Author | David Foster Wallace |
---|---|
Cover artist | John Fulbrook III |
Language | English |
Genre | Short story |
Publisher | Little, Brown and Company |
Publication date | May 28, 1999 |
Publication place | United States |
Media type | Print (hardback & paperback) |
Pages | 288 pp |
ISBN | 0-316-92541-1 |
OCLC | 40354776 |
813/.54 21 | |
LC Class | PS3573.A425635 B65 1999 |
Brief Interviews with Hideous Men is a short story collection by American writer David Foster Wallace, first published in 1999 by Little, Brown. According to the papers in the David Foster Wallace Archive at the Harry Ransom Center, University of Texas at Austin, [1] the book had an estimated gross sales of 28,000 hardcover copies during the first year of its publication.
The collection includes the following stories: [2]
The 23 metafictional pieces in the collection are "difficult to categorise, roaming wilfully across the boundaries of genres and inventing new ones", which one story ("Octet") appears to "self-mockingly acknowledge". [3]
Four of the stories are titled "Brief Interviews with Hideous Men" and consist of numbered sections of varying length presented as transcripts of interviews with male subjects. The interviewer's questions are omitted from the transcripts, rendered merely as "Q". The collection is characterized by dark humor, alienation and irony.
As its title suggests, the book critiques aspects of modern masculinity and male chauvinism. "The 'hideous men' in Wallace's short stories are monstrous, parodic versions of Updikean characters, scrutinized with the eye of a pathologist ... Their sin is an implacable, and peculiarly American, strain of egoism." [4]
In light of revelations regarding Wallace's abusive behavior toward Mary Karr, [5] some scholars have questioned the motives of Wallace's stories, particularly in the collection which prominently featured misogynistic male characters. Amy Hungerford, a professor of English at Yale University, most notably in her book Making Literature Now, [6] posed the same question for the collection and whether we can separate the art from the artist. She concluded in the negative and argued that readers and academics should stop reading and teaching Wallace's work. Clare Hayes-Brady, a leading female Wallace scholar, responded to Hungerford's assertion in an interview with the Los Angeles Review of Books by emphasizing that it is the duty of a critic or scholar to engage with problematic authors and examine them closely for what they bring to the table rather than dismissing them outright. [7]
In recent times, Wallace's work, and this collection in particular, has attracted the attention of scholars and academics, with some arguing that although Wallace's behavior is unforgivable, Brief Interviews with Hideous Men can be a source of study for possible explanation on the misogynistic traits and behavior of the male gender. [8]
The collection was selected by The New York Times as one of the notable books of the year 1999. [9]
In 1997 Wallace was awarded the Aga Khan Prize for Fiction by the editors of The Paris Review for "Brief Interviews with Hideous Men #6", [10] which had appeared in the magazine and appears as "Brief Interviews with Hideous Men #20" in the collection. [11]
The collection is one of writer Zadie Smith’s favorite books. [12] She wrote an appreciation of both the collection and Wallace titled "Brief Interviews with Hideous Men: The Difficult Gifts of David Foster Wallace". The piece was included in her 2009 essay collection Changing My Mind: Occasional Essays. [13]
The British writer and literary critic for The Guardian , Chris Power, highlights the dilemma book critics face in reviewing Wallace's works: to reconcile the brilliance of his writing with the difficult and often problematic aspects of his subject matter. In a piece on Wallace's contribution to the short story, Power writes, "His second collection, for example, Brief Interviews With Hideous Men (1999), is a brilliant book that is very difficult to enjoy." [14]
Writer and book critic Andrew Ervin writing in the San Francisco Chronicle was of the opinion that the collection "stands as Wallace's most compelling, brilliant and complete book." [15]
The book has been adapted numerous times for stage and screen.
In August 2000, 12 of the "Interviews" were adapted into a stage play (Hideous Men) by Dylan McCullough, marking the first theatrical adaptation of any of Wallace's works. [16] McCullough directed the premiere at the New York International Fringe Festival. [17]
John Krasinski adapted and directed a 2009 film version of the "Brief Interviews" stories. [18] Julianne Nicholson plays Sara Quinn, the interviewer unnamed in the stories. [19]
Also in 2009, Hachette Audio released an abridged audiobook production of the book read by an ensemble cast similar to that of Krasinski's film, including Krasinski, Will Arnett, Bobby Cannavale, Chris Messina, Corey Stoll, Will Forte, and the author. [20]
In August 2012, British artists Andy Holden and David Raymond Conroy presented a stage adaptation of the book at the ICA, London, [21] which later toured to Arnolfini, Bristol. [22] The production adapted four of the interviews and one short story using a variety of multimedia techniques, and contained new music by the Grubby Mitts.
A stage production adapting 21 of the interviews and stories, titled "Brief Interviews with Hideous Men", was directed by David McGuff for Yellow Lab Productions. The production ran three nights, August 28–30, 2014, at the Hill Country Arts Foundation's Point Theater on the Elizabeth Huth Coates indoor stage. [23]
In 2021, the book was adapted for the stage in a German-language production titled Kurze Interviews mit fiesen Männern – 22 Arten der Einsamkeit. [24] The production was staged at the Schauspielhaus Zürich and directed by Yana Ross. [25] [26]
The book has been translated into Italian, Spanish, Polish, Turkish, Portuguese, Czech, Finnish, Greek, German, Russian, Dutch, Serbian, French, Croatian and Hebrew. [27]
David Foster Wallace was an American novelist, short story writer, essayist, and university professor of English and creative writing. Wallace's 1996 novel Infinite Jest was cited by Time magazine as one of the 100 best English-language novels from 1923 to 2005. His posthumous novel, The Pale King (2011), was a finalist for the Pulitzer Prize for Fiction in 2012. The Los Angeles Times's David Ulin called Wallace "one of the most influential and innovative writers of the last twenty years".
Zadie Smith FRSL is an English novelist, essayist, and short-story writer. Her debut novel, White Teeth (2000), immediately became a best-seller and won a number of awards. She became a tenured professor in the Creative Writing faculty of New York University in September 2010.
David Lipsky is an American author. His works have been New York Times bestsellers, New York Times Notable Books, Time, Amazon, The New Yorker, Publishers Weekly, and NPR Best Books of the Year, and have been included in The Best American Magazine Writing and The Best American Short Stories collections.
Infinite Jest is a 1996 novel by American writer David Foster Wallace. Categorized as an encyclopedic novel, Infinite Jest is featured in Time magazine's list of the 100 best English-language novels published between 1923 and 2005.
Hysterical realism is a term coined in 2000 by English critic James Wood to describe what he sees as a literary genre typified by a strong contrast between elaborately absurd prose, plotting, or characterization, on the one hand, and careful, detailed investigations of real, specific social phenomena on the other. It is also known as recherché postmodernism.
A short story collection is a book of short stories and/or novellas by a single author. A short story collection is distinguished from an anthology of fiction, which would contain work by several authors. The stories in a collection may or may not share a tone, theme, setting, or characters with one another.
John Burke Krasinski is an American actor and filmmaker. He is known for his role as Jim Halpert on the NBC sitcom The Office (2005–2013), where he was also a producer and occasional director. He directed, co-wrote and co-starred in the 2018 horror film A Quiet Place, for which Time named him one of the 100 most influential people in the world. He has since written and directed the sequel A Quiet Place Part II (2020).
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff, are approaching Macbeth's castle to besiege it. Macbeth, the play's protagonist, is confident that he can withstand any siege from Malcolm's forces. He hears the cry of a woman and reflects that there was a time when his hair would have stood on end if he had heard such a cry, but he is now so full of horrors and slaughterous thoughts that it can no longer startle him.
Michael Silverblatt is a literary critic and American broadcaster who hosted Bookworm, a nationally syndicated radio program focusing on books and literature, from 1989 to 2022. He recorded over 1,600 interviews with authors and other literary figures, including David Foster Wallace, Salman Rushdie, Susan Sontag, William Gass, W. G. Sebald, and John Ashbery.
The Broom of the System is the first novel by the American writer David Foster Wallace, published in 1987.
Oblivion: Stories (2004) is a collection of short fiction by the American writer David Foster Wallace. Oblivion is Wallace's third and last short story collection and was listed as a 2004 New York Times Notable Book of the Year. In the stories, Wallace explores the nature of reality, dreams, trauma, and the "dynamics of consciousness." The story "Good Old Neon" was included in The O. Henry Prize Stories 2002.
Brief Interviews with Hideous Men is a 2009 American comedy-drama film written, produced, and directed by John Krasinski, in his directorial debut. The film is based on short stories from the collection of the same name by David Foster Wallace.
David Wallace is a fictional character in the American comedy series The Office, portrayed by Andy Buckley. Wallace is introduced in the second season as the new chief financial officer of Dunder Mifflin. Wallace is named after David Foster Wallace, a favorite author of John Krasinski and executive producer Michael Schur. The other characters almost exclusively refer to him by the full name "David Wallace", rather than by simply his first name. His character is established as a wealthy executive at the corporate headquarters in New York with an opulent suburban home, wife, Rachel, and two kids – one son and one daughter. Despite his differing lifestyle from the members of the Scranton branch, David tolerates and understands the eccentricities and flaws of Regional Manager Michael Scott, and appreciates employees Jim Halpert and Toby Flenderson. He is let go in the sixth season following the absorption of Dunder Mifflin by Sabre. He later sells his patent for a toy vacuum, called "Suck It," to the U.S. military for $20 million and subsequently acquires Dunder Mifflin for an undisclosed sum of money, becoming CEO in the eighth-season finale, "Free Family Portrait Studio".
Infinite Summer was an online book club–style project started by writer Matthew Baldwin. Sponsored by The Morning News, participants were challenged to read David Foster Wallace's novel Infinite Jest at a rate of about 75 pages a week from June 21 to September 22, 2009.
Andy Holden is an artist whose work includes sculpture, large installations, painting, music, performance, animation and multi-screen videos. His work is often defined by very personal starting points used to arrive at more abstract, or universal philosophical questions.
Daniel Fish is an American theater director based in New York City.
Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace is a 2010 memoir by David Lipsky, about a five-day road trip with the author David Foster Wallace. It is based upon a Rolling Stone magazine story that received the National Magazine Award.
David Foster Wallace (1962–2008) was an American author of novels, essays, and short stories. In addition to writing, Wallace was employed as a professor at Illinois State University in Normal, Illinois, and Pomona College in Claremont, California.
The End of the Tour is a 2015 American drama film about writer David Foster Wallace. The film stars Jason Segel and Jesse Eisenberg, was written by Donald Margulies, and was directed by James Ponsoldt. Based on David Lipsky's best-selling memoir Although of Course You End Up Becoming Yourself, screenwriter Margulies first read the book in 2011, and sent it to Ponsoldt, a former student of his, who took on the job of director. Filming took place in early 2014 in Michigan, with scenes also shot at the Mall of America. Danny Elfman provided the score, with the soundtrack featuring songs by musicians like R.E.M. and Brian Eno, whose inclusion was based on the kind of music Wallace and Lipsky listened to.
Sunday Night Productions is an American film and television production company founded by John Krasinski and Allyson Seeger in 2013. It has produced the television series Lip Sync Battle, Dream Corp LLC, and Jack Ryan, the YouTube streaming news show Some Good News (2020), and the films Brief Interviews with Hideous Men (2009), Promised Land (2012), The Hollars (2016), and A Quiet Place Part II (2020).