Photography
Gaskins has exhibited his photography including a group exhibition at the Jersey City Museum that also included work by Renée Green, Chitra Ganesh, Simone Leigh and Sharon Louden, and a screening of his short film, The Meaning of Hope at Detroit Institute of Arts. [4] [5]
His series of photographs The Cadillac Chronicles depicts black men with their Cadillacs. [6] It was inspired by a Baltimore tradition, the Cadillac Parade, and explores the symbolism of the Cadillac as an emblem of male power and middle-class status. [7]
His book Good and Bad Hair (1997) depicts African American hairstyles, and was based on a 1996 exhibition at Robert B. Menschel Photography Gallery.
His work was also shown in the 2003 group show HairStories at Scottsdale Museum of Contemporary Art: the Phoenix New Times called his "Tireka and Tamana, Easter Sunday, Baltimore, Maryland", a photograph of two women against the landscape of industrial Baltimore, and his photographs of African-American hair shows "the most fascinating photos of all" in the exhibition. [8]
"Tamara and Tireka" also featured in a Smithsonian Institution exhibition Reflections in Black: A History of Black Photographers 1840 to the Present in Los Angeles. [9]
In 2017, Gaskins spent time researching "The Black Photographers Annual," a four volume anthology published between 1973 and 1980. [10] [11]
Roy Rudolph DeCarava was an American artist. DeCarava received early critical acclaim for his photography, initially engaging and imaging the lives of African Americans and jazz musicians in the communities where he lived and worked. Over a career that spanned nearly six decades, DeCarava came to be known as a founder in the field of black and white fine art photography, advocating for an approach to the medium based on the core value of an individual, subjective creative sensibility, which was separate and distinct from the "social documentary" style of many predecessors.
Malick Sidibé was a Malian photographer from a Fulani village in Soloba, who was noted for his black-and-white studies of popular culture in the 1960s in Bamako. Sidibé had a long and fruitful career as a photographer in Bamako, Mali, and was a well-known figure in his community. In 1994 he had his first exhibition outside of Mali and received much critical praise for his carefully composed portraits. Sidibé's work has since become well known and renowned on a global scale. His work was the subject of a number of publications and exhibited throughout Europe and the United States. In 2007, he received a Golden Lion for Lifetime Achievement at the Venice Biennale, becoming both the first photographer and the first African so recognized. Other awards he has received include a Hasselblad Award for photography in 2003, an International Center of Photography Infinity Award for Lifetime Achievement (2008), and a World Press Photo award (2010).
Okwui Enwezor was a Nigerian curator, art critic, writer, poet, and educator, specializing in art history. He lived in New York City and Munich. In 2014, he was ranked 24 in the ArtReview list of the 100 most powerful people of the art world.
Ghada Amer is a contemporary artist, much of her work deals with issues of gender and sexuality. Her most notable body of work involves highly layered embroidered paintings of women's bodies referencing pornographic imagery.
Lorna Simpson is an American photographer and multimedia artist whose works have been exhibited both nationally and internationally. In 1990, she became the first African-American woman to exhibit at the Venice Biennale. She came to prominence in the 1980s and 1990s with photo-text installations such as Guarded Conditions and Square Deal that questioned the nature of identity, gender, race, history and representation. Simpson continues to explore these themes in relation to memory and history using photography, film, video, painting, drawing, audio, and sculpture.
Obiora Udechukwu is a Nigerian painter and poet.
Christopher Uchefuna Okeke, also known as Uche Okeke, was an illustrator, painter, sculptor, and teacher. He was an art and aesthetic theorist, seminal to Nigerian modernism.
Demas Nwoko is a Nigerian artist, protean designer, architect and master builder. As an artist, he strives to incorporate modern techniques in architecture and stage design to enunciate African subject matter in most of his works. In the 1960s, he was a member of the Mbari club of Ibadan, a committee of burgeoning Nigerian and foreign artists. He was also a lecturer at the University of Ibadan. In the 1970s, he was the publisher of the now defunct New Culture magazine.
Coreen Simpson is a noted African-American photographer and jewelry designer, whose work has an African-American theme.
Paul Mpagi Sepuya is an American photographer and artist. His photographs focus heavily on the relationship between artist and subject. He often explores the nude in relation to the intimacy of studio photography. The foundation of Sepuya's work is portraiture. He features friends and muses in his work that creates meaningful relationships through the medium of photography. Sepuya reveals the subjects in his art in fragments: torsos, arms, legs, or feet rather the entire body. Through provocative photography, Sepuya creates a feeling of longing and wanting more. This yearning desire allows viewers to connect deeply with the photography in a meaningful way.
Contemporary African art is commonly understood to be art made by artists in Africa and the African diaspora in the post-independence era. However, there are about as many understandings of contemporary African art as there are curators, scholars and artists working in that field. All three terms of this "wide-reaching non-category [sic]" are problematic in themselves: What exactly is "contemporary", what makes art "African", and when are we talking about art and not any other kind of creative expression?
The Walther Collection is a private non-profit organization dedicated to researching, collecting, exhibiting, and publishing modern and contemporary photography and video art. The collection has two exhibition spaces: the Walther Collection in Neu-Ulm/Burlafingen, in Germany, and the Walther Collection Project Space in New York City.
Anthony Barboza is a photographer, historian, artist and writer. With roots originating from Cape Verde, and work that began in commercial art more than forty years ago, Barboza's artistic talents and successful career helped him to cross over and pursue his passions in the fine arts where he continues to contribute to the American art scene.
Chika Okeke-Agulu is a Nigerian artist, art historian, art curator, and blogger specializing in African and African diaspora art history. He lives in Princeton, New Jersey.
Samuel Fosso is a Cameroonian-born Nigerian photographer who has worked for most of his career in the Central African Republic. His work includes using self-portraits adopting a series of personas, often commenting on the history of Africa. One of his most famous works of art, and what he is best known for, is his "autoportraits" where he takes either himself or other more recognizable people and draws them in a style of popular culture or politics. He is recognized as one of Central Africa's leading contemporary artists.
Sylvia H. Williams, was an American museum director, curator, art historian, and scholar of African art. She helped develop the study and appreciation of African art as a significant aesthetic and intellectual pursuit in the United States.
Iké Udé is a Nigerian-American photographer, performance artist, author and publisher based in New York City, United States.
Armet Francis is a Jamaican-born photographer and publisher who has lived in London since the 1950s. He has been documenting and chronicling the lives of people of the African diaspora for more than 40 years and his assignments have included work for The Times Magazine, The Sunday Times Supplement, BBC and Channel 4.
Krista Thompson is an art historian. She serves as Weinberg College Board of Visitors Professor and Professor in the Department of Art History at Northwestern University. Her work focuses on modern and contemporary art and visual culture of the Africa diaspora, particularly the medium of photography.
Omar Victor Diop is a Senegalese photographer whose conceptually-rich work is exhibited around the world. He lives and works in Dakar and Paris, France.
