The Savoy Ballroom was a large ballroom for music and public dancing located at 596 Lenox Avenue, between 140th and 141st Streets in the Harlem neighborhood of Manhattan, New York City. Lenox Avenue was the main thoroughfare through upper Harlem. Poet Langston Hughes calls it the "Heartbeat of Harlem" in Juke Box Love Song, and he set his work "Lenox Avenue: Midnight" on the legendary street. The Savoy was one of many Harlem hot spots along Lenox, but it was the one to be called the "World's Finest Ballroom". It was in operation from March 12, 1926, to July 10, 1958, and as Barbara Englebrecht writes in her article "Swinging at the Savoy", it was "a building, a geographic place, a ballroom, and the 'soul' of a neighborhood". It was opened and owned by white entrepreneur Jay Faggen and Jewish businessman Moe Gale. It was managed by African-American businessman and civic leader Charles Buchanan. Buchanan, who was born in the British West Indies, sought to run a "luxury ballroom to accommodate the many thousands who wished to dance in an atmosphere of tasteful refinement, rather than in the small stuffy halls and the foul smelling, smoke laden cellar nightclubs ..."
The Cotton Club was a 20th-century nightclub in New York City. It was located on 142nd Street and Lenox Avenue from 1923 to 1936, then briefly in the midtown Theater District until 1940. The club operated during the United States' era of Prohibition and Jim Crow era racial segregation. Black people initially could not patronize the Cotton Club, but the venue featured many of the most popular black entertainers of the era, including musicians Fletcher Henderson, Duke Ellington, Jimmie Lunceford, Chick Webb, Louis Armstrong, Count Basie, Fats Waller, Willie Bryant; vocalists Adelaide Hall, Ethel Waters, Cab Calloway, Bessie Smith, Lillie Delk Christian, Aida Ward, Avon Long, the Dandridge Sisters, the Will Vodery choir, The Mills Brothers, Nina Mae McKinney, Billie Holiday, Midge Williams, Lena Horne, and dancers such as Katherine Dunham, Bill Robinson, The Nicholas Brothers, Charles 'Honi' Coles, Leonard Reed, Stepin Fetchit, the Berry Brothers, The Four Step Brothers, Jeni Le Gon and Earl Snakehips Tucker.
A gay bar is a drinking establishment that caters to an exclusively or predominantly lesbian, gay, bisexual, transgender or queer (LGBTQ+) clientele; the term gay is used as a broadly inclusive concept for LGBTQ+ communities.
The Chitlin' Circuit was a collection of performance venues found throughout the eastern, southern, and upper Midwest areas of the United States. They provided commercial and cultural acceptance for African-American musicians, comedians, and other entertainers following the era of venues run by the "white-owned-and-operated Theatre Owners Booking Association (TOBA)...formed in 1921." The Chitlin Circuit sustained black musicians and dancers during the era of racial segregation in the United States from the 1930s through the 1960s.
A jazz club is a venue where the primary entertainment is the performance of live jazz music, although some jazz clubs primarily focus on the study and/or promotion of jazz-music. Jazz clubs are usually a type of nightclub or bar, which is licensed to sell alcoholic beverages. Jazz clubs were in large rooms in the eras of Orchestral jazz and big band jazz, when bands were large and often augmented by a string section. Large rooms were also more common in the Swing era, because at that time, jazz was popular as a dance music, so the dancers needed space to move. With the transition to 1940s-era styles like Bebop and later styles such as soul jazz, small combos of musicians such as quartets and trios were mostly used, and the music became more of a music to listen to, rather than a form of dance music. As a result, smaller clubs with small stages became practical.
Café Society was a New York City nightclub open from 1938 to 1948 on Sheridan Square in Greenwich Village. It was managed by Barney Josephson.
The Sunset Cafe, also known as The Grand Terrace Cafe or simply Grand Terrace, was a jazz club in Chicago, Illinois operating during the 1920s, 1930s and 1940s. It was one of the most important jazz clubs in America, especially during the period between 1917 and 1928 when Chicago became a creative capital of jazz innovation and again during the emergence of bebop in the early 1940s. From its inception, the club was a rarity as a haven from segregation, since the Sunset Cafe was an integrated or Black and Tan club where African Americans, along with other ethnicities, could mingle freely with white Americans without much fear of reprisal. Many important musicians developed their careers at the Sunset/Grand Terrace Cafe.
William Ward Pinkett, Jr. was an American jazz trumpeter and scat vocalist during the Harlem Renaissance. A respected sideman recognized as a "hot" trumpet and with a versatile ear, he played and recorded with some of the greatest jazzmen of the era, including King Oliver, Jimmy Johnson, Chick Webb and Jelly Roll Morton. His career was cut short by alcoholism.
A nightclub is a club that is open at night, usually for drinking, dancing and other entertainment. Nightclubs often have a bar and discothèque with a dance floor, laser lighting displays, and a stage for live music or a disc jockey (DJ) who mixes recorded music. Nightclubs tend to be smaller than live music venues like theatres and stadiums, with few or no seats for customers.
The Silver Belles were an American female tap dance troupe established in Harlem, New York City.
Barney Josephson was the American founder of Café Society in Greenwich Village, New York's first integrated nightclub. Opening artists in 1938 included Billie Holiday, who first performed the song "Strange Fruit" there.
Terrific Street was a short-lived entertainment district on San Francisco's Barbary Coast during the early 20th century. It consisted of dance halls, jazz clubs, and various kinds of drinking establishments. Terrific Street was centered upon a single block of Pacific Street, which was one of the earliest streets to cut through the hills of San Francisco, starting near Portsmouth Square and continuing east to the first shipping docks at Buena Vista Cove. The district was located between Kearny and Montgomery streets on Pacific Street.
Smalls Paradise, was a nightclub in the Harlem neighborhood of Manhattan in New York City. Located in the basement of 2294 Adam Clayton Powell Jr. Boulevard at 134th Street, it opened in 1925 and was owned by Ed Smalls (né Edwin Alexander Smalls; 1882–1976). At the time of the Harlem Renaissance, Smalls Paradise was the only one of the well-known Harlem night clubs to be owned by an African-American and integrated. Other major Harlem night clubs admitted only white patrons unless the person was an African-American celebrity.
Club Harlem was a nightclub at 32 North Kentucky Avenue in the Northside neighborhood of Atlantic City, New Jersey. Founded in 1935 by Leroy "Pop" Williams, it was the city's premier club for black jazz performers. Like its Harlem counterpart, the Cotton Club, many of Club Harlem's guests were white, wealthy and eager to experience a night of African-American entertainment.
The Paradise Club or Club Paradise was a nightclub and jazz club at 220 North Illinois Avenue in Atlantic City, New Jersey. It was one of two major black jazz clubs in Atlantic City during its heyday from the 1920s through 1950s, the other being Club Harlem. Entertaining a predominantly white clientele, it was known for its raucous floor shows featuring gyrating black dancers accompanied by high-energy jazz bands led by the likes of Count Basie, Jimmie Lunceford, and Lucky Millinder. In 1954 the Paradise Club merged with Club Harlem under joint ownership.
Grace's Little Belmont was a jazz music bar and lounge in Atlantic City, New Jersey. Located at 37 North Kentucky Avenue, it was one of the four popular black nightclubs situated on that street between the mid-1930s and mid-1970s; the others were Club Harlem, the Paradise Club, and the Wonder Gardens. The Little Belmont was located across the street from Club Harlem, with which it often shared performers and patrons. Wild Bill Davis and his swing and jazz quartet were featured summer performers from 1950 through the mid-1960s, and Elvera M. "Baby" Sanchez, mother of Sammy Davis Jr., worked at the bar. The club closed in the mid-1970s and was later demolished.
The Cotton Club Boys were African American chorus line entertainers who, from 1934, performed class act dance routines in musical revues produced by the Cotton Club until 1940, when the club closed, then as part of Cab Calloway's revue on tour through 1942.
Lincoln Gardens, also known during its history as Royal Gardens, Royal Gardens Café, the New Charleston Café and Café de Paris, was a night club and dance hall that played an instrumental role in the history of jazz and youth culture in the city of Chicago during the first three decades of the 20th century. Opening sometime in the first few years of the 20th century, it was the largest dance hall in South Side, Chicago prior to the opening of the Savoy Ballroom in 1927. Originally a venue that employed only white musicians and catered to only white patrons, it was reinvented as a space for patrons and musicians of all races by African-American entrepreneurs Virgil Williams and William Bottoms in 1918. This reinvented venue was at first the home of Bill Johnson and the Original Creole Band. Later King Oliver's Creole Jazz Band was the resident band at the venue from 1922 through 1924. It closed in June 1927 after the establishment was bombed.
