BloodSisters | |
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Directed by | Michelle Handelman |
Screenplay by | Michelle Handelman |
Produced by | Michelle Handelman Monte Cazazza |
Starring |
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Cinematography | Georgia B. Wright |
Edited by | Michelle Handelman Gordon Winemko |
Music by |
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Distributed by | Kino Lorber Women Make Movies Water Bearer Films Reframe Collection |
Release date |
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Running time | 63 minutes |
Country | United States |
Language | English |
BloodSisters: Leather, Dykes and Sadomasochism is a 1995 American documentary film directed by Michelle Handelman. The film documents the lesbian BDSM and leather subculture scene in San Francisco in the mid-1990s. BloodSisters is noted as the subject of protests by the American Family Association in the context of their efforts to defund the National Endowment for the Arts, from which the film's distributor Women Make Movies received funding.
The film focuses on a group of self-identified leatherdykes active in San Francisco's BDSM scene in the mid-1990s. The film provides an overview of S&M practices and terminology, and depicts its subjects attending the 1993 March on Washington for Lesbian, Gay and Bi Equal Rights and Liberation, the San Francisco International Ms. Leather pageant, and the New York City Pride March.
Director Michelle Handelman moved to San Francisco in 1986, where she was introduced to the city's lesbian leather subculture by Pat Califia and J.C. Collins, both of whom appear as subjects in the documentary. [1] Handelman was a practitioner of S&M but was unaware of the leather subculture, and sought to create a documentary that was "not only a historical document but also a teaching tool" to both document and raise awareness of the subculture. [1] The film's soundtrack consists of music by Frightwig, Typhoon, Coil, Fred Giannelli, Chris and Cosey, and was initially distributed by Women Make Movies. [1]
The film premiered on June 10, 1995 at the San Francisco International Lesbian & Gay Film Festival, [2] and would go on to be screened at over 50 festivals in 11 countries. [3]
Following its release, BloodSisters became the subject of protests by the American Family Association (AFA) in the context of their efforts to defund the National Endowment for the Arts (NEA), from which Women Make Movies received funding. [1] The AFA produced a reel of lesbian sex scenes from films distributed by Women Make Movies for use in congressional hearings on the NEA in 1997, which included scenes from BloodSisters and the works of Barbara Hammer and Cheryl Dunye. [1] [4] While Women Make Movies received funding through the NEA, the production of BloodSisters did not; further, the scenes the AFA attributed to BloodSisters were from Georgia B. Wright's short film Stellium in Capricorn, which are merely overlaid with interviews featured in BloodSisters. [4] In response, Women Make Movies dropped BloodSisters from distribution; the film was subsequently acquired by Water Bearer Films and later Reframe Collection, a subsidiary of the Tribeca Film Institute. [1] [5]
In 2020, BloodSisters screened at Outfest, [6] NewFest, [7] and BFI Flare: London LGBT Film Festival [8] in commemoration of its 25th anniversary. A restored version of the film is slated for release by Kino Lorber on July 29, 2021. [9]
In 1998, BloodSisters won the Bravo Award at the Manchester Underground Film Festival. [5]
BloodSisters was positively received by critics. Jane Ursula Harris of BOMB described BloodSisters as a "brave, complex, and unflinching look at a much-maligned subculture." [1] Steve Seid of the Pacific Film Archive Calendar argued that the "often humorous" film "broadens the discussion about private expressions of eroticism, political implications and all." [10] The San Francisco International Film Festival noted that "by following these women and cutting between their personal lives and political activities," the film "draws us deeper into this misunderstood community and gives us a more intelligent and less sensationalist view of the reality behind these women's lives." [11] Jennie Kermode of Eye for Film argues that there is "not enough here for the film itself to serve as a guide to newcomers" to BDSM, but that BloodSisters "really delivers is in capturing a hidden history, and this is something likely to be of interest to viewers regardless of their own sexual preferences." [12]
BDSM is a variety of often erotic practices or roleplaying involving bondage, discipline, dominance and submission, sadomasochism, and other related interpersonal dynamics. Given the wide range of practices, some of which may be engaged in by people who do not consider themselves to be practising BDSM, inclusion in the BDSM community or subculture often is said to depend on self-identification and shared experience.
Bondage, in the BDSM subculture, is the practice of consensually tying, binding, or restraining a partner for erotic, aesthetic, or somatosensory stimulation. A partner may be physically restrained in a variety of ways, including the use of rope, cuffs, bondage tape, or self-adhering bandage.
Leather subculture denotes practices and styles of dress organized around sexual activities that involve leather garments, such as leather jackets, vests, boots, chaps, harnesses, or other items. Wearing leather garments is one way that participants in this culture self-consciously distinguish themselves from mainstream sexual cultures. Many participants associate leather culture with BDSM practices and its many subcultures. For some, black leather clothing is an erotic fashion that expresses heightened masculinity or the appropriation of sexual power; love of motorcycles, motorcycle clubs and independence; and/or engagement in sexual kink or leather fetishism.
Samois was a lesbian feminist BDSM organization based in San Francisco that existed from 1978 to 1983. It was the first lesbian BDSM group in the United States. It took its name from Samois-sur-Seine, the location of the fictional estate of Anne-Marie, a lesbian dominatrix character in Pauline Réage's erotic novel Story of O, who pierces and brands O. The co-founders were writer Pat Califia, who identified as a lesbian at the time, Gayle Rubin, and sixteen others.
Patrick Califia, formerly also known as Pat Califia and by the last name Califia-Rice, is an American writer of non-fiction essays about sexuality and of erotic fiction and poetry. Califia is a bisexual trans man. Prior to transitioning, Califia identified as a lesbian and wrote for many years a sex advice column for the gay men's leather magazine Drummer. His writings explore sexuality and gender identity, and have included lesbian erotica and works about BDSM subculture. Califia is a member of the third-wave feminism movement.
The leather pride flag is a symbol of leather subculture as well as kink and fetish subcultures more broadly, including BDSM. The flag was designed by Tony DeBlase in 1989.
Folsom Street Fair (FSF) is an annual BDSM and leather subculture street fair, held in September that concludes San Francisco's "Leather Pride Week". The Folsom Street Fair, sometimes referred to simply as "Folsom", takes place on the last Sunday in September, on Folsom Street between 8th and 13th Streets, in San Francisco's South of Market district.
Gayle S. Rubin is an American cultural anthropologist, theorist and activist, best known for her pioneering work in feminist theory and queer studies.
The San Francisco Lesbian, Gay, Bisexual, and Transgender Pride Celebration, usually known as San Francisco Pride, is a pride parade and festival held at the end of June most years in San Francisco, California, to celebrate the lesbian, gay, bisexual, and transgender (LGBT) people.
Mango Kiss is a 2004 American comedy film written Sarah Elisabeth Brown and Sascha Rice, and directed by Sascha Rice. The plot concerns love between two lesbian friends, Lou and Sassafras. It is based on the play Bermuda Triangles, written by Sarah Elisabeth Brown. The story for the play was based on the playwright's experience living within the lesbian subculture found in San Francisco in the 1990s.
BDSM is a frequent theme in culture and media, including in books, films, television, music, magazines, public performances and online media.
Kris Kovick was an American writer, cartoonist, and printer based in California.
Dyke is a slang term, used as a noun meaning lesbian. It originated as a homophobic slur for masculine, butch, or androgynous girls or women. Pejorative use of the word still exists, but the term dyke has been reappropriated by many lesbians to imply assertiveness and toughness.
The Van Dykes were an itinerant band of lesbian separatist vegans, founded in 1977 in the United States by Heather Elizabeth and Ange Spalding. Members of the group identified as dykes and lived in vans, traveling throughout Canada, the United States, and Mexico, stopping only on womyn's land.
Feminist views on BDSM vary widely from acceptance to rejection. BDSM refers to bondage and discipline, dominance and submission, and Sado-Masochism. In order to evaluate its perception, two polarizing frameworks are compared. Some feminists, such as Gayle Rubin and Patrick Califia, perceive BDSM as a valid form of expression of female sexuality, while other feminists, such as Andrea Dworkin and Susan Griffin, have stated that they regard BDSM as a form of woman-hating violence. Some lesbian feminists practice BDSM and regard it as part of their sexual identity.
Michelle Handelman is an American contemporary artist, filmmaker, and writer who works with live performance, multiscreen installation, photography and sound. Coming up through the years of the AIDS crisis and Culture Wars, Handelman has built a body of work that explores the dark and uncomfortable spaces of queer desire. She confronts the things that provoke collective fear and denial – sexuality, death, chaos. She directed the ground-breaking feature documentary on the 1990s San Francisco lesbian S/M scene BloodSisters: Leather, Dykes & Sadomasochism(1995), described by IndieWire as “a queer classic ahead of its time, a vital archive of queer history.” Her early work included 16mm black and white experimental films combined with performance. She is also known for her video installations Hustlers & Empires (2018), Irma Vep, The Last Breath (2013-2015), and Dorian, A Cinematic Perfume(2009-2011). In 2011, she was awarded a John Simon Guggenheim Memorial Fellowship for her film and video work.
Against Sadomasochism: A Radical Feminist Analysis is a 1982 radical feminist anthology edited by Robin Ruth Linden, Darlene R. Pagano, Diana E. H. Russell, and Susan Leigh Star. The authors critique sadomasochism and BDSM, with most identifying sadomasochism as rooted in "patriarchal sexual ideology".
Folsom Street is a street in San Francisco which begins perpendicular to Alemany Boulevard in San Francisco's Bernal Heights district and ends perpendicular to the Embarcadero on the San Francisco Bay. For its southern half, Folsom Street runs north–south, but it turns northeasterly at 13th street. It runs through San Francisco's Bernal Heights district, Mission District, SoMa District, Yerba Buena District, and South Beach district.
Sheree Rose is an American photographer and performance artist. She is best known for her collaborative work with performance artist Bob Flanagan, and her photography documenting a wide range of Los Angeles subcultures, especially in relation to BDSM and body modification.
The Outcasts was a social and educational organization for women interested in BDSM with other women that was founded in San Francisco in 1984. It grew partly from earlier groups, the Society of Janus and Samois. Gayle Rubin was a co-founder of the organization. Other members included Dorothy Allison, Pat Califia, and Dossie Easton.