 BRC Manifesto at MoMA, deliberately placed to cover signage to the Johnson Gallery | |
| Abbreviation | BRC |
|---|---|
| Location |
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| Website | www |
The Black Reconstruction Collective (BRC) is an American architecture collective. The BRC was formed by participants in the Museum of Modern Art (MoMA) Reconstructions: Architecture and Blackness in America project which was exhibited in the spring of 2021. [1]
The immediate origins sprung from a 2018 meeting between Sean Anderson, an MoMA curator, and Mabel O. Wilson, author of the essay White by Design from Among Others: Blackness at Moma, from which resulted in MoMA curators asking the questions: “How can architecture address a user that has never been accurately defined? How do we construct blackness?”. [1] This led to an inaugural meeting in September 2019 to discuss the planned Reconstructions: Architecture and Blackness in America at the MoMA with ten potential exhibitors resolved to form the BRC, being inspired by a presentation from Saidiya Hartman and Tina Campt and their formation of the Practicing Refusal Collective Black feminist forum. [2] The BRC was formed by Emanuel Admassu, Germane Barnes, Sekou Cooke, J. Yolande Daniels, Felecia Davis, Mario Gooden, Walter Hood, Olalekan Jeyifous, V. Mitch McEwen, and Amanda Williams and all placed newly commissioned works in the exhibition. [3]
The Reconstructions: Architecture and Blackness in America exhibition opened at the MoMA in February 2021 and ran through to 31 May 2021. [4] A notable exhibit was a large-scale fabric-printed BRC manifesto covering and disrupting directions to the galleries that bore the name of Philip Johnson, the controversial original director of the architecture and design department of the MoMA who espoused racist and white supremacist views in his youth, and failed to include a single Black architect or designer in MoMA's collection during his 6 decade tenure. [4] [5]
The Barnes work A Spectrum of Blackness: The Search for Sedimentation in Miami explores locations in that city such as beaches which Black disporia helped build and were not allowed to access; and how these can be seen as places of "possibility" and "community". [1]
We Outchea: Hip-Hop Fabrications and Public Space by Cooke uses a concrete stoop (staircase) to depict how the community responded to the division caused by the building of Interstate 81 in Syracuse, New York. [1]
Shaw of The Guardian observed Afrofuturism and speculation are themes that are present in many of the Reconstruction works, and illustrated Hoods Black Towers/Black Power envisaging a future for San Pablo Avenue in Oakland, California, a central point for the Black Panther Party, the party's ten points mapping to ten towers on proposed building sites of nonprofit organizations. [1]
Myer's of The Architect's Newspaper notes almost all of Reconstruction's work "directly incorporates or gestures toward a kind of cartography", exampling Daniels’s black city: The Los Angeles Edition as an overt pair mapping between wireframe isometric maps paired with information of the associated neighborhood printed in gold filigree. [6]
During the exhibition the BRC has used talks, lectures and interactive discussions to on subjects including environmental justice, architecture of Black futures, and the possible shape of architecture of reparations. [4] Funds raised have been used to support the annual budget with future plans to grant other Black spatial practitioners. [4]
Shaw of The Guardian newspaper quotes the collective's objects is “take up the question of what architecture can be – not a tool for imperialism and subjugation, not a means for aggrandizing the self, but a vehicle for liberation and joy”. [1]
Philip Cortelyou Johnson was an American architect who designed modern and postmodern architecture. Among his best-known designs are his modernist Glass House in New Canaan, Connecticut; the postmodern 550 Madison Avenue in New York City, designed for AT&T; 190 South La Salle Street in Chicago; the Sculpture Garden of New York City's Museum of Modern Art; and the Pre-Columbian Pavilion at Dumbarton Oaks. His January 2005 obituary in The New York Times described his works as being "widely considered among the architectural masterpieces of the 20th century".
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. The institution was conceived in 1929 by Abby Aldrich Rockefeller, Lillie P. Bliss, and Mary Quinn Sullivan. Initially located in the Heckscher Building on Fifth Avenue, it opened just days after the Wall Street Crash. The museum, America's first devoted exclusively to modern art, was led by A. Conger Goodyear as president and Abby Rockefeller as treasurer, with Alfred H. Barr Jr. as its first director. Under Barr's leadership, the museum's collection rapidly expanded, beginning with an inaugural exhibition of works by European modernists. Despite financial challenges, including opposition from John D. Rockefeller Jr., the museum moved to several temporary locations in its early years, and John D. Rockefeller Jr. eventually donated the land for its permanent site.
MoMA PS1 is a contemporary art institution located in Court Square in the Long Island City neighborhood in the borough of Queens, New York City, United States. In addition to its exhibitions, the institution organizes the Sunday Sessions performance series, the Warm Up summer music series, and the Young Architects Program with the Museum of Modern Art. MoMA PS1 has been affiliated with the Museum of Modern Art since January 2000 and, as of 2013, attracts about 200,000 visitors a year.
Architecture Without Architects: A Short Introduction to Non-Pedigreed Architecture is a book based on the NYC MoMA exhibition of the same name by Bernard Rudofsky originally published in 1964. It provides a demonstration of the artistic, functional, and cultural richness of vernacular architecture.
Aino Maria Marsio-Aalto was a Finnish architect and a pioneer of Scandinavian design. She is known as the design partner of architect Alvar Aalto, with whom she worked for 25 years, and as a co-founder with him, Maire Gullichsen, and Nils-Gustav Hahl of the design company Artek, collaborating on many its most well-known designs. As Artek's first artistic director, her creative output spanned textiles, lamps, glassware, and buildings. It has been discovered that it was Aino who completed the first work commissioned through Artek which was the Viipuri Library in 1935. Her work is in the permanent collection of the Museum of Modern Art (MoMA) in New York, and MoMA has included her work in nine exhibitions, the first of which was Aalto: Architecture and Furniture in 1938. Other major exhibitions were at the Barbican Art Gallery in London and Chelsea Space in London. Aino Aalto has been exhibited with Pablo Picasso.
Storefront for Art and Architecture is an independent, non-profit art and architecture organization located in SoHo, Manhattan in New York City. The organization is committed to the advancement of innovative positions in architecture, art and design.
Paola Antonelli is an Italian architect, curator, author, editor, and educator. Antonelli is the Senior Curator of Architecture and Design at the Museum of Modern Art (MoMA), New York, where she also serves as the founding Director of Research and Development. She has been described as "one of the 25 most incisive design visionaries in the world" by TIME magazine.
Neri Oxman is an Israeli-American designer and former professor known for art that combines design, biology, computing, and materials engineering. She coined the phrase "material ecology" to define her work.
Shofuso (Pine Breeze Villa), (Japanese: 松風荘) also known as Japanese House and Garden, is a traditional 17th century-style Japanese house and garden located in Philadelphia's West Fairmount Park on the site of the Centennial Exposition of 1876. Shofuso is a nonprofit historic site with over 30,000 visitors each year and is open to the public for visitation and group tours.
Alejandro Gastón Aravena Mori is a Chilean architect and executive director of the firm Elemental S.A. He won the Pritzker Architecture Prize in 2016, and was the director and curator of the Architecture Section of the 2016 Venice Biennale.
Mario Gooden is an architect in the United States. He is the director at Mario Gooden Studio based in New York, New York. He was previously the principal of Huff + Gooden Architects which he co-founded with Ray Huff in 1997. Gooden is also a Professor of Practice and Director of the Master of Architecture program at the Graduate School of Architecture, Planning and Preservation (GSAPP) of Columbia University, where he teaches architectural design and theory. Gooden held previous academic appointments at the Yale School of Architecture as the Louis I. Khan Distinguished Visiting Professor, the Southern California Institute of Architecture (Sci-Arc) in Los Angeles, the University of Arizona (Tucson), the University of Florida (Gainesville), Clemson University, and The City College of New York.
Björk was an exhibition at the Museum of Modern Art (MoMA) in New York City about the Icelandic singer of the same name. Exhibited at MoMA from March 8 to June 7, 2015, Björk was a "retrospective" showing comprising audio, video, fashion, instruments, and other objects pertaining to her career.
Olalekan Jeyifous, commonly known as Lek, is a Nigerian-born visual artist based in Brooklyn, New York. He is currently a visiting lecturer at Cornell University, where he also received his Bachelor of Architecture in 2000. Trained as an architect, his career primarily focuses on public and commercial art. His work has been newly commissioned for the Reconstructions: Architecture and Blackness in America exhibition at the Museum of Modern Art in New York along with Amanda Williams, Walter Hood, and Mario Gooden. The exhibition explores the relationship between architecture and the spaces of African American and African diaspora communities and ways in which histories can be made visible and equity can be built.
Mabel O. Wilson is an American architect, designer, and scholar. She is the founder of Studio& and a professor at the Columbia University Graduate School of Architecture, Planning, and Preservation.
V. Mitch McEwen is an American architect and urban planner, cultural activist, and Assistant Professor at the Princeton University School of Architecture. She is co-founder of Atelier Office, a design and cultural practice working within the fields of urbanism, technology, and the arts. McEwen is a co-founder and member of the Black Reconstruction Collective and a board member of the Van Alen Institute in New York. She was given the 2010 New York State Council on the Arts Independent Projects Award for Architecture, Planning and Design.
Germane Barnes is an American architect, designer and an Assistant Professor of Architecture at the University of Miami in Florida. Barnes was a 2021 recipient of the Rome Prize in Architecture.
Sean Canty is an American architect, cultural activist and academic. He is currently an Assistant Professor at the Harvard University Graduate School of Design in Cambridge. Canty is co-Director of Office III, an experimental architectural collective, and founder of Studio Sean Canty based in Boston.
Sekou Cooke is an American-Jamaican architect, author and educator, and is associated with the style of Hip-hop architecture. He is the Director of the Master in Urban Design program at UNC Charlotte and principal of Sekou Cooke Studio. Cooke is one of the founding members of the Black Reconstruction Collective.
J. Yolande Daniels is an American architect, designer and educator. She is a founding principal of studioSUMO, an architecture firm that speaks to socio-cultural landscapes through design.
Felecia Davis is an American architect, engineer and educator. She is principal of FELECIA DAVIS STUDIO where she bridges art, engineering, design and architecture. Davis is known for her work in computational textiles.