Blue Nude II

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Blue Nude II
Blue Nudes Henri Matisse.jpg
Artist Henri Matisse
Year 1952
Type Gouache-painted paper cut-outs
stuck to paper mounted on canvas
Dimensions 116.2 cm× 88.9 cm(45.7 in× 35 in)
Location Pompidou Centre, Paris

Blue Nude II is the second artwork of the Blue Nudes series of cut-outs by Henri Matisse, completed in 1952.

Henri Matisse French artist

Henri Émile Benoît Matisse was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.

Contents

Background

The Blue Nudes series represents seated female nudes, and is among Matisse’s final body of works. Blue Nude IV, the first of the four nudes, took a notebook of studies and two weeks' work of cutting-and-arranging before the resulting artefact satisfied him. In the event, Matisse finally arrived at his favorite pose, for all four works—intertwining legs and an arm stretching behind the neck. The posture of the nude woman is like the posture of a number of seated nudes made in the first years of the 1920s, ultimately, the posture derives from the reposed figures of Le bonheur de vivre . [1]

<i>Le bonheur de vivre</i> painting by Henri Matisse

Le bonheur de vivre is a painting by Henri Matisse. Along with Picasso's Les Demoiselles d'Avignon, Le bonheur de vivre is regarded as one of the pillars of early modernism. The monumental canvas was first exhibited at the Salon des Indépendants of 1906, where its cadmium colors and spatial distortions caused a public expression of protest and outrage.

Cut-out genre

The Blue Nudes also reflect Matisse’s earlier sculptures. Despite the flatness of paper, the cut-outs are sculptural in their tangible, relief-like quality, especially the sense of volume created by the overlapping of the cut-outs. Blue Nude I, in particular, can be compared with sculptures such as La Serpentine, from 1909. [2]

The color blue signified distance and volume to Matisse. Frustrated in his attempts to successfully marry dominant and contrasting tones, the artist was moved to use solid slabs of single color early in his career, a technique that became known as Fauvism. The painted gouache cut-outs that compose the Blue Nudes were inspired by Matisse's collection of African sculpture and his visit to Tahiti, in 1930. He required another twenty years and a post-operative period of incapacity, before Matisse synthesized those African and Polynesian influences into this seminal series. [3]

Fauvism artistic style that emphasized painterly qualities and strong color over the representational or realistic values retained by Impressionism

Fauvism is the style of les Fauves, a group of early twentieth-century modern artists whose works emphasized painterly qualities and strong color over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain and Henri Matisse.

Tahiti island in the Southern Pacific Ocean

Tahiti is the largest island in the Windward group of French Polynesia. The island is located in the archipelago of the Society Islands in the central Southern Pacific Ocean, and is divided into two parts: the bigger, northwestern part, Tahiti Nui, and the smaller, southeastern part, Tahiti Iti. The island was formed from volcanic activity and is high and mountainous with surrounding coral reefs. The population is 189,517 inhabitants, making it the most populous island of French Polynesia and accounting for 68.7% of its total population.

The Blue Nudes artwork was shown at the Museum of Modern Art, as part of the exhibition Henri Matisse: The Cut-Outs, from 12 October 2014 to 10 February 2015. [4]

Museum of Modern Art Art museum in New York, N.Y.

The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues.

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<i>Dance</i> (Matisse) two related paintings made by Henri Matisse

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Sophie Alexina Victoire Matisse is an American contemporary artist. Matisse initially gained notoriety for her series of Missing Person paintings, in which she appropriated and embellished upon, or subtracted from, recognizable works from art history. Media coverage is often quick to note Sophie Matisse's family background, an art pedigree originating with her great-grandfather, the famous 20th century painter Henri Matisse. Britain's Sunday Telegraph newspaper in 2003 referred to Sophie as "art royalty," a term occasionally paraphrased when discussing Sophie and her artwork.

Lydia Nikolaevna Délectorskaya was a Russian refugee and model best known for her collaboration with Henri Matisse from 1932 onwards.

References

  1. Edlerfield, John (1978). The Cut-Outs of Henri Matisse. New York: George Braziller. p. 27. ISBN   0807608866.
  2. Edlerfield, John (1978). The Cut-Outs of Henri Matisse. New York: George Braziller. p. 27. ISBN   0807608866.
  3. Farthing, Stephen; 1001 Paintings You Must See Before You Die, Cassell Illustrated, 2007, p. 758
  4. Henri Matisse: The Cut-Outs, Museum of Modern Art, retrieved February 28, 2015