Marion Robert Morrison, professionally known as John Wayne and nicknamed "the Duke", was an American actor who became a popular icon through his starring roles in films which were produced during Hollywood's Golden Age, especially in Western and war movies. His career flourished from the silent era of the 1920s through the American New Wave, as he appeared in a total of 179 film and television productions. He was among the top box-office draws for three decades and appeared with many other important Hollywood stars of his era. In 1999, the American Film Institute selected Wayne as one of the greatest male stars of classic American cinema.
John Garfield was an American actor who played brooding, rebellious, working-class characters. He grew up in poverty in New York City. In the early 1930s, he became a member of the Group Theatre. In 1937, he moved to Hollywood, eventually becoming one of Warner Bros.' stars. He received Academy Award nominations for his performances in Four Daughters (1938) and Body and Soul (1947).
James Arness was an American actor, best known for portraying Marshal Matt Dillon for 20 years in the series Gunsmoke. He has the distinction of having played the role of Dillon in five decades: 1955 to 1975 in the weekly series, then in Gunsmoke: Return to Dodge (1987) and four more made-for-television Gunsmoke films in the 1990s. In Europe, Arness reached cult status for his role as Zeb Macahan in the Western series How the West Was Won. He was the older brother of actor Peter Graves.
Alan William Napier-Clavering, better known as Alan Napier, was an English actor. After a decade in West End theatre, he had a long film career in Britain and later on in Hollywood. Napier is best remembered for portraying Alfred Pennyworth, Bruce Wayne's butler in the 1960s live-action Batman television series.
The Front is a 1976 American comedy drama film set against the Hollywood blacklist in the 1950s, when artists, writers, directors, and others were rendered unemployable, having been accused of subversive political activities in support of Communism or of being Communists themselves. It was written by Walter Bernstein, directed by Martin Ritt, and stars Woody Allen, Zero Mostel and Michael Murphy.
Lionel Jay Stander was an American actor, activist, and a founding member of the Screen Actors Guild. He had an extensive career in theatre, film, radio, and television that spanned nearly 70 years, from 1928 until 1994. He was known for his distinctive raspy voice and tough-guy demeanor, as well as for his vocal left-wing political stances. One of the first Hollywood actors to be subpoenaed before the House Un-American Activities Committee, he was blacklisted from the late 1940s until the mid-1960s.
Andrew Victor McLaglen was a British-born American film and television director, known for Westerns and adventure films, often starring John Wayne or James Stewart.
The Woman on Pier 13 is a 1949 American film noir drama starring Laraine Day, Robert Ryan, and John Agar. Directed by Robert Stevenson, the picture previewed in Los Angeles and San Francisco in 1949 under the title I Married a Communist but, owing to poor polling among preview audiences, this was dropped prior to its 1950 release.
Kid Galahad is a 1937 American sports drama film directed by Michael Curtiz and starring Edward G. Robinson, Bette Davis, Humphrey Bogart and, in the title role, rising newcomer Wayne Morris. A boxing film, it was scripted by Seton I. Miller and distributed by Warner Brothers. It was remade in 1941, this time in a circus setting, as The Wagons Roll at Night, also with Bogart, and in 1962 as an Elvis Presley musical. The original version was re-titled The Battling Bellhop for television distribution in order to avoid confusion with the Presley remake.
Veda Ann Borg was an American film and television actress.
Robert Fellows or Robert M. Fellows was an American film producer who was once a production partner with John Wayne and later with Mickey Spillane.
The Hollywood blacklist was the mid-20th century banning of suspected Communists from working in the United States entertainment industry. The blacklist began at the onset of the Cold War and Red Scare, and affected entertainment production in Hollywood, New York, and elsewhere. Actors, screenwriters, directors, musicians, and other professionals were barred from employment based on their present or past membership in, alleged membership in, or perceived sympathy with the Communist Party USA (CPUSA), or on the basis of their refusal to assist Congressional or FBI investigations into the Party's activities.
The House Committee on Un-American Activities (HCUA), popularly the House Un-American Activities Committee (HUAC), was an investigative committee of the United States House of Representatives, created in 1938 to investigate alleged disloyalty and subversive activities on the part of private citizens, public employees, and those organizations suspected of having fascist and communist ties. It became a standing (permanent) committee in 1946, and from 1969 onwards it was known as the House Committee on Internal Security. When the House abolished the committee in 1975, its functions were transferred to the House Judiciary Committee.
The Get-Away is a 1941 American crime drama film directed by Edward Buzzell and starring Robert Sterling, Charles Winninger and Donna Reed. Produced by Metro-Goldwyn-Mayer, it is a remake of the 1935 film Public Hero No. 1. It has been listed as a precursor of film noir.
The Singing Marine is a 1937 American musical film directed by Ray Enright and Busby Berkeley and starring Dick Powell. It was the last of Powell's trio of service-related Warners films: 1934's Flirtation Walk paid tribute, of sorts, to the Army, and 1935's Shipmates Forever to the Navy. This one is distinguished by its two musical sequences directed by Busby Berkeley.
Martin Berkeley was a Hollywood and television screenwriter who cooperated with the House Un-American Activities Committee (HUAC) in the 1950s by naming dozens of Hollywood artists as Communists or Communist sympathizers.
The Fearmakers is a 1958 American film noir crime film directed by Jacques Tourneur and starring Dana Andrews. The screenplay is based on the 1945 novel of the same name by Darwin Teilhet. The film centers on seemingly nonpartisan political messages that are shaped by a public-relations firm secretly controlled by communists determined to undermine the American government.
The Pittsburgh Kid is a 1941 American sports film directed by Jack Townley and starring Billy Conn, Jean Parker and Dick Purcell.
McClain's Law is an American made-for-TV police procedural directed by Vincent McEveety and broadcast on November 20, 1981. It is structured as a two-hour pilot episode for James Arness' police detective series McClain's Law which broadcast 14 one-hour episodes Friday nights on NBC between November 27, 1981 and March 20, 1982.
