A Boomwhacker is a percussion instrument in the plosive aerophone and idiophone family. [1] They are lightweight, hollow, color-coded, plastic tubes, tuned to a musical pitch by length. They were first produced by Craig Ramsell through his company Whacky Music in 1995. The term is now a registered trademark by Rhythm Band Instruments. [2]
Boomwhackers evolved at a time when junk bands and performers using instruments made from recycled materials were popular. Bands often used gas pipes or various cast-offs from plumbers that were cut to length to produce different pitches when struck on an open end. Schools, meanwhile, created their own junk bands as a cheap way to simultaneously promote creativity and encourage recycling. However, creating a custom kit was labor-intensive, leaving a niche for Boomwhackers, which are premade and mass-produced. [3]
American Craig Ramsell reportedly came up with the idea for his Boomwhackers in 1994 while at home recovering from radiation therapy. While cutting cardboard tubes into shorter lengths for recycling, he noticed the different pitches resulting from the different lengths and decided to investigate their creative potential. He experimented with various plastics before settling on plastic mailing tubes. [2] He and his wife, Monnie Ramsell, formed DrumSpirit as a sole proprietorship to market the tubes. The original plastic Boomwhackers were first produced in 1995. The current, more durable version was released in 1997.
Craig Ramsell then started Whacky Music, Inc. in 1998, marketing a wider variety of Boomwhacker sets and materials. Boomwhackers are now available to span 3½ chromatic octaves. (The addition of the Octavator Tube Caps in 1999 allowed for the third lower octave.)
In July 2009, the Sedona, Arizona-based Whacky Music, Inc., sold its interests to Rhythm Band Instruments LLC of Fort Worth, Texas, through an asset purchase agreement. Rhythm Band now distributes and owns the trademark to Boomwhackers.
Boomwhackers produce musical tones through vibrations in the instrument when struck. The pitch of the instrument is determined by the length of the tube. The longer a tube is, the lower its pitch; the shorter a tube is, the higher the pitch. When one end of a Boomwhackers tube is covered with what the manufacturer calls an "Octavator Cap", the pitch it produces is lowered by an octave. They are most commonly hit with a hand, against the floor, or on other parts of the human body. They can also be grouped together and struck with mallets in different configurations using specialized holders (either homemade or available from the manufacturer), similar to a horizontally-aligned xylophone. [4]
Boomwhackers are most commonly used in elementary music classrooms as an inexpensive alternative or supplement to traditional pitched instruments such as xylophones and metallophones. Students are usually given a distinctly pitched tube, such as F♯ or A. Educators then instruct players of certain pitches to strike the Boomwhacker at a precise time, forming a melody. [5] Boomwhackers are often used by performance artists and other musical performance groups to add an element of spectacle. [6] They can also be used by people with intellectual and developmental impairment to develop sensorimotor skills, social skills, and creativity. [7]
The clarinet is a single-reed musical instrument in the woodwind family, with a nearly cylindrical bore and a flared bell.
The piano is a keyboard instrument that produces sound when the keys are pressed. Most modern pianos have a row of 88 black and white keys: 52 white keys for the notes of the C major scale and 36 shorter black keys raised above the white keys and set further back, for sharps and flats. This means that the piano can play 88 different pitches, spanning a range of a bit over seven octaves. The black keys are for the "accidentals", which are needed to play in all twelve keys.
A pan flute is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length. Multiple varieties of pan flutes have been popular as folk instruments. The pipes are typically made from bamboo, giant cane, or local reeds. Other materials include wood, plastic, metal and ivory.
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and chordophone.
The trombone is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide.
The tuba is the largest and lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibration – a buzz – into a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band, and largely replaced the ophicleide. Tuba is Latin for "trumpet".
The tin whistle, also called the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle.
In musical instrument classification, string instruments or chordophones, are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.
The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel, the xylophone essentially consists of a set of tuned wooden keys arranged in the fashion of the keyboard of a piano. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.
The marimba is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the marimba has a lower range. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone.
The glockenspiel or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone.
A transposing instrument is a musical instrument for which music notation is not written at concert pitch. For example, playing a written middle C on a transposing instrument produces a pitch other than middle C; that sounding pitch identifies the interval of transposition when describing the instrument. Playing a written C on clarinet or soprano saxophone produces a concert B♭, so these are referred to as B♭ instruments. Providing transposed music for these instruments is a convention of musical notation. The instruments do not transpose the music; rather, their music is written at a transposed pitch. Where chords are indicated for improvisation they are also written in the appropriate transposed form.
Wind chimes are a type of percussion instrument constructed from suspended tubes, rods, bells or other objects that are often made of metal or wood. The tubes or rods are suspended along with some type of weight or surface which the tubes or rods can strike when they or another wind-catching surface are blown by the natural movement of air outside. They are usually hung outside of a building or residence as a visual and aural garden ornament. Since the percussion instruments are struck according to the random effects of the wind blowing the chimes, wind chimes have been considered an example of chance-based music. The tubes or rods may sound either indistinct pitches, or fairly distinct pitches. Wind chimes that sound fairly distinct pitches can, through the chance movement of air, create simple songs or broken chords.
The jug used as a musical instrument is an empty jug played with buzzed lips to produce a trombone-like tone. The characteristic sound of the jug is low and hoarse, below the higher pitch of the fiddle, harmonica, and the other instruments in the band.
The khlui is a vertical duct bamboo flute from Thailand, which originated before or during the Sukhothai period (1238–1583). It was officially recognized as a Thai instrument by King Trailokkanat (1431–1488), who set the official model of each traditional Thai instrument. It is generally made of bamboo, though instruments are also made from hardwood or plastic. After many generations of modifications, it survives to the present day in three main forms: the khlui phīang aw, khlui lip, and khlui ū, which are of different sizes. The khlui is very similar to the Cambodian khloy.
The Calung is a type of Indonesian bamboo xylophone originating from Baduy culture and commonly used in Baduy, Bantenese, Sundanese, Banyumasan, and Balinese performances. The calung (instrument) consists of multiple bamboo tubes which are struck at the base to produce a woody sound.
The ranat ek is a Thai musical instrument in the percussion family that consists of 22 wooden bars suspended by cords over a boat-shaped trough resonator and struck by two mallets. It is used as a leading instrument in the piphat ensemble.
The whirly tube, corrugaphone, or bloogle resonator, also sold as Free-Ka in the 1960s-1970s, is an experimental musical instrument which consists of a corrugated (ribbed) plastic tube or hose, open at both ends and possibly wider at one end (bell), the thinner of which is rotated in a circle to play. It may be a few feet long and about a few inches wide. The faster the toy is swung, the higher the pitch of the note it produces, and it produces discrete notes roughly belonging to the harmonic series, like a valveless brass instrument generates different modes of vibration. However, the first and the second modes, corresponding to the fundamental and the second harmonics, are reported as being difficult to excite. To be played in concert the length of the tube must be trimmed to tune it.
HarvardTHUD is an undergraduate student-led music group from Harvard University in Cambridge, Massachusetts. Founded in 1999, the group performs with a diverse set of percussive instruments in the style of mixed percussion groups such as STOMP and the Blue Man Group. In addition to traditional and ethnic percussion instruments, the group is known for making creative use out of everyday items, such as brooms and plastic SOLO cups. As of 2020, they are best known for their performances using boomwhackers—hollow, plastic tubes that can be struck on any surface to create a pitched tone.
Sundanese Music is an umbrella term that encompasses diverse musical traditions of the West Java and Banten in western part of Java, Indonesia. The term of "West Java" is preferred by scholars in this field. The word "Sundanese" originally referred to western part of Java Island and has a strong association with the highly centralized Sunda Kingdom based on Java Island and its high culture practiced by the nobleman class in its capital Parahyangan. By contrast, scholars who cover a much broader region lay emphasis on folk culture.
