Bruce Woolley | |
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Background information | |
Birth name | Bruce Martin Woolley |
Born | Loughborough, England | 11 November 1953
Origin | Shepshed, Leicestershire, England |
Genres | New wave, post-punk, power pop, progressive rock |
Occupation(s) | Musician, singer/songwriter, record producer |
Instrument(s) | Vocals, guitar, theremin |
Years active | 1974–present |
Labels | Epic Records, Island Records, Gramophone Records |
Website | www.brucewoolleyhq.com www.radioscienceorchestra.com |
Bruce Martin Woolley (born 11 November 1953) is an English musician, singer, songwriter, and record producer. He wrote songs with artists such as the Buggles and Grace Jones, including "Video Killed the Radio Star" and "Slave to the Rhythm", and co-founded the Radio Science Orchestra.
Woolley was born in Loughborough, Leicestershire, on 11 November 1953 and educated at Loughborough Grammar School, where he learned electric guitar and where he met his future wife Tessa. He lived in Shepshed, playing the UK pub and club circuit extensively for some years, before landing his first professional engagement in 1974, with Ivor Kenney's Dance Band at Leicester Palais. [1] After a transfer to Derby Tiffany's, Bruce left for London in 1976 to pursue a career in songwriting, after being offered a publishing contract with Everblue Music, in Piccadilly. [2]
Woolley's first hit was "Dancing with Dr Bop" for Australian group the Studs, [3] followed by his first English hit "Baby Blue" for Dusty Springfield, co-written with Trevor Horn and Geoff Downes. [4] [5]
In 1979, Woolley established the new wave music outfit the Camera Club, with Thomas Dolby on keyboards, Matthew Seligman on bass, Dave Birch on guitar and Rod Johnson on drums. [6] Seligman joined the Soft Boys, and was replaced by Nigel Ross-Scott. The Camera Club released their debut album English Garden in 1979 and toured England, America and Canada. They disbanded after two years largely spent on the road, and following disagreements with CBS Records, which refused to release their second album.
In 1978, Woolley co-wrote the Ivor Novello Award-nominated "Video Killed the Radio Star", together with Horn and Downes, who later became the Buggles. [7] Bruce Woolley and the Camera Club recorded and broadcast their own version of the song before the Buggles released their version in 1979, but it was not a hit. [8] It did rank at number 18 for 2 weeks on Canada's CHUM Chart, May 19 and 26, 1980. [9]
In 1981, Woolley and Trevor Horn co-wrote and produced "Hand Held in Black and White" and "Mirror Mirror" for Dollar. [10] In 1983, Magnus Uggla recorded a cover of Woolley's song "Blue Blue Victoria" with new (i.e. not a translation of Woolley's) lyrics in Swedish.
In 1985, Woolley co-wrote Grace Jones' Slave to the Rhythm . [11] The title track was originally intended for Frankie Goes to Hollywood, but Island Records' founder, Chris Blackwell, suggested using the song for Jones. The album took nearly a year to produce and made pioneering use of the Synclavier system.
In 1986, Woolley and Grace Jones co-wrote and produced Jones' eighth studio album Inside Story with Nile Rodgers, which spawned the single "I'm Not Perfect (But I'm Perfect for You)". [12] During production of the music video for this track, Woolley spent time with Andy Warhol, Timothy Leary and also Keith Haring, who were collectively responsible for set design. The song received an ASCAP Award for Black Music in 1987, presented to Woolley by Cab Calloway.
In 1989, Woolley's work was sampled for the ambient piece "A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld" by the Orb. [13] The track featured vocals by Woolley and Trevor Horn taken from Slave to the Rhythm.
Woolley's songs have been covered by John Farnham ("Two Strong Hearts"), [14] Shirley Bassey ("Slave to the Rhythm" on 2007's Get the Party Started ), [15] the Feeling, Divine, Cliff Richard, Tori Amos, Donna Summer, Tom Jones, Cher ("Love Is the Groove" on 1998's Believe album), [16] and Bebel Gilberto.
In 1994, Woolley, Chris Elliott and Andy Visser founded The Radio Science Orchestra (RSO), a theremin-led space age pop ensemble inspired by the birth of electronic music. [17] [18] The ensemble has recorded for film, television and radio, and provides bespoke arrangements and audio-visual performances combining live music, archive footage and narration.
In 1996, the RSO released a début EP, Memories of the Future. [19] In 1997, together with Grace Jones, the RSO provided the title track "Storm" for The Avengers movie starring Sean Connery, Uma Thurman and Ralph Fiennes. [19] [20] In 1999, the RSO released a follow-up EP, Reverb. [19] The RSO created a live score Ray Santilli's Alien Autopsy , an interactive soundtrack for Superstructure With Satellites at the Tate Gallery. In 2002, the RSO performed at Shanghai's International Pop Festival. The same year, Grace Jones and Luciano Pavarotti performed the RSO's arrangement of "Pourquoi me Reveiller".
In 2004, the ensemble provided music for the "Electric Storm" installation at London's South Bank for Shell. This featured a 24-hour soundtrack with forty loudspeakers, lights, music and artificial fog created from water which was pumped from the Thames. All the power for the show was derived from a huge wind turbine, specially installed alongside the Waterloo footbridge.
In 2009, the RSO performed at TED Global with Thomas Dolby. In 2013, the RSO scored a three-minute viral commercial for Greenpeace. [21] In 2006, the RSO played with Thomas Dolby at London's ICA. In 2017, the RSO and Polly Scattergood released "Video Killed the Radio Star (Darkstar)", remixed by Steve Dub of the Chemical Brothers, and used as the soundtrack for trailers for the MTV Music Video Awards, featuring Katy Perry.
In 2019, the RSO presented "Music out of the Moon" at Bluedot Festival (Jodrell Bank Observatory), [22] and TED Summit, Edinburgh. [23] The performances celebrated the anniversary of Apollo 11, and included reconstructed tracks for theremin and jazz band from Harry Revel and Les Baxter's 1947 record Music Out of the Moon, played from space by Neil Armstrong in 1969.
The RSO has appeared on MTV, EBN, BBC 1, BBC 2, BBC World Service Television News, ITV, Channel 1, Channel 4, Radio 2, (including the Chris Evans Drivetime show in February 2008), Radio 3, Radio 4 and at Glastonbury Festival.
In 2006, Woolley wrote and co-produced tracks for Grace Jones's album Hurricane, together with Brian Eno, Ivor Guest (Bomb the Bass), Pamelia Kurstin, and Sly and Robbie.
On 28 September 2010, Woolley joined Geoff Downes and Trevor Horn for the Buggles' 'live début', to raise funds for the Royal Hospital for Neuro-disability. [24]
In 2004, Woolley performed for a Prince's Trust concert at Wembley Arena celebrating Horn's production career and 25 years of "Video Killed the Radio Star".
Woolley performed the theremin on Thomas Dolby's song "Simone", which was released on Dolby's Oceanea EP in November 2010, and subsequently on the studio album A Map of the Floating City in October 2011.
On 4 October 2011, Woolley received a Gold Medal Award from the BMI in recognition of airplay for "Check It Out", a track by Nicki Minaj and will.i.am, which featured on Minaj's US number 1 album "Pink Friday" which sampled "Video Killed the Radio Star".
In 2018, Woolley sang backing vocals on Trevor Horn's debut album. Woolley notably sings with Rumer on her version of "Slave to the Rhythm". Trevor Horn Reimagines the Eighties entered the UK Independent Album chart at No. 1 in February 2019.
Bruce Woolley lives in Surrey, England. His wife, Tessa, died in February 2023. They have three sons, who are all involved in the music and media industries.
The Buggles are an English new wave band formed in London in 1977 by singer and bassist Trevor Horn and keyboardist Geoff Downes. They are best known for their 1979 debut single "Video Killed the Radio Star", which topped the UK Singles Chart and reached number one in 15 other countries and was chosen as the song to launch MTV in 1981.
Pure Frosting is a compilation album by the American alternative rock band The Presidents of the United States of America. It was released on March 10, 1998.
The Age of Plastic is the debut album by the English new wave duo the Buggles, first released on 10 January 1980 on Island Records. It is a concept album about the possible repercussions of modern technology. The title was conceived from the group's intention of being a "plastic group" and the album was produced in the wake of the success of their debut record, "Video Killed the Radio Star" (1979), which topped the UK Singles Chart. Most of the album's other tracks were written during promotion of the single.
Trevor Charles Horn is an English record producer and musician. His influence on pop and electronic music in the 1980s was such that he has been called "the man who invented the eighties".
"Video Killed the Radio Star" is a song written by Trevor Horn, Geoff Downes and Bruce Woolley in 1979. It was recorded concurrently by Bruce Woolley and the Camera Club for their album English Garden and by British new wave/synth-pop group the Buggles, which consisted of Horn and Downes.
Grace Beverly Jones is a Jamaican singer, songwriter, model and actress. Born in Jamaica, she and her family moved to Syracuse, New York, when she was a teenager. Jones began her modelling career in New York state, then in Paris, working for fashion houses such as Yves St. Laurent and Kenzo, and appearing on the covers of Elle and Vogue. She notably worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, and became known for her distinctive androgynous appearance and bold features.
Other People's Songs is a cover album by English synth-pop duo Erasure released on 27 January 2003.
Adventures in Modern Recording is the second studio album by English new wave group the Buggles, released in November 1981 by Carrere Records. Although the Buggles began as a duo of Trevor Horn and Geoff Downes, the album ended up as mostly Horn's solo effort, as Downes left to join the English rock band Asia on the day recording was originally scheduled to begin. It contains nine tracks, including a version of a track from the Yes album Drama (1980), recorded during Horn and Downes' short initial tenure with the band. Originally named "Into the Lens", the Buggles rendition is titled "I Am a Camera". A stylistically and sonically varied progressive electronic album, Adventures in Modern Recording depicts Horn perfecting his skill as producer and was described by journalists as a document for how he would produce his later works. It was one of the earliest albums to use the Fairlight CMI, one of the first digital sampling synthesizers.
Island Life is the first greatest hits album by Jamaican singer and songwriter Grace Jones, released in December 1985, summing up the first nine years of her musical career. The album sits among Jones' best-selling works.
Slave to the Rhythm is the seventh studio album by Jamaican singer Grace Jones, released on 28 October 1985 by Island Records. Subtitled a biography in the liner notes, Slave to the Rhythm is a concept album, produced by ZTT Records founder and producer Trevor Horn, that went on to become one of Jones' most commercially successful albums and spawned her biggest hit, "Slave to the Rhythm".
"Living in the Plastic Age" is a synth-pop song written, performed and produced by the Buggles. It was released as the second single from their debut album The Age of Plastic on 14 January 1980.
Geoffrey Downes is an English keyboardist who gained fame as a member of the new wave group the Buggles with Trevor Horn, the progressive rock band Yes, and the supergroup Asia.
"Elstree" is a song by the Buggles from their debut album, The Age of Plastic. It was the fourth and final single from the album, released on 27 October 1980. It was written by Trevor Horn and Geoff Downes.
"Slave to the Rhythm" is a song by the Jamaican singer, model and actress Grace Jones. It was released in October 1985 from Jones' seventh album, Slave to the Rhythm (1985), on which it is titled "Ladies and Gentlemen: Miss Grace Jones". It was produced by Trevor Horn and written by Horn, Bruce Woolley, Stephen Lipson and Simon Darlow. The song reached number 12 on the UK singles chart and number one on the US Billboard Hot Dance Club Play chart. Its music video was directed by Jean-Paul Goude.
"Clean, Clean" is a song composed by Trevor Horn, Geoff Downes and Bruce Woolley. It was recorded first by the latter for his band Bruce Woolley and the Camera Club in 1979, and later by the former two as the Buggles for their debut album The Age of Plastic. It was released as the album's third single on 24 March 1980.
Matthew Seligman was an English bassist, best known for his association with the new wave music scene of the 1980s. Seligman was a member of the Soft Boys and the Thompson Twins, and was a sideman for Thomas Dolby. Seligman was also a member of Bruce Woolley and the Camera Club and the Dolphin Brothers, and backed David Bowie during his performance at Live Aid in 1985.
"The Sound-Sweep" is a short story by British writer J. G. Ballard. It was first published in Science Fantasy, Volume 13, Number 39, February 1960 and was reprinted in the collection The Four-Dimensional Nightmare.
The Trevor Horn Band are an English group based around record producer and bass player Trevor Horn.
English Garden, released in North America as Bruce Woolley and the Camera Club, is a studio album by Bruce Woolley and his new wave band the Camera Club. The band consisted of Woolley on vocals, Matthew Seligman on bass, Rod Johnson on drums, Dave Birch on guitar, and Thomas Dolby on keyboards. Before forming the group, Woolley was creating pop songs intended for publishing companies, but he was not happy with what the artists were doing with his songs and decided to write material for himself.
Trevor Horn Reimagines the Eighties is a studio album by English music producer Trevor Horn, released in 2019. It was recorded over about a year.