Brad Leftwich

Last updated
Brad Leftwich
Brad Leftwich at Norway Folk Festival.jpg
Leftwich in 2015
Background information
Born (1953-06-30) June 30, 1953 (age 71)
Stillwater, Oklahoma, United States
Genres
Years activemid-1970s–present
Labels
Website Brad Leftwich homepage

Brad Leftwich (born June 30, 1953) is an American old-time fiddler, banjo player, singer and teacher of traditional old-time style. He is originally from Oklahoma but has resided in Bloomington, Indiana for most of his life. He performs solo and with his long-time musical partner and wife, Linda Higginbotham, and with his band, The Humdingers, which also includes Sam Bartlett and Abby Ladin.

Contents

Since the 1970s, Leftwich has performed and taught at folk festivals, concerts, and music camps, written books on both fiddle and banjo, released instructional old-time fiddle videos and written articles on traditional fiddling. He also maintains a youtube channel with some of his original field recordings.

Early life

Leftwich grew up in a musical family. His mother played piano and sang in church, and he first learned to play some old-time guitar from his father when he was 8 or 9 years old. [1] [2] But probably his greatest musical influence was listening to his grandfather Rush Leftwich on banjo and great uncle George Leftwich on fiddle. Originally from Carroll County, Virginia, Rush and George played the traditional style of old-time music that was common in their area. [3] Though Rush and George died before Leftwich was a teenager, they had already shaped his desire to learn to play old time music.

Leftwich asked for his first banjo when he was 15, and fiddle when he was 17. By the time he left to study at Oberlin College, he had developed some proficiency in bluegrass banjo, as well as some clawhammer banjo and a bit of fiddle. [4] He also had made contact with some of the local old-time musicians still playing in Oklahoma.

While in college, Leftwich traveled during summer breaks to old-time fiddle conventions to learn more about the musical style. It was during one of these summer breaks that Leftwich and a friend first visited noted old-time fiddler Tommy Jarrell at his home in the Mount Airy region of North Carolina. Tommy took a liking to Leftwich that was enhanced by the discovery that Brad and Jarrell's wife were distant relatives. [5]

Tommy Jarrell became Brad's main old-time music mentor, alerting Brad to a traditional style of playing that used deliberate bowing patterns. This style is characterized by beginning musical phrases on the down-bow, or pulling the bow away from the fiddle, among other features. [6] [7] [3] Brad also continued to seek out and learn from other traditional musicians still living in the Ozarks, the Mid-west, Virginia, West Virginia, and North Carolina and particularly cites Melvin Wine, John Dee Kennedy, T Fuller and Violet Hensley as sources of inspiration.

Career

Music

Since the 1970s, Leftwich has played with a range of musical acts and been a founding member of several including the Plank Road String Band, the Humdingers, the Hogwire Stringband, and Tom, Brad & Alice, a group formed with Tom Sauber and noted bluegrass musician Alice Gerrard. Leftwich has also made several recordings with his wife Linda Higginbotham.

Leftwich's recordings have also been used as a reference for Slippery Hill, an educational website maintaining a massive archive of source recordings for traditional American fiddle tunes. [8] He has recorded for June Appal, Rounder, County, Copper Creek, Marimac, and his own label Dark Train Records.

Shortly after graduating from Oberlin College in 1975, Leftwich moved to the musically active community of Lexington, Virginia where he co-founded the Plank Road String Band. [9] After recording two albums, Leftwich moved to Chicago to pursue advanced studies in anthropology. After a couple of years, Leftwich moved to Bloomington, Indiana to take courses in Indiana University's Folklore and Ethnomusicology program. [9] In his new home, Leftwich met Linda Higginbotham, an active member of the Bloomington Old-Time Music and Dance Group. After somewhat of a hiatus from fiddling, Leftwich's return to an active old-time community, and encouragement from Higginbotham, who he taught to play banjo and banjo uke, brought about his permanent return to old-time music. [9]

Teaching and scholarship

Leftwich has taught at numerous music camps nationwide and in Europe. He has written articles on fiddling for Fiddler Magazine and for the Old-Time Herald, which he helped found. His Mel Bay books on Round Peak fiddling and banjo playing, as well as his teaching videos for Homespun, have also contributed to an increased appreciation for traditional old-time music and its subtleties. [10]

Personal life

Leftwich lives in Bloomington, Indiana with his wife Linda Higginbotham.

Discography

Recordings

Selected anthologies

Instructional books and DVDs

Related Research Articles

<span class="mw-page-title-main">Donegal fiddle tradition</span> Traditional fiddle-playing method from County Donegal, Ireland

The Donegal fiddle tradition is one of the distinct fiddle traditions within Irish traditional music. The distinctness of the Donegal tradition developed due to the close relations between County Donegal and Scotland, and the Donegal repertoire and style has influences from Scottish fiddle music. For example, in addition to the ”universally known” standard Irish dance tunes, there is an added volume of Scottish and Nova Scotia tunes played, with even some tunes from Shetland and Orkney. This includes standard tune types such as double jigs, slip jigs, reels, and hornpipes. It has been claimed that Donegal musicians play more slip jigs than any other region of Ireland. This is potentially due to the geographical borders/mountains keeping Donegal's repertoire more locally-known for decades. There is also a prevalence of mazurka playing. Mazurkas are historically mainland-European tunes very similar to a waltz, in its 3
4
meter, though generally livelier and with more emphasis being placed on the second beat of each measure. Another uniquely Donegal tune is called the barndance, stemming from the Germanic schottische, also similar to the Norwegian reinlander. The barndance is very similar to a hornpipe, but slower than a reel; typically they are played with less of a hornpipe's “swing” and more of the “drive” of a reel.

<span class="mw-page-title-main">Fiddle</span> Bowed string instrument

A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.

<span class="mw-page-title-main">Old-time music</span> Genre of folk music

Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, contra dance, clogging, and buck dancing. It is played on acoustic instruments, generally centering on a combination of fiddle and plucked string instruments, most often the banjo, guitar, and mandolin. Together, they form an ensemble called the string band, which along with the simple banjo-fiddle duet have historically been the most common configurations to play old-time music. The genre is considered a precursor to modern country music.

<span class="mw-page-title-main">Cape Breton fiddling</span> Violin style from Nova Scotia, Canada

Cape Breton fiddling is a regional violin style which falls within the Celtic music idiom. The more predominant style in Cape Breton Island's fiddle music was brought to North America by Scottish immigrants during the Highland Clearances. These Scottish immigrants were primarily from Gaelic-speaking regions in the Scottish Highlands and the Outer Hebrides. Although fiddling has changed considerably since this time in Scotland, it is widely held that the tradition of Scottish fiddle music has been better preserved in Cape Breton. While there is a similar tradition from the Irish-style fiddling, that style is largely overlooked as a result of the strong Scottish presence in the area.

Thomas Jefferson Jarrell was an American fiddler, banjo player, and singer from the Mount Airy region of North Carolina's Appalachian Mountains.

Melvin Wine was an American Appalachian fiddler from the state of West Virginia. He was a lifelong resident of Copen, in Braxton County, West Virginia.

<span class="mw-page-title-main">Bruce Molsky</span>

Bruce C. Molsky is an American fiddler, banjo player, guitarist, and singer. He primarily performs old-time music of the Appalachian region.

<span class="mw-page-title-main">Jake Krack</span>

Jake Krack son of Reed and Dara Krack, is a prominent young old-time fiddler and fiddle teacher from Nicut in the U.S. state of West Virginia. He began fiddling at age six or eight. His teachers include Bobby Taylor, Lester McCumbers, Melvin Wine, Brad Leftwich, Joe Thompson, Wilson Douglas, and Glen Smith.

<span class="mw-page-title-main">Benton Flippen</span> American fiddler (1920–2011)

James Benton Flippen was an American old-time fiddler from Mount Airy, North Carolina. He was one of the last surviving members of a generation of performers born in the early 20th century playing in the Round Peak style centering on Surry County, North Carolina. His contemporaries included Tommy Jarrell, Fred Cockerham, Kyle Creed, and Earnest East.

<span class="mw-page-title-main">Riley Baugus</span> American musician and instrument builder

Riley Baugus is an American old-time guitarist, banjo player, fiddler, singer and instrument builder from North Carolina.

<span class="mw-page-title-main">American fiddle</span> American music genre

American fiddle-playing began with the early European settlers, who found that the small viol family of instruments were more portable and rugged than other instruments of the period. According to Ron Yule, "John Utie, a 1620 immigrant, settled in the North and is credited as being the first known fiddler on American soil". Early influences were Irish, Scottish, and English fiddle styles, as well as the more upper-class traditions of classical violin playing. Popular tunes included "Soldier's Joy", for which Robert Burns wrote lyrics, and other tunes such as "Flowers of Edinburgh" and "Tamlin," which have both been claimed by both Scottish and Irish lineages.

<span class="mw-page-title-main">Old time fiddle</span> Style of American fiddling

Old timefiddle is the style of American fiddling found in old-time music. Old time fiddle tunes are derived from European folk dance forms such as the jig, reel, breakdown, schottische, waltz, two-step, and polka. When the fiddle is accompanied by banjo, guitar, mandolin, or other string instruments, the configuration is called a string band. The types of tunes found in old-time fiddling are called "fiddle tunes", even when played by instruments other than a fiddle.

<span class="mw-page-title-main">Canadian fiddle</span>

Canadian fiddle is the aggregate body of tunes, styles and musicians engaging the traditional folk music of Canada on the fiddle. It is an integral extension of the Anglo-Celtic and Québécois French folk music tradition but has distinct features found only in the Western hemisphere.

Athabaskan fiddle is the old-time fiddle style that the Alaskan Athabaskans of the Interior Alaska have developed to play the fiddle (violin), solo and in folk ensembles. Fiddles were introduced in this area by Scottish, Irish, French Canadian, and Métis fur traders of the Hudson's Bay Company in the mid-19th century. Athabaskan fiddling is a variant of fiddling of the American southlands. Athabaskan fiddle music is most popular genre in Alaska and northwest Canada and featuring Gwich'in Bill Stevens and Trimble Gilbert.

Earnest East was a fiddle, guitar, and banjo player. East began his music career as a member of the Camp Creek Boys, and later founded his own instrumental band which he called the Pine Ridge Boys in 1966. In 1969, the Pine Ridge Boys released their first album, titled "Old Time Mountain Music", on the County label. Their second album, "Stringband Music From Mt. Airy" was released in 1981 on the Heritage label.

William Preston McKinney known as "Old Man" Pet McKinney (1846–1926) was an American Old Time fiddler and singer and civil war veteran from Round Peak, North Carolina. During the American Civil War he fought in the 45th Virginia Regiment. Later as an old man he was a well-known musician in the Round Peak. He influenced several musicians in the area, notably Tommy Jarrell whom he taught the tune Sail Away Ladies. His granddaughter Corinna Bowden was also a musician and a friend of Tommy Jarrell.

<span class="mw-page-title-main">Joe Thompson (musician)</span> American musician

Joseph Aquiler Thompson was an American old-time fiddle player, and one of the last musicians to carry on the black string band tradition. Accompanied by his cousin Odell, Thompson was recognized with several honors for performances of the old-time style, particularly when the genre was repopularized in the 1970s. In the 1980s and 1990s, he recorded his first studio albums, consisting of a repertoire rooted in the authentic string band approach.

Gordon Stobbe C.M is a Canadian fiddler, multi-instrumentalist, and composer based in Seaforth, Nova Scotia. Stobbe was born in Saskatchewan, but has made his home on the East Coast of Canada since 1977. His musical interests and passion lie in the field of Canadian traditional music, especially as it is expressed in a wide variety of fiddle styles. He plays several instruments, including fiddle, mandolin, guitar, clawhammer banjo, piano, accordion and percussion.

Vivian Williams was an American fiddler, composer, recording artist, and writer. She won national fiddling titles, including the National Oldtime Fiddlers Contest, and in 2013 she was inducted into the North American Old Time Fiddlers Hall of Fame.

Paul Warren was an American fiddle player best known for his work on a number of Kitty Wells singles, and his long tenure with Flatt and Scruggs and the Foggy Mountain Boys.

References

  1. Klassen, Teri (Summer 1994). "Brad Leftwich--Old-Time Fiddler". The Old-Time Herald. 4 (4): 24–28.
  2. Steiner, Alan J. (August 1986). "Leftwich & Higginbotham". Bluegrass Unlimited: 39–41.
  3. 1 2 Steiner 1986, p. 39.
  4. Klassen 1994, p. 25.
  5. Klassen 1994, p. 27.
  6. Klassen 1994, pp. 24–25.
  7. Buckingham 2000, p. 15.
  8. "The Milliner - Koken Collection of American Fiddle Tunes". slippery-hill.com. Archived from the original on 2015-10-08. Retrieved 2015-09-20.
  9. 1 2 3 Steiner 1986, p. 40.
  10. Buckingham, Bob (Fall 2000). "Brad Leftwich: Old-Time Fiddler, Natural Teacher". Fiddler Magazine: 15–19.