Big Hit | ||||
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Studio album by | ||||
Released | 27 March 1995 | |||
Recorded | 1995 | |||
Genre | Electronic, industrial rock, industrial metal | |||
Length | 44:04 | |||
Label | Mute (UK) STUMM 118 Geffen/MCA Records (US) GEFD-24718 | |||
Producer | Flood | |||
Nitzer Ebb chronology | ||||
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Singles from Big Hit | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [2] |
Music From the Empty Quarter | favourable [3] |
Big Hit is an album from British EBM group Nitzer Ebb. [4] [5] It was released by Mute Records in 1995. [6] The album included two singles, "Kick It" and "I Thought". The album is a great departure from the previous albums EBM stylings, featuring a heavy influence from alternative rock and a greater emphasis on more traditional instruments. Big Hit was the band's final release for Mute until its 2006 retrospective, Body of Work.
CMJ New Music Monthly called the album "catchy, sinister and subversive", writing that "it's an 'industrial' album that plays through the whole range of emotions and textures instead of just high-tech rage". [7] The Quietus called the album "unfairly maligned". [8]
Electronic body music (EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of dance music. It developed in the early 1980s in Western Europe, as an outgrowth of both the punk and the industrial music cultures. It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and command-like shouts with confrontational or provocative themes.
Mark Ellis, known by his professional pseudonym Flood, is a British rock and synthpop record producer and audio engineer. Flood's list of work includes projects with New Order, U2, Nine Inch Nails, Marc and the Mambas, Depeche Mode, Gary Numan, Sneaker Pimps, King, Ministry, The Charlatans, Thirty Seconds to Mars, Erasure, Nick Cave and the Bad Seeds, PJ Harvey, Foals, a-ha, Orbital, Sigur Rós, The Jesus and Mary Chain, The Smashing Pumpkins, The Killers, White Lies, Pop Will Eat Itself, Warpaint, EOB, and Interpol. His co-production collaborations have included projects with Brian Eno, Daniel Lanois, Steve Lillywhite, and longtime collaborator Alan Moulder, with whom he co-founded the Assault & Battery Studios complex. In 2006, his work with U2 led to his sharing of the Grammy Award for Album of the Year for How to Dismantle an Atomic Bomb.
Nitzer Ebb are a British EBM group formed in 1982 by Essex school friends Vaughan "Bon" Harris, Douglas McCarthy (vocals), and David Gooday (drums). The band were originally named La Comédie De La Mort but soon discarded that and chose the name Nitzer Ebb by cutting up words and letters and arranging them randomly to create something Germanic without using actual German words.
Cubanate are an English industrial band from London, England, founded in 1992 by Marc Heal and Graham Rayner with Phil Barry and Steve Etheridge. The group became well known for their combination of electro-industrial with distorted heavy metal guitars and techno percussion.
Die Krupps is a German industrial metal/EBM band, formed in 1980 by Jürgen Engler and Bernward Malaka in Düsseldorf.
Renegade Soundwave were an electronic music group. Formed in London in 1986, the group originally consisted of Gary Asquith, Carl Bonnie and Danny Briottet. Their debut LP Soundclash was released in 1990 on Mute Records. It featured the UK top 40 hit "Probably a Robbery" and dancefloor favourite "Biting My Nails".
Bon Harris is an English composer, producer, singer and songwriter, and multi-instrumentalist. He is a founding member of the British EBM group Nitzer Ebb, programming Nitzer Ebb's signature sound. He also played drums and synthesizers for Nitzer Ebb, as well as lending his voice to several tracks such as "Let Beauty Loose."
Belief is the second album of the British EBM group Nitzer Ebb. It was the first album recorded with drummer Julian Beeston, and Flood took over as producer from Phil Harding. It was released by Mute Records on 9 January 1989.
Ebbhead is the fourth album of the British EBM group Nitzer Ebb. Co-produced by Depeche Mode's Alan Wilder in collaboration with Flood, it was released by Mute Records on 30 September 1991. The album features a continuation of their industrial sound with the inclusion of metal guitars for the first time, notably featured on the single Godhead as well as the Family Man remix. According to the band, the guitar parts featured were samples.
F-Punk is a studio album by Mick Jones' post-Clash band Big Audio Dynamite, released in 1995. It was the first album to be released under the name of Big Audio Dynamite since 1989's Megatop Phoenix. The title is a pun on the funk group P-Funk, and is supposed to imply "Fuck punk." The album cover lettering takes influence from London Calling, one of Mick Jones' albums with The Clash, which in turn was a copy of Elvis Presley's debut album.
Julian Beeston is an English musician, mainly noted for his time in the electronic groups Nitzer Ebb and Cubanate.
Douglas John McCarthy is the vocalist of the English EBM band Nitzer Ebb.
Crocodile Shop is an electro-industrial aggrotech EBM band formed in Berlin, Germany in 1987 by Mick Hale and R. A. Werner from New Jersey.
Charmed Life is an album by the punk rock group Half Japanese, released in 1988. It is their second studio album released on their label, 50 Skidillion Watts.
As Is is an EP by Industrial / EBM group Nitzer Ebb, released prior to their fourth album Ebbhead on LP, Compact Disc, and cassette by Mute Records in the United Kingdom and Geffen/MCA Records (GEF-21658) in the United States. It features four tracks, each mixed by a different artist / producer. The first track, "Family Man" is the only one to feature on Ebbhead and appears here in a different form to that on the album. It was mixed by Jaz Coleman, vocalist and frontman of English post-punk band Killing Joke. The second track, "Lovesick" was mixed by Flood who produced the band's second and third albums, Belief and Showtime as well as the previously mentioned Ebbhead. The third track, "Come Alive" was mixed by Alan Wilder of Depeche Mode, who would eventually be drafted in to co-produce Ebbhead. The last track, "Higher" was mixed by Barry Adamson and PK. Barry Adamson was the bassist for Howard Devoto's Magazine and Nick Cave and the Bad Seeds and PK is an engineer/producer who has worked mainly for Mute Records on various Depeche Mode and Flood projects.
99th Dream is the fourth studio album by the British alternative rock band Swervedriver, released in 1998. The band was dropped by DGC Records after recording the album; they retained the masters and eventually signed with Zero Hour Records.
Industrial Complex is a studio album from British EBM group Nitzer Ebb. It was released by Major Records on 22 January 2010 in Europe, fifteen years after the band's last studio album. It is the band's first release after parting company with Mute Records following its 2006 retrospective, Body of Work.
Appliance were a British experimental post-rock three piece band, who released four albums between 1999 and 2003 on Mute Records.
3rd from the Sun is the sixth studio album by the experimental rock band Chrome. It was released May 26, 1982 by Don't Fall Off the Mountain.
Cybrid is the fourth studio album by Deathline International, released on June 5, 2001 by COP International. The album peaked at No. 17 on the CMJ RPM Charts in the U.S.