British Black music

Last updated
Extract from the Westminster Tournament Roll probably showing John Blanke, a trumpeter of the 16th century blowing a clarion trumpet. Black Trumpeter at Henry VIII's Tournament CROP.jpg
Extract from the Westminster Tournament Roll probably showing John Blanke, a trumpeter of the 16th century blowing a clarion trumpet.

British Black music refers to music of the African diaspora, or music derived from the African diaspora which has been produced in Great Britain regardless of the ethnic background of the musicians.

Contents

Awards

Since 1996, an annual awards ceremony has been held for Music Of Black Origin, also known as the MOBO awards. [1]

Genres

Organisations and events

Notable contributors to British black music

16th century

18th century

19th century

20th century

Early 21st century

See also

Related Research Articles

<span class="mw-page-title-main">Music of Kenya</span>

The music of Kenya is very diverse, with multiple types of folk music based on the variety over 50 regional languages.

<span class="mw-page-title-main">British popular music</span> General popular music in the UK

British popular music and popular music in general, can be defined in a number of ways, but is used here to describe music which is not part of the art/classical music or Church music traditions, including folk music, jazz, pop and rock music. These forms of music have particularly flourished in Britain, which, it has been argued, has influenced popular music disproportionately to its size, partly due to its linguistic and cultural links with many countries, particularly the former areas of British control such as United States, Canada, and Australia, but also a capacity for invention, innovation and fusion, which has led to the development of, or participation in, many of the major trends in popular music. This is particularly true since the early 1960s when the British Invasion led by The Beatles, helped to secure British performers a major place in development of pop and rock music, which has been revisited at various times, with genres originating in or being radically developed by British musicians, including: blues rock, heavy metal music, progressive rock, punk rock, British folk rock, folk punk, acid jazz, drum and bass, grime, afroswing, dubstep and Britpop.

Black music is a sound created, produced, or inspired by black people, people of African descent, including African music traditions and African popular music as well as the music genres of the African diaspora, including Caribbean music, Latin music, Brazilian music and African-American music. These genres include spiritual, gospel, rumba, blues, bomba, rock and roll, rock, jazz, salsa, R&B, samba, calypso, soca, soul, disco, kwaito, cumbia, funk, ska, reggae, dub reggae, house, Detroit techno, amapiano, hip hop, pop, gqom, afrobeat, and others.

<span class="mw-page-title-main">Rude boy</span> Jamaican street subculture since 1960s

Rude boy is a slang terms for a subculture that originated from 1960s Jamaican street culture. In the late 1970s, there was a revival in England of the terms rude boy and rude girl, among other variations, being used to describe fans of two-tone and ska. This revival of the subculture and term was partially the result of Jamaican immigration to the UK and the so-called ”Windrush” generation. The use of these terms moved into the more contemporary ska punk movement as well. In the UK and especially Jamaica, the terms rude boy and rude girl are used in a way similar to gangsta, yardie or badman.

British hip hop, also known as UK hip hop, is a genre of music, and a culture that covers a variety of styles of hip hop music made in the United Kingdom. It is generally classified as one of a number of styles of R&B/Hip-Hop. British hip hop can also be referred to as Brit-hop, a term coined and popularised mainly by British Vogue magazine and the BBC. British hip hop was originally influenced by the dub/toasting introduced to the United Kingdom by Jamaican migrants in the 1950s–70s, who eventually developed uniquely influenced rapping in order to match the rhythm of the ever-increasing pace and aggression of Jamaican-influenced dub in the UK. Toasting and soundsystem cultures were also influential in genres outside of hip hop that still included rapping – such as grime, jungle, and UK garage.

<span class="mw-page-title-main">MOBO Awards</span> Annual music awards

The MOBO Awards are an annual British music award presentation honouring achievements in "music of black origin", including hip hop, grime, UK Drill, R&B, soul, reggae, jazz, gospel, and African music.

<span class="mw-page-title-main">Estelle (musician)</span> British singer, songwriter, and actress

Estelle Fanta Swaray is a British rapper, singer, songwriter, actress, and radio presenter from West London. She is known for her eclectic mix of various musical genres including R&B, soul, reggae, grime, hip hop, and dance. She has collaborated with artists including John Legend, Robin Thicke, Rick Ross, Chris Brown, will.i.am, Kanye West, Pete Rock, David Guetta and Tyler, The Creator.

Ghanaians in the United Kingdom encompass both Ghana-born immigrants and their descendants living in the United Kingdom. Immigration to the UK accelerated following the independence of Ghana from the British Empire in 1957, with most British Ghanaians having migrated to the UK between the 1960s to the 1980s owing to poor economic conditions at home.

<span class="mw-page-title-main">Music of Chicago</span> Overview of music traditions in Chicago, Illinois, United States

Chicago, Illinois is a major center for music in the midwestern United States where distinctive forms of blues, and house music, a genre of electronic dance music, were developed.

<span class="mw-page-title-main">YolanDa Brown</span> British saxophonist, composer, and broadcaster

YolanDa Faye Brown is a British saxophonist, composer, and broadcaster. Her musical sound is a fusion of reggae, jazz and soul. In 2022 she was appointed chair of the British Phonographic Industry (BPI).

This is a list of lists of musicians.

Birmingham's culture of popular music first developed in the mid-1950s. By the early 1960s the city's music scene had emerged as one of the largest and most vibrant in the country; a "seething cauldron of musical activity", with over 500 bands constantly exchanging members and performing regularly across a well-developed network of venues and promoters. By 1963 the city's music was also already becoming recognised for what would become its defining characteristic: the refusal of its musicians to conform to any single style or genre. Birmingham's tradition of combining a highly collaborative culture with an open acceptance of individualism and experimentation dates back as far back as the 18th century, and musically this has expressed itself in the wide variety of music produced within the city, often by closely related groups of musicians, from the "rampant eclecticism" of the Brum beat era, to the city's "infamously fragmented" post-punk scene, to the "astonishing range" of distinctive and radical electronic music produced in the city from the 1980s to the early 21st century.

Rachel Charmaine Kerr is a British singer/songwriter, celebrity vocal coach and entrepreneur from Walsall, England. She is also the CEO and founder of Singercise. She is a member of the Grammy Award Association and a BET Music Matters endorsed artist.

This topic covers notable events and articles related to 2021 in music

References

  1. Horan, Tom (25 September 2003). "MUSIC: How Ms MOBO proved them wrong". The Daily Telegraph . London.
  2. Vinti, Mike (January 29, 2016). "Beyond Grime: Why You Need to be Paying Attention to Britain's Other Rap Scenes". Vice . Retrieved March 1, 2021.

Further reading