William Clark Gable was an American film actor. Often referred to as the "King of Hollywood", he had roles in more than 60 films in a variety of genres during a career that lasted 37 years, three decades of which was as a leading man. He was named the seventh greatest male movie star of classic American cinema by the American Film Institute.
Carole Lombard was an American actress. In 1999, the American Film Institute ranked Lombard 23rd on its list of the greatest female stars of Classic Hollywood Cinema.
To Be or Not to Be is a 1942 American comedy film directed by Ernst Lubitsch, starring Carole Lombard and Jack Benny, and featuring Robert Stack, Felix Bressart, Lionel Atwill, Stanley Ridges and Sig Ruman. The plot concerns a troupe of actors in Nazi-occupied Warsaw who use their abilities at disguise and acting to fool the occupying troops. It was adapted by Lubitsch (uncredited) and Edwin Justus Mayer from the story by Melchior Lengyel. The film was released one month after actress Carole Lombard was killed in an airplane crash. In 1996, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."
Twentieth Century is a 1934 American pre-Code screwball comedy film directed by Howard Hawks and starring John Barrymore and Carole Lombard. Much of the film is set on the 20th Century Limited train as it travels from Chicago to New York City. Ben Hecht and Charles MacArthur adapted their 1932 Broadway play of the same name – itself based on the unproduced play Napoleon of Broadway by Charles Bruce Millholland – with uncredited contributions from Gene Fowler and Preston Sturges.
High Voltage (1929) is an American pre-Code film produced by Pathé Exchange and directed by Howard Higgin. The film stars William Boyd, Diane Ellis, Owen Moore, Phillips Smalley, Billy Bevan, and Carole Lombard in her feature-length "talkie" debut, billed as "Carol Lombard."
Mr. & Mrs. Smith is a 1941 American screwball comedy film directed by Alfred Hitchcock, written by Norman Krasna, and starring Carole Lombard and Robert Montgomery. It also features Gene Raymond, Jack Carson, Philip Merivale, and Lucile Watson.
Murder! is a 1930 British thriller film co-written and directed by Alfred Hitchcock and starring Herbert Marshall, Norah Baring and Edward Chapman. Written by Hitchcock, his wife Alma Reville and Walter C. Mycroft, it is based on the 1928 novel Enter Sir John by Clemence Dane and Helen Simpson. It was Hitchcock's third all-talkie film, after Blackmail (1929) and Juno and the Paycock (1930).
Nothing Sacred is a 1937 American Technicolor screwball comedy film directed by William A. Wellman, produced by David O. Selznick, and starring Carole Lombard and Fredric March with a supporting cast featuring Charles Winninger and Walter Connolly. Ben Hecht was credited with the screenplay based on the 1937 story "Letter to the Editor" by James H. Street, and an array of additional writers, including Ring Lardner Jr., Budd Schulberg, Dorothy Parker, Sidney Howard, Moss Hart, George S. Kaufman and Robert Carson made uncredited contributions.
Gene Raymond was an American film, television, and stage actor of the 1930s and 1940s. In addition to acting, Raymond was also a singer, composer, screenwriter, director, producer, and decorated military pilot.
The Princess Comes Across is a 1936 American mystery comedy film directed by William K. Howard and starring Carole Lombard and Fred MacMurray, the second of the four times they were paired together. Lombard, playing an actress from Brooklyn pretending to be a Swedish princess, does a "film-length takeoff" on MGM's Swedish star Greta Garbo. The film was based on the 1935 novel A Halálkabin by Louis Lucien Rogger, the pseudonym of Laszlo Aigner and Louis Acze.
Hands Across the Table is a 1935 American romantic screwball comedy film directed by Mitchell Leisen and released by Paramount Pictures. It stars Carole Lombard as a manicurist looking for a rich husband and Fred MacMurray as a poor playboy, with Ralph Bellamy as a wealthy ex-pilot in a wheelchair. The teaming of Lombard and MacMurray was so well received, they went on to make three more films together, The Princess Comes Across (1936), Swing High, Swing Low (1937), and True Confession (1937).
Bolero is a 1934 American pre-Code musical drama film directed by Wesley Ruggles and starring George Raft and Carole Lombard. The Paramount production was a rare chance for Raft to star and to play a dancer, which had been his profession in New York City, rather than portraying a gangster. The film takes its title from the Maurice Ravel composition Boléro (1928). The supporting cast includes William Frawley, Ray Milland, and Sally Rand.
No Man of Her Own is a 1932 American pre-Code romantic comedy-drama film starring Clark Gable and Carole Lombard as a married couple in their only film together, several years before their own legendary marriage in real life. The film was directed by Wesley Ruggles, and originated as an adaptation of No Bed of Her Own, a 1931 novel by Val Lewton, but ended up based more on a story by Benjamin Glazer and Edmund Goulding, although it retained the title from Lewton's novel. It is not related to the 1950 film of the same name.
Teresa Maxwell-Conover was an American actress in Broadway productions in the early 20th century. She was in motion pictures until the early 1940s, and was sometimes credited as Theresa Maxwell Conover. She was from Louisville, Kentucky.
Gable and Lombard is a 1976 American biographical film directed by Sidney J. Furie. The screenplay by Barry Sandler is based on the romance and consequent marriage of screen stars Clark Gable and Carole Lombard. The original music score was composed by Michel Legrand.
Now and Forever is a 1934 American drama film directed by Henry Hathaway. The screenplay by Vincent Lawrence and Sylvia Thalberg was based on the story "Honor Bright" by Jack Kirkland and Melville Baker. The film stars Gary Cooper, Carole Lombard, and Shirley Temple in a story about a small-time swindler going straight for his child's sake. Temple sang "The World Owes Me a Living". The film was critically well received. Temple adored Cooper, who nicknamed her 'Wigglebritches'. This is the only film in which Lombard and Temple appeared together.
Love Before Breakfast is a 1936 American romantic comedy film starring Carole Lombard, Preston Foster, and Cesar Romero, based on Faith Baldwin's short story Spinster Dinner, published in International-Cosmopolitan in July 1934. The film was directed by Walter Lang from a screenplay by Herbert Fields assisted by numerous contract writers, including Preston Sturges.
Ann Carver's Profession is an American pre-Code 1933 film directed by Edward Buzzell. It focuses on the relationship of a female lawyer and her husband, and on the strain that her financial success places on their marriage. The film stars actress Fay Wray and this film was made during the year she cemented her fame in King Kong. Although the writing credits differ, the film bears a striking resemblance in plot to Columbia's 1938 production The Lady Objects starring Lanny Ross and Gloria Stuart.
It Pays to Advertise is a 1931 American pre-Code comedy film, based on the play of the same name by Roi Cooper Megrue and Walter C. Hackett, starring Norman Foster and Carole Lombard, and directed by Frank Tuttle.
Power is a 1928 American silent comedy film directed by Howard Higgin and starring William Boyd, Alan Hale, Sr., and Jacqueline Logan.
