This article contains wording that promotes the subject in a subjective manner without imparting real information.(October 2019) |
The British Society of Master Glass Painters (BSMGP) is a British trade association for the art and craft of stained glass. [1] Founded in 1921, it promotes the trade of glass painting and staining in Britain. [2]
BSMGP activities include: lectures, conferences, exhibitions, forums, guided walks and more. This organization also offers publications such as an annual journal and quarterly newsletter and houses an extensive reference library available to members. [3]
Stained glass is colored glass as a material or works created from it. Although, it is traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and objets d'art created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany.
The Worshipful Company of Glaziers and Painters of Glass is one of the livery companies of the City of London. The Guild of Glaziers, or makers of Glass, the company's forerunner, existed as early as the fourteenth century. It received a royal charter of incorporation in 1638. It is no longer a trade association of glass craftsmen, instead existing, along with a majority of livery companies, as a charitable body.
A house painter and decorator is a tradesperson responsible for the painting and decorating of buildings, and is also known as a decorator, or house painter. The purpose of painting is to improve the appearance of a building and to protect it from damage by water, corrosion, insects and mould. House painting can also be a form of artistic and/or cultural expression such as Ndebele house painting.
Sir William Blake RichmondPPRBSA was a British painter, sculptor and a designer of stained glass and mosaic. He is best known for his portrait work and decorative mosaics in St Paul's Cathedral in London.
A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. The revival led to stained-glass windows becoming such a common and popular form of coloured pictorial representation that many thousands of people, most of whom would never commission or purchase a painting, contributed to the commission and purchase of stained-glass windows for their parish church.
Christopher Whitworth Whall was a British stained-glass artist who worked from the 1880s and on into the 20th century. He is widely recognised as a leader in the Arts and Crafts movement and a key figure in the modern history of stained glass.
Veronica Mary Whall (1887–1967) was an important stained glass artist, painter, and illustrator associated with the Arts and Crafts movement. Her father, Christopher Whall, was the leader of the movement in stained glass. She was educated in the techniques of painting and stained glass making in her father's studio-workshop. She later became his studio assistant and designer for his studio in 1914. In 1922, Whall and her father co-founded a stained glass studio together, which she managed for nearly thirty years after his death in 1924.
Henry Albert Payne RWS, also known as "Henry Arthur Payne", was a British stained glass artist, watercolourist and painter of frescoes.
Robert Anning Bell was an English artist and designer.
Sir Brian Clarke is a British painter, architectural artist, designer and printmaker, known for his large-scale stained glass and mosaic projects, symbolist paintings, set designs, and collaborations with major figures in Modern and contemporary architecture.
Christopher Rahere Webb (1886-1966) was an English stained glass designer.
Edward Woore or Davie Woore (1880–1960) was a British stained glass artist and member of the British Society of Master Glass Painters. He was a student, apprentice and collaborator with Christopher Whall, a stained glass artist and leader in the Arts and Crafts movement.
Francis Walter Skeat was an English glass painter who created over 400 stained glass windows in churches and cathedrals, both in England and overseas. Skeat was a Fellow of the Royal Society of Arts, a Fellow of the British Society of Master Glass Painters, and a member of the Art Workers Guild.
Joan Howson (1885–1964) was a British stained glass artist of the Arts and Crafts movement. She trained at the Liverpool School of Art before becoming a student and apprentice to Caroline Townshend. They later developed a lifelong partnership creating stained glass works under the name of their company, Townshend and Howson.
Florence Camm was a British stained-glass artist, painter and metalworker associated with the Arts and Crafts movement. Camm and her brothers, Walter and Robert, took over the management of the family stained-glass business after her father, T. W. Camm died in 1912. Camm was the principal designer of the firm until her death in 1960.
Alfred Ernest Child (1875–1939) was an English stained glass artist, a lecturer in the Dublin Metropolitan School of Art and was associated with An Túr Gloine.
Nicola (Nikki) Gordon Bowe was an art historian, author and educator. She was a leading author on the Arts and Crafts movement in Ireland, most notably the revival of stained glass as an art form. She was also known for her extensive research and publications on stained glass artists Harry Clarke and Wilhelmina Geddes.
Kathleen Quigly was an Irish stained glass artist, illustrator and painter. She was also a metal worker and jewellery designer.
Joseph Edward (Eddie) Nuttgens, in Germany spelt Nüttgens, was a stained glass designer in England who worked mainly on church windows.
Leonard Walker was a British painter and stained glass designer. His work was part of the painting event in the art competition at the 1928 Summer Olympics.