Bijou Amusement Company was a movie theater business in the United States. It was headquartered in Nashville, Tennessee. Its Bijou Theatre in Nashville was one of the premiere venues for African American audiences in the Southern United States. [1] [2] Milton Starr, who was part of the prominent Jewish family that owned and ran the theater, was the first president of the Theater Owners Booking Association (TOBA), headquartered in Chattanooga. [3] Performers who starred at the theater included Bessie Smith, Mamie Smith, Ma Rainey, Lafayette Players, Butterbeans and Susie, Ethel Waters, and Irvin C. Miller’s Brown Skin Models. [3] [4] Boxers Tiger Flowers and Sam Langford had bouts at the venue. [4] The theater and a Masonic lodge next door were razed in the 1950s as part of an urban renewal plan and replaced by the city’s Municipal Auditorium. [4] The fight to save the theater reached the U.S. Supreme Court. [4]
Bijou is the French word for jewel and was used for theaters in various cities including New York, Chicago, and Knoxville.
In 1927, the company’s letterhead touted "Celebrating the Biggest and Best Colored Theatres in the South". It included the Bijou Theatre and Lincoln Theatre in Nashville as well as the Royal Theatre under construction there, and the Lenox Theatre in Augusta Georgia, the Lincoln Theatre in Charleston, South Carolina, the Royal Theatre in Columbia, South Carolina, and the Lincoln Theatre in New Bern, North Carolina. [5] [6]
It acquired the Savoy and Lincoln theaters in Charlotte, North Carolina's Brooklyn neighborhood.
Marion A. Brooks organized a show at one of its theaters in Alabama.
Alfred Starr was involved with the company. [7]
The company filed a lawsuit for relief from dramatically increased fees imposed on theaters by the police commissioners in Woonsocket, Rhode Island. [8]
In 1919 it placed an add with Howard-Wells Amusement Company listing their theaters in Wilmington. [9] A page from one of its ledgers is extant. [10]
Roy E. Fox managed its Dixie Theater in Macon, Georgia. [11]
The company's theaters were in cities including San Antonio, Texas; Macon, Georgia; and Raleigh, North Carolina. [6]
With World War II, Starr moved to Washington D.C. and served on the War Industries Board and Office of War Information. [12]
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Theatre Owners Booking Association, or T.O.B.A., was the vaudeville circuit for African American performers in the 1920s. The theaters mostly had white owners, though about a third of them had Black owners, including the recently restored Morton Theater in Athens, Georgia, originally operated by "Pinky" Monroe Morton, and Douglass Theatre in Macon, Georgia owned and operated by Charles Henry Douglass. Theater owners booked jazz and blues musicians and singers, comedians, and other performers, including the classically trained, such as operatic soprano Sissieretta Jones, known as "The Black Patti", for black audiences.
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The Bijou Theatre (1882–1943) in Boston, Massachusetts, occupied the second floor of 545 Washington Street near today's Theatre District. Architect George Wetherell designed the space, described by a contemporary reviewer as "dainty." Proprietors included Edward Hastings, George Tyler, and B.F. Keith. Around the 1900s, it featured a "staircase of heavy glass under which flowed an illuminated waterfall." The Bijou "closed 31 December 1943 and was razed in 1951." The building's facade still exists. It is currently a pending Boston Landmark by the Boston Landmarks Commission.
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