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The British Art Show (BAS) is a major survey exhibition organised every five years to showcase contemporary British Art. Each time it is organised, the show tours to four UK cities. It usually requires a number of venues in each city to accommodate it. As a snapshot of contemporary British Art, the exhibition has some equivalence to the biennial exhibitions of the Whitney Museum of American Art.
The exhibition is normally curated by two or three people who are appointed for their knowledge of contemporary art. Previously these had been artists and critics, but more recently they have been curators.
The 1990 show caused controversy as it did not include any Scottish artists, even though it opened in Glasgow as part of the city's European Capital of Culture programme. [1]
The 1995 show, curated by Richard Cork, Rose Finn-Kelcey and Thomas Lawson, was highly regarded as it spotlighted the emergence of the Young British Artists.[ citation needed ]
The 2000 show was selected by Jacqui Poncelet, Pippa Coles and Matthew Higgs, and included more than 50 artists. [2]
BAS 6 in 2005 was in the Baltic Centre for Contemporary Art, Gateshead. It was curated by Andrea Schlieker and Alex Farquharson and included a large number of artists born outside the UK. As the exhibition opened in Gateshead, concern was voiced that few of the artists came from the North East of England. [3] It then travelled to Manchester (January–April), Nottingham (April–June) and Bristol (July–September).
The British Art Show is widely recognised as the most ambitious and influential exhibition of contemporary British art. [4] Organised by Hayward Touring, it takes place every five years and tours to four different cities across the UK. Its seventh incarnation opened in Nottingham, and toured for the first time in 20 years to the Hayward Gallery at Southbank Centre, followed by venues in Glasgow and Plymouth. It was curated by Lisa Le Feuvre and Tom Morton.
The 39 artists were selected on the grounds of their significant contribution to contemporary art in the previous five years. All included artworks were produced between 2005 and 2010, and encompassed sculpture, painting, installation, drawing, photography, film, video, and performance, with many artists creating new works especially for the exhibition. British Art Show 7 [5] marked a change in direction from previous years, moving away from the model of a survey show to an exhibition with a marked curatorial focus.
"The British Art Show has always been at the forefront of innovation, and this incarnation is no exception." Ralph Rugoff, Director of the Hayward Gallery.
Subtitled In the Days of the Comet , British Art Show 7 [6] employed the motif of the comet to explore and draw together a set of concerns that thread their way through the practices of the selected artists. Here the comet alludes to the measuring of time, to historical recurrence, and to parallel worlds. Comets are also commonly understood as harbingers of change, and fittingly the exhibition evolved as it moved from city to city, revealing new works at different venues, creating a unique exhibition in each location.
"We are interested in the recurrent nature of the comet as a symbol of how each version of the present collides with the past and the future, and the work of the artists in British Art Show 7, in many different ways, contests assumptions of how ‘the now’ might be understood." Lisa Le Feuvre and Tom Morton, Curators of British Art Show 7.
The selected artists were Charles Avery, Karla Black, Becky Beasley, Juliette Blightman, Duncan Campbell, Varda Caivano, Spartacus Chetwynd, Steven Claydon, Cullinan Richards, Matthew Darbyshire, Milena Dragicevic, Luke Fowler, Michael Fullerton, Alasdair Gray, Brian Griffiths, Roger Hiorns, Ian Kiaer, Kirschner & Panos, Sarah Lucas, Christian Marclay, Simon Martin, Nathaniel Mellors, Haroon Mirza, David Noonan, The Otolith Group, Mick Peter, Gail Pickering, Olivia Plender, Elizabeth Price, Karin Ruggaber, Edgar Schmitz, Maaike Schoorel, George Shaw, Wolfgang Tillmans, Sue Tompkins, Phoebe Unwin, Tris Vonna Michell, Emily Wardill, Keith Wilson.
Curated by Anna Colin and Lydia Yee, British Art Show 8 was scheduled to open in October 2015 at Leeds Art Gallery, and tour to venues in Edinburgh, Norwich and Southampton. [7]
The artists in British Art Show 8 are: Abake, Lawrence Abu Hamdan, Caroline Achaintre, John Akomfrah and Trevor Mathison, Aaron Angell, Pablo Bronstein, Adam Broomberg and Oliver Chanarin, Andrea Büttner, Alexandre da Cunha, Nicolas Deshayes, Benedict Drew, Simon Fujiwara, Martino Gamper, Ryan Gander, Melanie Gilligan, Anthea Hamilton, Will Holder, Alan Kane, Mikhail Karikis, Linder, Rachel Maclean, Ahmet Ogut, Yuri Pattison, Ciara Phillips, Charlotte Prodger, Laure Prouvost, Magali Reus, James Richards, Eileen Simpson and Ben White, Daniel Sinsel, Cally Spooner, Patrick Staff, Imogen Stidworthy, Hayley Tompkins, Jessica Warboys, Stuart Whipps, Bedwyr Williams, Jesse Wine, Lynette Yiadom-Boakye. [8]
Curated by Irene Aristizábal and Hammad Nasar, British Art Show 9 is a Hayward Gallery Touring exhibition, organised in collaboration with institutions across the cities of Aberdeen, Wolverhampton, Manchester and Plymouth. [9]
The Arts Council Collection is a national loan collection of modern and contemporary British art. It was founded in 1946. The collection continues to acquire works each year. The Arts Council Collection reaches its audience through loans to public institutions, touring exhibitions, digital and outreach projects. The collection supports artists based in the UK through the purchase and display of their work, safeguarding it.
Dame Sonia Dawn Boyce is a British Afro-Caribbean artist and educator, living and working in London. She is a Professor of Black Art and Design at University of the Arts London. Boyce's research interests explore art as a social practice and the critical and contextual debates that arise from this area of study. Boyce has been closely collaborating with other artists since 1990 with a focus on collaborative work, frequently involving improvisation and unplanned performative actions on the part of her collaborators. Boyce's work involves a variety of media, such as drawing, print, photography, video, and sound. Her art explores "the relationship between sound and memory, the dynamics of space, and incorporating the spectator". To date, Boyce has taught Fine Art studio practice for more than 30 years in several art colleges across the UK.
Stephen Snoddy is a British artist and gallery director.
Sir Norman Rosenthal is a British independent curator and art historian. From 1970 to 1974 he was Exhibitions Officer at Brighton Museum and Art Gallery. In 1974 he became a curator at the Institute of Contemporary Arts, London, leaving in 1976. The following year, in 1977, he joined the Royal Academy in London as Exhibitions Secretary where he remained until his resignation in 2008. Rosenthal has been a trustee of numerous different national and international cultural organisations since the 1980s; he is currently on the board of English National Ballet. In 2007, he was awarded a knighthood in the Queen's Birthday Honours List. Rosenthal is well known for his support of contemporary art, and is particularly associated with the German artists Joseph Beuys, Georg Baselitz, Anselm Kiefer and Julian Schnabel, the Italian painter Francesco Clemente, and the generation of British artists that came to prominence in the early 1990s known as the YBAs.
Richard Wentworth is a British artist, curator and teacher.
Ana Maria Pacheco is a Brazilian sculptor, painter, and printmaker. Her work is influenced by her Brazilian heritage and often focuses on supernatural themes, incorporating them into unfolding narratives within her work. Pacheco's work has been displayed in galleries internationally and has won multiple awards throughout her career.
Lynne Cooke is an Australian-born art scholar. Since August 2014 she has been the Senior Curator, Special Projects in Modern Art, at the National Gallery of Art, Washington, DC.
Outset Contemporary Art Fund is an arts charity established in 2003, and based in London, England.
The Morris and Helen Belkin Art Gallery is a contemporary art gallery in Vancouver, British Columbia, on the campus of the University of British Columbia. The gallery is housed in a building designed by architect Peter Cardew which opened in 1995. Cardew received a RAIC gold medal for the building's design in 2012. It houses UBC's growing collection of contemporary art as well as archives containing objects and records related to the history of art in Vancouver.
I am a Curator was a process-based exhibition project by artist Per Hüttner that took place at Chisenhale Gallery, London, UK, 5 November – 14 December 2003. During the period individual or groups of people with no experience of exhibition making created 36 exhibitions and briefly got to experience the process putting together a contemporary art show. They had artwork by 57 artists to interact with. The project stirred a lot of controversy in the art world at the time. The most common critique was that the project suggested that curation and exhibition making is easy Hüttner responded to this by writing: "the goal of the project was to inspire a more diverse and profound discussion about the meaning of artworks, exhibitions and the role of the artist." Over the years, the project has gained recognition and has been hailed as being ahead of its time and has been widely appreciated for its visionary qualities in readers on curation and research on the subject of art and exhibition making.
Roger Hiorns is a British artist based in London. His primary media is sculpture and installation, using a wide variety of materials, including metals, wood and plastics. He also works in the media of video and photography.
Koestler Arts is a charity that helps ex-offenders, secure patients and detainees in the UK to express themselves creatively. It promotes the arts in prisons, secure hospitals, immigration centres and in the community, encouraging creativity and the acquisition of new skills as a means to rehabilitation. The Koestler Awards were founded in 1962 and the organisation became a charitable trust in 1969 following a bequest from the British-Hungarian author, Arthur Koestler.
Timothy Hyman is a British figurative painter, art writer and curator. He has published monographs on both Sienese Painting and on Pierre Bonnard, as well as most recently The World New Made: Figurative Painting in the Twentieth Century. He has written extensively on art and film, has been a regular contributor to The Times Literary Supplement (TLS) and has curated exhibitions at the Tate, Institute of Contemporary Arts and Hayward galleries. Hyman is a portraitist, but is best known for his narrative renditions of London. Drawing inspiration from artists such as Max Beckmann and Bonnard, as well as Lorenzetti and Brueghel, he explores his personal relationship, both real and mythological, with the city where he lives and works. He employs vivid colours, shifting scale and perspectives, to create visionary works. He was elected an RA in 2011.
Sarah Cook is a Scotland-based Canadian scholar. She is well known as a historian and curator in the field of New Media art. Cook was a Research Fellow at the University of Sunderland, where she worked with the research institute CRUMB – Curatorial Resource for Upstart Media Bliss, that she co-founded with Beryl Graham in 2000, and taught on the MA Curating course. In 2013 she was appointed as a Reader and Dundee Research Fellow at Duncan of Jordanstone College of Art, University of Dundee. As part of her role as Dundee Fellow she founded and curated LifeSpace Science Art Research Gallery in the School of Life Sciences, University of Dundee (2014-2018). She is a trustee of folly in Lancaster.
The Hayward Gallery is an art gallery within the Southbank Centre in central London, England and part of an area of major arts venues on the South Bank of the River Thames. It is sited adjacent to the other Southbank Centre buildings and also the National Theatre and BFI Southbank repertory cinema. Following a rebranding of the South Bank Centre to Southbank Centre in early 2007, the Hayward Gallery was known as the Hayward until early 2011.
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Deanna Petherbridge was a South African and British artist, writer and curator. Petherbridge's practice was drawing-based, although she also produced large-scale murals and designed for the theatre. Her publications in the area of art and architecture were concerned with contemporary as well as historical matters, and in latter years she concentrated on writing about drawing. The Primacy of Drawing: Histories and Theories of Practice was published June 2010 and curated exhibitions included The Quick and the Dead: Artists and Anatomy, 1997, Witches and Wicked Bodies, 2013. She celebrated a retrospective exhibition of her drawings at Whitworth Art Gallery, University of Manchester accompanied by the monograph Deanna Petherbridge: Drawing and Dialogue, Circa Press, 2016.
Lisa Le Feuvre is a curator, writer, editor and public speaker. In 2017 she was appointed the inaugural Executive Director of Holt/Smithson Foundation, an artist endowed foundation that aims to continue the creative and investigative legacies of the artists Nancy Holt and Robert Smithson.
Zoé Whitley is an American art historian and curator who has been director of Chisenhale Gallery since 2020. Based in London, she has held curatorial positions at the Victoria and Albert Museum, the Tate galleries, and the Hayward Gallery. At the Tate galleries, Whitley co-curated the 2017 exhibition Soul of a Nation: Art in the Age of Black Power, which ARTnews called one of the most important art exhibitions of the 2010s. Soon after she was chosen to organise the British pavilion at the 2019 Venice Biennale.
Guy Anthony Baliol Brett (1942–2021) was an English art critic, writer and curator. He was noted for a personal vision, particularly of cultural production of an experimental character. He is known for the promotion of Latin American artists, and for drawing attention to kinetic art during the 1960s in Europe and Latin America.
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