Paul Mark Oakenfold, formerly known mononymously as Oakenfold, is an English record producer, remixer and trance DJ. He has provided over 100 remixes for over 100 artists including U2, Moby, Madonna, Britney Spears, Massive Attack, the Cure, New Order, the Rolling Stones, the Stone Roses and Michael Jackson. Oakenfold was voted the No. 1 DJ in the World twice in 1998 and 1999 by DJ Magazine.
In Time: The Best of R.E.M. 1988–2003 is the second official compilation album released by R.E.M. Issued in 2003, it includes tracks from their Warner Bros. Records era, from 1988's Green to 2001's Reveal, as well as two new recordings and two songs from movie soundtracks. The album was the tenth-best-selling album of 2003 in the UK, and the 50th-best-selling album of the 2000s in the UK.
Dead Letter Office is a rarities and B-sides collection by R.E.M., released in April 1987. The album is essentially a collection of many additional recordings R.E.M. made from before Murmur to Lifes Rich Pageant that were outtakes or released as B-sides to their singles internationally. Many of the tracks are favorite cover versions indicating the band's disparate influences and musical tastes, including three Velvet Underground covers, and songs by Aerosmith, Roger Miller, and fellow Athenians Pylon ("Crazy").
Picture discs are gramophone (phonograph) records that show images on their playing surface, rather than being of plain black or colored vinyl. Collectors traditionally reserve the term picture disc for records with graphics that extend at least partly into the actual playable grooved area, distinguishing them from picture label discs, which have a specially illustrated and sometimes very large label, and picture back discs, which are illustrated on one unplayable side only.
"What's the Frequency, Kenneth?" is a song by American alternative rock band R.E.M. from their ninth studio album, Monster (1994). The song's title refers to an incident in New York City in 1986 in which two then-unknown assailants attacked journalist Dan Rather while repeating "Kenneth, what is the frequency?"
Editors are an English rock band, formed in 2002 in Birmingham. Previously known as Pilot, The Pride and Snowfield, the band currently consists of Tom Smith, Russell Leetch, Ed Lay, Justin Lockey, Elliott Williams, and Benjamin John Power.
The Minus 5 is an American pop rock band headed by musician Scott McCaughey of Young Fresh Fellows, often in partnership with R.E.M. guitarist Peter Buck.
"Shiny Happy People" is a song by the American rock band R.E.M., released as the second single from their seventh studio album, Out of Time (1991). It features guest vocals by Kate Pierson of the B-52's, who also appears in the music video.
"Tongue" is a song by American rock band R.E.M., released on July 17, 1995 by Warner Bros. Records, as the fifth and final single from their ninth studio album, Monster (1994). The song was only released in the US, UK, and Ireland. In the song, lead singer Michael Stipe performs in falsetto; he has stated on several occasions that the narrator of the song is female. Stipe has also said the track is "all about cunnilingus".
"It's the End of the World as We Know It (And I Feel Fine)" is a song by American rock band R.E.M., which first appeared on their 1987 album, Document. It was released as the album's second single in November 1987, reaching No. 69 in the US Billboard Hot 100 and later reaching No. 39 on the UK Singles Chart on its re-release in December 1991.
The Back Room is the debut studio album of British rock band Editors; it was released on 25 July 2005 through Kitchenware Records. The Editors formed while attending university and later moved to Birmingham, where they played club shows and made demos. After signing to Kitchenware in late 2004, the band recorded their debut album at studios in Lincolnshire, London and Wolverhampton. Jim Abbiss produced all but one of the tracks; the exception was produced by Gavin Monaghan. The Back Room is a post-punk revival, gothic rock and indie pop album that has been compared to the works of Echo & the Bunnymen, Elbow and Interpol.
"Imitation of Life" is a song by American alternative rock band R.E.M. It was written by band members Peter Buck, Mike Mills, and Michael Stipe and produced by the band with Pat McCarthy for their 12th studio album, Reveal (2001). The track's title comes from Douglas Sirk's 1959 film of the same name and is used as a metaphor for adolescence and adulthood. One of R.E.M.'s most pop-influenced tracks, "Imitation of Life" has been described lyrically as "see[ing] through the puffed-up performance of a hopeful entertainer", as well as the enjoyment of love.
"Silent All These Years" is a song by American singer-songwriter and musician Tori Amos, released as the second single from her debut studio album, Little Earthquakes (1992). It was originally released in the United Kingdom in November 1991 via EastWest Records. It was released in North America in 1992 by Atlantic Records and was later used to promote awareness of the Rape, Abuse & Incest National Network (RAINN). In the UK, the single was re-released on August 10, 1992.
"Cant Get There from Here", or "Can't Get There from Here", is the first single released by R.E.M. from its third studio album Fables of the Reconstruction in 1985. The song peaked at number 10 on the Billboard Bubbling Under Hot 100 Singles, equaling to a position of approximately 110 on the main Billboard Hot 100 chart. It also peaked at number 91 on the Canadian Singles Chart. It was re-released on the 2006 compilation disc And I Feel Fine... The Best of the I.R.S. Years 1982–1987.
Soledad Brothers were an American garage rock trio from Maumee, Ohio. Taking strong influence from blues rock, the band consisted of Ben Swank on drums, Johnny Walker on guitar and vocals, and Oliver Henry on sax and guitar. The band produced four albums: Soledad Brothers (2000), Steal Your Soul and Dare Your Spirit to Move (2002), Voice of Treason (2003), and The Hardest Walk (2006).
"Bullets" is the debut single by British post-punk revival band Editors, originally released 24 January 2005. It is from their 2005 debut album, The Back Room. The single was mixed by Cenzo Townshend and the video made for the song was directed by Mike Brady. Both editions of the original single were limited to 500 copies. It was then re-released on 26 September 2005 as the fourth single from the album. A new single version was re-recorded and produced by Jacknife Lee and a second video was made for the song, directed by Martin de Thurah.
"Starry Eyed Surprise" is a song by English record producer Oakenfold featuring vocals from Shifty Shellshock of Crazy Town. The song was released on 19 August 2002 as the second single from Oakenfold's debut album, Bunkka (2002), reaching number six in the United Kingdom, number 19 in the Netherlands and New Zealand, number 21 in Ireland, and number 37 in Australia. It also reached the top 50 in Italy and the United States. It was later included on Shifty Shellshock's 2004 album Happy Love Sick and Oakenfold's 2007 album Greatest Hits & Remixes, Vol. 1.
No Age is an American noise rock duo consisting of guitarist Randy Randall and drummer/vocalist Dean Allen Spunt. The band is based in Los Angeles, California, and was signed to Sub Pop records from 2008 to 2013. No Age's fourth studio album, Snares Like a Haircut, was released by Drag City on January 26, 2018. Drag City also released Goons Be Gone, their fifth studio album, on June 5, 2020, and their sixth studio album People Helping People in 2022.
The Green Pajamas are a musical group from Seattle, Washington. They formed in the spring of 1984 when Jeff Kelly and Joe Ross recorded and released their first album, Summer Of Lust. They are probably best known for the regional hit single "Kim the Waitress".
"Spaceman" is a song by the Killers. The song was released as the second single from the band's third studio album Day & Age on November 4, 2008, as a digital download on iTunes, and as 7" and promo CD in the US, Canada and the UK. It has been released to radio in Australia and has gone into regular rotation on Triple J. This song was number 17 on Rolling Stone's list of the 100 Best Songs of 2008. The song has been used regularly as the opening song during the band's tour.
