Blonde on the Tracks | ||||
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Studio album by | ||||
Released | August 14, 2020 | |||
Recorded | 2017–2020 | |||
Studio | Magnetic Sound Studio (Nashville) and home recordings [1] | |||
Genre | Alternative country | |||
Length | 44:43 | |||
Label | Tiny Ghost Records | |||
Producer | Pat Sansone | |||
Emma Swift chronology | ||||
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Singles from Blonde on the Tracks | ||||
Blonde on the Tracks is the debut studio album by Australian singer-songwriter Emma Swift and was released August 14, 2020 by Tiny Ghost Records. The album consists of Bob Dylan covers and was recorded between 2017 and 2020 in Nashville, Tennessee, the album was produced by Wilco's Pat Sansone and featured a number of well-known Nashville musicians as Swift's backing band, including British guitarist Robyn Hitchcock, Swift's partner. [1]
Swift said "The idea for the album came about during a long depressive phase, the kind where it's hard to get out of bed and get dressed and present to the world as a high-functioning human. I was lost on all fronts no doubt, but especially creatively. I've never been a prolific writer, but this period was especially wordless. Sad, listless and desperate, I began singing Bob Dylan songs as a way to have something to wake up for. Interpreting other people's emotions is how I learned to sing and I've always enjoyed hearing Dylan's songs from a female perspective. You can learn a lot about melody and feeling by the way a singer chooses to interpret someone else's song." [5]
Five singles were released from the album across 2020, all with animated video clips. [8] [10]
The album developed out of a long depressive period for Swift, when writing songs of her own had become increasingly difficult. Swift found listening to Dylan, and eventually singing her own version of his songs, to be "a way to have something to wake up for", she told an interviewer for the Irish Times . [11] Beyond the quality of Dylan's songwriting, Swift said in an interview with Nashville Scene that she was drawn to Dylan's "supremely confident" attitude as an artist during a time when she was acutely depressed. Swift finished six of the eight songs in 2017, working with producer Pat Sansone at Nashville's Magnetic Sound Studio, but put the project aside without releasing the songs. She was reinspired to complete the album in 2020 due to the worldwide COVID-19 quarantine as well as Dylan's own 2020 album, Rough and Rowdy Ways . Recording in home studios, Swift and her band completed two more covers, including a version of "I Contain Multitudes" from Rough and Rowdy Ways. [1]
Review scores | |
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Source | Rating |
Irish Times | [11] |
Under the Radar | [12] |
Morning Star | [13] |
American Songwriter | [14] |
The album received largely positive reviews from critics.
Mark Moody of Under the Radar called the album "truly a master class in interpretation." [12] Hal Horowitz of American Songwriter praised "Swift’s sweet, innocent, usually mellifluous voice", and called the album "a generally successful, instantly likeable meeting of voice, production and of course songs," but also felt that none of the songs were "definitive ... Swift and Sansone’s approach to these Dylan chestnuts is more toned down than you might expect or anticipate." [14] Joe Breen, writing in the Irish Times , noted the difficulty in finding something new in such an often-interpreted musician as Dylan, and said that "rarely has he been covered so tenderly as on this quietly impressive (and wittily titled) collection." [11] Brittney McKenna of Nashville Scene wrote that Swift's vocals are "at once delicate and tough, recalling the sturdy sultriness of Cat Power or Jenny Lewis far more than Dylan’s own folky rasp." [1]
Greil Marcus, writing in his monthly "Real Life Rock Top 10" column, called the album an "honorable" tribute to Dylan. He singled out Swift's version of "One of Us Must Know (Sooner or Later)", calling it a "real transformation... Her high, clear voice highlights each syllable, letting you hear the words form, one seemingly following inevitably from the other, until they feel handed down, fragments of old songs now speaking to each other." He also praised Hitchcock's guitar work: "never in the way, always on the verge of fading out, making you say, no, no, not yet." [15]
Swift performed a concert at Grimey's in Nashville, Tennessee that was live-streamed on YouTube on August 20, 2020 in order promote to the album. [16] She performed seven of the album's eight tracks—leaving off only the epic "Sad Eyed Lady of the Lowlands", which was replaced by "I've Made Up My Mind to Give Myself to You", another song from Dylan's Rough and Rowdy Ways . The audio of this performance of "I've Made Up My Mind to Give Myself to You" was later made available to listen to on the "International Women's Day" episode of the Definitely Dylan podcast and radio show. [17]
On April 20, 2021, Swift announced an Australian tour in June to promote the album and mark Dylan's 80th birthday. [18]
All tracks are written by Bob Dylan.
No. | Title | Length |
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1. | "Queen Jane Approximately" | 4:36 |
2. | "I Contain Multitudes" | 5:07 |
3. | "One of Us Must Know (Sooner or Later)" | 6:19 |
4. | "Simple Twist of Fate" | 4:20 |
5. | "Sad Eyed Lady of the Lowlands" | 11:57 |
6. | "The Man in Me" | 3:26 |
7. | "Going, Going, Gone" | 3:30 |
8. | "You're a Big Girl Now" | 5:28 |
Chart (2020) | Peak position |
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Australian Albums (ARIA) [20] | 9 |
Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know ". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.
Robyn Rowan Hitchcock is an English singer-songwriter and guitarist. While primarily a vocalist and guitarist, he also plays harmonica, piano, and bass guitar. After leading the Soft Boys in the late 1970s and releasing the influential Underwater Moonlight, Hitchcock launched a prolific solo career. His musical and lyrical styles have been influenced by Bob Dylan, John Lennon, Syd Barrett, Captain Beefheart, Martin Carthy, Lou Reed, Roger McGuinn and Bryan Ferry.
"4th Time Around" is a song by American singer-songwriter Bob Dylan, which was released as the 12th track on his seventh studio album Blonde on Blonde on June 20, 1966. The song was written by Dylan and produced by Bob Johnston. Commentators often interpret it as a parody of the Beatles' 1965 song "Norwegian Wood ". John Lennon composed "Norwegian Wood" after being influenced by the introspective lyrics of Dylan. Lennon later reflected on his feelings of paranoia when Dylan first played him "4th Time Around".
"Sad Eyed Lady of the Lowlands" is a song by American singer-singwriter Bob Dylan. First released as the final track on Dylan's 1966 album Blonde on Blonde, the song lasts 11 minutes and 23 seconds, and occupies the entire fourth side of the double album. The song was written by Dylan and produced by Bob Johnston. Dylan has revealed that the song was written about his wife, Sara Lownds.
Patrick (Pat) Sansone is a Grammy-nominated singer, songwriter, musician, and music producer. He is a member of Wilco, The Autumn Defense, and Mellotron Variations and has worked with Jonathan Wilson, Andrew Bird, Jamie Lidell, and others.
"Absolutely Sweet Marie" is a song by American singer-songwriter Bob Dylan, which was released on the third side of the double album and Dylan's seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It was recorded at around 1:00 am on March 8, 1966, at Columbia Studio A, Nashville. Some commentators have interpreted the song as being about sexual frustration.
"Leopard-Skin Pill-Box Hat" is a song by American singer-songwriter Bob Dylan, which was released on the second side of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan, and produced by Bob Johnston. Dylan has denied that the song references any specific individual, although critics have speculated that it refers to Edie Sedgwick, who Dylan had spent time with in December 1965.
"Rainy Day Women #12 & 35" is a song written and recorded by American singer-songwriter Bob Dylan. Columbia Records first released an edited version as a single in March 1966, which reached numbers two and seven in the US and UK charts respectively. A longer version appears as the opening track of Dylan's seventh studio album, Blonde on Blonde (1966), and has been included on several compilation albums.
"I Want You" is a song by American singer-songwriter Bob Dylan, which was released as a single in June 1966, and, later that month, on his seventh studio album, Blonde on Blonde. The song was written by Dylan, and produced by Bob Johnston. The song has been interpreted as a straightforward expression of lust, although critics have highlighted that the symbolism of the song is complex. It was the last song recorded for Blonde on Blonde, with several takes recorded in the early hours of March 10, 1966. It was included on Bob Dylan's Greatest Hits (1967). The song has received a largely positive critical reception, with a number of commentators highlighting Dylan's use of imagery, although some of the meanings are obscure.
"Pledging My Time" is a blues song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song, written by Dylan and produced by Bob Johnston, was recorded on March 8, 1966 in Nashville, Tennessee. Dylan is featured on lead vocals, harmonica, and guitar, backed by guitarist Robbie Robertson and an ensemble of veteran Nashville session men.
"Most Likely You Go Your Way and I'll Go Mine", or "Most Likely You Go Your Way (and I'll Go Mine)", is a song by American singer-songwriter Bob Dylan. It was released as the first track on side three of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. Dylan recounted that he had probably written the song after the end of a relationship. The song's narrator criticizes the lies and weakness of a woman, and says that he finds it hard to care. The final verse establishes that the woman has been unfaithful to the narrator by having a relationship with another man, as he suspected all along.
Emma Swift is an Australian singer-songwriter. Before becoming a musician, she was a radio broadcaster, hosting Americana music show In the Pines on FBi Radio and Revelator on Double J at Australian Broadcasting Corporation in Sydney, Australia.
"I Contain Multitudes" is a song by American singer-songwriter Bob Dylan, the opening track on his 39th studio album, Rough and Rowdy Ways (2020). It was released as the album's second single on April 17, 2020, through Columbia Records. The title of the song is taken from Section 51 of the poem "Song of Myself" by Walt Whitman.
Rough and Rowdy Ways is the 39th studio album by American singer-songwriter Bob Dylan, released on June 19, 2020, through Columbia Records. It is Dylan's first album of original songs since his 2012 album Tempest, following three releases, one a triple album, that covered traditional pop standards. The album was recorded at Sound City Studios in January and February 2020. The session musicians included all of the then-current members of Dylan's Never Ending Tour band alongside other musicians, such as Blake Mills and Fiona Apple. The album's sound was described by critics as Americana, folk, blues, and rhythm and blues.
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