page performs a burlesque show alongside Lili St. Cyr, Chris La Chris, Vicki Lynn, Bobby Shields, and others.
