Blipvert

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A blipvert is a very brief television advertisement, lasting one second. [1] The word is a portmanteau of blip, a brief sound, and advertisement . [2]

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The term and concept were used in the 1985 film Max Headroom: 20 Minutes into the Future and in Blipverts , the first episode of the 1987 science fiction television show Max Headroom . In the film and TV show, "blipverts" were new high-speed, concentrated, high-intensity television commercials lasting about three seconds. Their purpose was to prevent the channel-switching that may occur during standard-length commercials. [3] They were invented as a MacGuffin to drive the plot. [4]

Real-life examples of compressed advertising

Real life advertisements have been cited as benefiting from a "blipvert effect", in which viewers recall the advertisements better. [5]

Master Lock, which had already made the image of a padlock shot by a sharpshooter into a lasting advertising image with their ad in the Super Bowl in 1974, incorporated that video image, along with its logo, in a one-second-long television commercial in 1998. [6] Advertising Age , in describing why the concept did not catch on, said that is "difficult to do much with a one-second ad". [7]

In 2002, MuchMusic introduced promos that consisted of one of twelve images of a VJ posing in front of the network's logo, lasting for only 1/60th of a second each. The "quickies" were recognized with a Guinness World Record for the world's shortest television commercial. [8]

In May 2006, GE introduced "One Second Theater", television commercials with additional material included as individual frames in the last second of the ad, for frame-by-frame viewing with digital video recorders. When viewed at normal speed, the frames flash by rapidly, much like blipverts. [5]

Miller Brewing Company aired a one-second ad during the Super Bowl XLIII football game in February 2009. The ad featured Windell Middlebrooks, who had been featured in Miller High Life ads since 2006, standing in a warehouse filled with High Life boxes and quickly shouting "High Life!" [9]

Related Research Articles

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<i>Max Headroom</i> (TV series) 1987–1988 satirical science fiction show

Max Headroom is an American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 31, 1987, to May 5, 1988. The series is set in a futuristic dystopia ruled by an oligarchy of television networks, and features the character and media personality Max Headroom. The story is based on the Channel 4 British TV film produced by Chrysalis, Max Headroom: 20 Minutes into the Future.

<span class="mw-page-title-main">Television advertisement</span> Paid commercial segment on television

A television advertisement is a span of television programming produced and paid for by an organization. It conveys a message promoting, and aiming to market, a product, service or idea. Advertisers and marketers may refer to television commercials as TVCs.

<span class="mw-page-title-main">1984 (advertisement)</span> 1984 American television commercial directed by Ridley Scott

"1984" is an American television commercial that introduced the Apple Macintosh personal computer. It was conceived by Steve Hayden, Brent Thomas, and Lee Clow at Chiat/Day, produced by New York production company Fairbanks Films, and directed by Ridley Scott. The ad was an allusion to George Orwell's noted 1949 novel, Nineteen Eighty-Four, which described a dystopian future ruled by a televised "Big Brother". English athlete Anya Major performed as the unnamed heroine and David Graham as Big Brother. In the US, it first aired in 10 local outlets, including Twin Falls, Idaho, where Chiat/Day ran the ad on December 31, 1983, at the last possible break before midnight on KMVT, so that the advertisement qualified for the 1984 Clio Awards. Its second televised airing, and only US national airing, was on January 22, 1984, during a break in the third quarter of the telecast of Super Bowl XVIII by CBS.

<span class="mw-page-title-main">Think different</span> Slogan by Apple Inc.

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<i>Network 7</i> British TV series or programme

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<span class="mw-page-title-main">Max Headroom signal hijacking</span> 1987 Chicago television hijacking incident

On the night of November 22, 1987, the television signals of two stations in Chicago, Illinois, were hijacked, briefly sending a pirate broadcast of an unidentified person wearing a Max Headroom mask and costume to thousands of home viewers.

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<i>Max Headroom: 20 Minutes into the Future</i> 1985 cyberpunk television movie

Max Headroom: 20 Minutes into the Future is a 1985 cyberpunk television film created by British company Chrysalis Visual Programming Ltd. for Channel 4. Max Headroom was created by George Stone, Annabel Jankel, and Rocky Morton, while the TV movie story was developed by Stone and screenwriter Steve Roberts. The television film was created to provide a backstory and origin for the character Max before he started appearing regularly as host and veejay of a new music video programme on Channel 4, The Max Headroom Show.

In photography and cinematography, headroom or head room is a concept of aesthetic composition that addresses the relative vertical position of the subject within the frame of the image. Headroom refers specifically to the distance between the top of the subject's head and the top of the frame, but the term is sometimes used instead of lead room, nose room or 'looking room' to include the sense of space on both sides of the image. The amount of headroom that is considered aesthetically pleasing is a dynamic quantity; it changes relative to how much of the frame is filled by the subject. Rather than pointing and shooting, one must compose the image to be pleasing. Too much room between a subject's head and the top of frame results in dead space.

These are instances of subliminal messages that have led to controversy and occasionally legal allegations.

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<span class="mw-page-title-main">Time Sculpture</span>

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TV advertisements by country refers to how television advertisements vary in different countries and regions.

References

  1. Ang, Lawrence (2014). Principles of Integrated Marketing Communications. Cambridge University Press. p. 120. ISBN   9781107664081.
  2. Winfrey, Les (1987-03-31). "Mind-blowing Tv-industry Satire "Max Headroom" Imagines A Future Where Tv Sets Are Always On". The Philadelphia Inquirer . Retrieved 2016-07-07.
  3. Abbott, Rebecca (1991). "Selling Out 'Max Headroom'". In Olson, Alan M.; Parr, Christopher; Parr, Deborah (eds.). Video Icons & Values. State University of New York Press. p.  111. ISBN   9780791404119.
  4. Atkinson, Terry (1987-05-05). "The Mixed-up World Of Max Headroom Creators". Los Angeles Times . Retrieved 2016-07-07.
  5. 1 2 Cecil, John (2012). Online Video Revolution: How to Reinvent and Market Your Business Using Video. Palgrave Macmillan. p. 30. ISBN   9781137511249.[ permanent dead link ]
  6. Time, "Blink Of An Ad" Time.com Retrieved on 04-24-07
  7. Steinberg, Brian (2011-04-18). "12 Minutes, 10 Ideas That Tried to Change TV Ad Time Forever". Advertising Age . Retrieved 2016-07-07.
  8. "Now You See It". Adweek. Archived from the original on February 11, 2017. Retrieved February 10, 2017.
  9. Mavity, Ryan. Cape Gazette. "Middlebrooks delivers the High Life to Coastal Delaware [ permanent dead link ]. Aug. 27, 2009.