Budrus (film)

Last updated

Budrus
Budrus.jpg
Theatrical release poster
Directed by Julia Bacha
Written byJulia Bacha
Produced by
Starring
  • Ayed Morrar
  • Iltezam Morrar
  • Kobi Snitz
  • Ahmed Awwad
  • Yasmine Levy
  • Doron Spielman
CinematographyJulia Bacha
Edited by
  • Geeta Gandbhir
  • Julia Bacha
Music by Kareem Roustom
Production
company
Distributed byBalcony Releasing
Typecast Releasing
Release dates
  • December 13, 2009 (2009-12-13)(DIFF)
  • October 8, 2010 (2010-10-08)(United States)
Running time
70 minutes
Countries
  • Israel
  • Occupied Palestinian Territory
  • United States
Languages
  • Arabic
  • Hebrew
  • English

Budrus is a 2009 Israeli/Palestinian/American documentary film directed by Julia Bacha, produced by Ronit Avni, Rula Salameh, and Julia Bacha, and with a screenplay by Bacha. The film is about non-violent demonstrations conducted by the residents of Budrus (a Palestinian town in the Ramallah and al-Bireh Governorate) during the early 2000s to protest against the building of the Israeli West Bank barrier inside of the village. [1] [2]

Contents

Budrus debuted on the festival circuit at the Dubai International Film Festival on December 13, 2009. [3] Its theatrical release was on September 24, 2010, in the UK. [4] and on October 8, 2010, in the United States (New York). [5]

Plot

Jordana Horn in The Jewish Daily Forward states that:

Budrus [is] a documentary by Julia Bacha that examines one West Bank town’s reaction to Israel’s construction of the security barrier. The town, with a population of 1,500, was set to be divided and encircled by the barrier, losing 300 acres of land and 3,000 olive trees. These trees were not only critical for economic survival but also sacred to the town’s intergenerational history. The film tells the story of Ayed Morrar, a Palestinian whose work for Fatah had led to five detentions in Israeli jails, but whose momentous strategic decision that the barrier would be best opposed by nonviolent resistance had far-reaching ramifications. [6]

Cast

Themes and background

Nonviolent, civil disobedience is not new to the Palestinian territories. It has been used, historians say, in various forms and with mixed results from the early 1920s through the second intifada. But what makes the Palestinian peaceniks of Budrus different is that they explicitly define their movement in opposition to violence, condemning even stone—throwing, long a symbol of Palestinian resistance. Also unique: women in Budrus asked to march at the front of the protests, as did Israeli and international peace activists. All, analysts say, complicated the efforts of the Israeli security forces, which resorted to using force against unarmed women, foreign activists, and Israeli civilians.
– R.M. Schneiderman and Joanna Chen, Newsweek [8]

In 2004, The Nation reported that if the planned construction of the Israeli West Bank barrier continued along its designated course, "the 1,200 residents of Budrus—the vast majority of whom depend on agriculture for work—will lose a large portion of their fields. An Israeli bulldozer has already carved a preliminary path, and uprooted trees lie in its wake. According to the official map released by Israel's Defense Ministry, the proposed route of the separation barrier will not only pass through this patch of land but will also loop around to encircle Budrus and eight nearby villages, creating a closed enclave with a population of 25,000. Once the area is sealed, access to fields, offices, construction sites, university classrooms, friends and relatives outside the enclave will be restricted." [9] In response, the residents began to hold non-violent protests. Haaretz stated that although curfews were established to prevent the protests, "mainly young men violated the curfew and walked to the olive grove, to prevent the bulldozers from doing their work. Up to this week, the bulldozers have not returned to work – after they already uprooted about 60 olive trees." [10]

In a 2010 interview with The Jewish News Weekly of Northern California,Budrus producer Ronit Avni stated that the film was made in response to questions concerning the existence of Palestinian non-violence movements. She further argued that, "often the phrase that followed [this] question was something along the lines of, ‘If only Palestinians adopted nonviolence, there would be peace.’ The film explores what it looks like when a Palestinian nonviolence movement emerges. And what is the Israeli response?" [11] In another interview with the Montreal Mirror , she added that after investigating instances of Palestinians and Israelis working together towards peace through non-violence, "All of our research kept leading us back to Budrus [...] And most Israelis and Palestinians did not know the story of this village." [12]

Release

Budrus initially debuted on the festival circuit in 2009 at the Dubai International Film Festival. [3] [13] It also played at the Tribeca Film Festival. [6]

Budrus was the Official Selection at film festivals worldwide including the International Thessaloniki Film Festival, Hot Docs Canadian International Documentary Festival, Sydney Film Festival, Dokufest, Rhode Island International Film Festival, EBS International Documentary Festival, Festival do Rio, Bergen International Film Festival, Mumbai International Film Festival, and The St. Louis International Film Festival. [14]

It has screened at other festivals such as the San Francisco Jewish Film Festival [15] and the 14th Annual DocuWeeks film festival in Los Angeles and New York City. [16]

Reception

Critical response

As of January 15, 2011, Budrus received on Rotten Tomatoes an overall rating of 95% from all critics (19 fresh and 1 rotten). [17]

During the first week of its release in the UK (September 24, 2010), Budrus ranked No. 1 on the British-based film review website, The Critic List, which includes top critics from Total Film, The Guardian , TimeOut London, Little White Lies – Independent Film Magazine , and The Evening Standard . [18] Tom Dawson of Total Film gave the film four stars and called it "a timely testimony to the power of peaceful resistance." [19] Peter Bradshaw of The Guardian gave Budrus four out of five stars stating that "this involving film is an eye-opener." He also argues that "what is so arresting about Bacha's film is that it shows something about the Israeli wall that I hadn't grasped. It doesn't just simply separate the Israelis from the Palestinians, but wanders on to the Palestinian territory, meandering and looping around: the idea is not merely to stop movement into Israel but covertly to impose paralysis within the Palestinian zone itself." [20] Tom Huddleston of TimeOut London gave it four out of five stars and argues that, "In refusing to romanticise the villagers or demonise their aggressors, she presents a stark and wholly believable portrait of the Middle East conflict in microcosm, while her welcome focus on character over political point-scoring gives Budrus a weighty emotional kick." [21] Liz Haycroft of Little White Lies – Independent Film Magazine gave Budrus three out of five stars and states, "By incorporating interviews with an Israeli Border Police captain and a spokesman from the military police, Budrus presents a relatively balanced view of the dispute, particularly for those unfamiliar with the regional politics. And yet from the very beginning, it’s difficult to fathom how one country can enter a region and declare parts of it their own, without expecting some kind of resistance. The people of Budrus, and their choice of peaceful protest, can only be admired." [22] Derek Malcolm of The Evening Standard gave the film four out of five stars and notes that the "film seems designed to prove what can be done by relatively peaceful means. But it is at its best when we see how Morror gradually moves into a position of moral strength. You can scarcely believe the foolishness of the Israeli authorities, but you never get the sense that the film is taking sides." [23] In addition, Budrus received four stars from The Daily Telegraph [24] and the Financial Times . [25]

In the United States, Budrus was listed as a "Critic's Pick" by New York Magazine [26] and Ann Hornaday of The Washington Post . [27] Hornaday later questioned why Budrus was "inexplicably left off" the Oscars nomination list for best documentary stating that "if there was an Arab-Israeli "slot" in the noms, my nod would have gone to Budrus." [28] Kenneth Turan of the Los Angeles Times called Budrus a "surprisingly heartening" film and stated that, "What's most gratifying about "Budrus" is that the film enables us to feel some of the same emotions the participants experienced." [29] Michael Phillips of the Chicago Tribune gave Budrus three and a half stars referring to it as "Julia Bacha's fine, humane documentary" that "makes you believe people can get things done, if they think in terms of coalitions and principles and methods other than brute force." [30] Mike Hale of The New York Times called Budrus an "engrossing and sometimes inspiring" film and stated that it is, " Eyes on the Prize with olive trees." [31] Ella Taylor of The Village Voice referred to Budrus as, "Julia Bacha’s mostly fair-minded documentary." [32] Alissa Simon of Variety called Budrus a "poignant" and "inspiring" documentary. While she argued that the "pic fails to provide a sense of chronology" or the impact of the demonstrations on everyday life, Simon also stated that, "these are small criticisms when compared to the pic's useful analysis of what constitutes model conflict resistance." [33] Chuck Bowen of Slant Magazine gave the film two and half out of four stars arguing that, "Budrus is passionately, more-than-competently made, but it's a civics lesson that doesn't quite shake you to your core." [34] Nick Schager of Time Out New York gave the film two out of five stars and argued that, "documentaries warrant viewpoints, but they should also provide perspective on more than one side of a contentious issue." [35]

Accolades

2011

  • Won: Amnesty's Matter of Act Human Rights Award, Movies That Matter Film Festival
  • Won: Jury Award for Excellence in Documenting a Human Rights Issue, Bellingham Human Rights Film Festival
  • Won: The Henry Hampton Award for Excellence in Film and Digital Media
  • Won: The Ridenhour Documentary Film Prize

2010

2009

See also

Further reading

Related Research Articles

<span class="mw-page-title-main">Vanessa Redgrave</span> British actress (born 1937)

Dame Vanessa Redgrave is an English actress. Throughout her career spanning over six decades, Redgrave has garnered numerous accolades, including an Academy Award, a Tony Award, two Primetime Emmy Awards and an Olivier Award, making her one of the few performers to achieve the Triple Crown of Acting. She has also received various honorary awards, including the BAFTA Fellowship Award, the Golden Lion Honorary Award, and an induction into the American Theatre Hall of Fame.

<span class="mw-page-title-main">Bil'in</span> Palestinian village in Ramallah and al-Bireh, State of Palestine

Bil'in is a Palestinian village located in the Ramallah and al-Bireh Governorate, 12 kilometres (7.5 mi) west of the city of Ramallah in the central West Bank. According to the Palestinian Central Bureau of Statistics, Bil'in had a population of 2,137 in 2017. In the 2000s, it was known for its regular protests against Israeli occupation.

<i>Or (My Treasure)</i> 2004 French film

Or (My Treasure) is a 2004 drama film starring Dana Ivgy in the title role of Or, a teenager who struggles to be responsible for her prostitute mother Ruthie, played by Ronit Elkabetz. The French-Israeli production premiered on 14 May 2004 at the Cannes Film Festival.

<span class="mw-page-title-main">Julia Bacha</span> Brazilian documentary filmmaker

Julia Bacha is a Brazilian documentary filmmaker. She has filmed under-documented stories from the Middle East including issues related to Palestine. Her 2021 film, Boycott, explores anti-boycott legislation and related freedom of speech issues.

Encounter Point is a film directed by Ronit Avni and Julia Bacha. It depicts different families that have been affected by the violence in Israel between Israelis and Palestinians. In this film, Just Vision, a non-profit organization, follows these families for 16 months. It begins this journey by documenting the ongoing troubles between the Israelis and Palestinians. The team conducted 475 preliminary interviews and did two years of research before embarking on this 16-month journey. The crew traveled throughout Israel, from Tel Mond, Tulkarem, Hebron, and Haifa. These parents and loved ones have been attempting to end the violence by joining, or beginning their own peace organizations and awareness campaigns.

<span class="mw-page-title-main">Ronit Elkabetz</span> Israeli actress and filmmaker

Ronit Elkabetz was an Israeli actress, screenwriter and film director. She worked in both Israeli and French cinema. She won three Ophir Awards and received a total of seven nominations.

<span class="mw-page-title-main">Budrus</span> Palestinian village in Ramallah and al-Bireh, State of Palestine

Budrus is a Palestinian village in the Ramallah and al-Bireh Governorate, located 31 kilometers northwest of Ramallah in the northern West Bank. According to the Palestinian Central Bureau of Statistics (PCBS), the village had a population of 1,596 inhabitants in 2017.

<span class="mw-page-title-main">Ronit Avni</span> Israeli filmmaker and activist

Ronit Avni is a Canadian entrepreneur, tech founder, human rights advocate, and Peabody Award-winning film director and producer.

Just Vision is a non religiously unaffiliated nonprofit organization that utilizes storytelling, media and public engagement campaigns to highlight Palestinian and Israeli grassroots leaders working to end the occupation and conflict through unarmed means. They are based in Washington, New York and Jerusalem.

The 2010 Bergen International Film Festival was arranged in Bergen, Norway, 20–27 October 2010, and was the 11th edition of the festival. It featured more than 150 feature films and documentaries, and had an attendance of more than 45,000, both numbers a new record for the festival.

<i>5 Broken Cameras</i> 2011 Palestinian film

5 Broken Cameras is a 94-minute documentary film co-directed by Palestinian Emad Burnat and Israeli Guy Davidi. It was shown at film festivals in 2011 and placed in general release by Kino Lorber in 2012. 5 Broken Cameras is a first-hand account of protests in Bil'in, a West Bank village affected by the Israeli West Bank barrier. The documentary was shot almost entirely by Palestinian farmer Emad Burnat, who bought his first camera in 2005 to record the birth of his youngest son. In 2009 Israeli co-director Guy Davidi joined the project. Structured around the destruction of Burnat's cameras, the filmmakers' collaboration follows one family's evolution over five years of turmoil. The film won a 2012 Sundance Film Festival award, it won the Golden Apricot at the 2012 Yerevan International Film Festival, Armenia, for Best Documentary Film, won the 2013 International Emmy Award, and was nominated for a 2013 Academy Award.

<i>The Gatekeepers</i> (film) 2012 Israeli film

The Gatekeepers is a 2012 internationally co-produced documentary film by director Dror Moreh that tells the story of the Israeli internal security service, Shin Bet, from the perspective of six of its former heads.

<span class="mw-page-title-main">Iyad Burnat</span> Palestinian activist

Iyad Burnat is a Palestinian activist who leads Bil'in's non-violent struggle in the West Bank. He is the head of the Bil'in Popular Committee against the Wall, which has led weekly demonstrations since 2005 against the Israeli West Bank barrier. He is also head of Friends of Freedom and Justice in Bil’in, a pro-Palestinian organization with the stated aims of building a "wide network of people from all over the globe who support Freedom and Justice for all"

<span class="mw-page-title-main">Emad Burnat</span> Palestinian farmer and filmmaker

Emad Burnat is a Palestinian farmer and filmmaker, known for the documentary 5 Broken Cameras (2011). He is the first Palestinian nominated for the Academy Award for Best Documentary Feature.

Guy Davidi is an Israeli documentary filmmaker. His movie 5 Broken Cameras was nominated for the 2013 Academy Award for Best Documentary Feature. Davidi also won the Best Directing Award along with Palestinian co-director Emad Burnat in the 2012 Sundance Film Festival and the 2013 international Emmy Award as well as numerous awards worldwide.

<span class="mw-page-title-main">Rebekah Wingert-Jabi</span> American documentary film director

Rebekah Wingert-Jabi is an American documentary film director best known for the documentary My Neighbourhood.

Rachel Leah Jones is an American-Israeli documentary film director and producer. Her documentary film Advocate about the controversial human rights lawyer Leah Tsemel, which she co-directed and co-produced with cinematographer Philippe Bellaïche, premiered at 2019 Sundance Film Festival, and won top prizes at Kraków Film Festival, Thessaloniki Documentary Festival and Docaviv Festival.

<i>Boycott</i> (2021 film) 2021 documentary film

Boycott is a documentary film about three Americans' lawsuits against their state governments in response to anti-BDS laws which caused said governments to cancel their business contracts after they refused to pledge that they would not engage in a boycott of Israel. The film is directed by Julia Bacha; it premiered in 2021.

Kareem Roustom is a Syrian-American composer, music director, and university teacher, noted mainly for his compositions of contemporary classical music, film scores and his collaboration with pop music artists. Among other musical ensembles, his compositions have been performed by the BBC Symphony Orchestra, the Boston Symphony Orchestra, the New York Philharmonic Orchestra and at festivals in the U.S., the Middle East and in Europe.

References

  1. Nancy Updike, Hitting the Wall, LA Weekly , March 11, 2004.
  2. Amira Haas, Judge revokes administrative detention order for Budrus man, Haaretz , March 11, 2004.
  3. 1 2 3 "The world premiere of Budrus went down well at DIFF". Timeoutdubai.com. December 20, 2009. Retrieved January 17, 2012.
  4. Budrus in UK cinemas September 24 Archived December 9, 2010, at the Wayback Machine
  5. "Balcony Set to Release "Budrus"". Archived from the original on March 3, 2016. Retrieved April 20, 2020.
  6. 1 2 Jordana Horn, Tribeca Offers Jewish Style and Substance, The Jewish Daily Forward, April 27, 2010.
  7. 1 2 3 4 "Protagonists: Official Website". Justvision.org. Archived from the original on November 20, 2011. Retrieved January 17, 2012.
  8. "The Peaceful Intifada". Newsweek. August 13, 2010. Retrieved September 24, 2010.
  9. Mark Sorkin Letter From Budrus, The Nation , June 14, 2004.
  10. Amira Haas, The village against the fence, Haaretz, November 2, 2004.
  11. "'Budrus' could be the lightning rod of this year's SFJFF". Jweekly.com. July 15, 2010. Retrieved January 17, 2012.
  12. "Planting peace". Montrealmirror.com. September 9, 2010. Archived from the original on January 28, 2011. Retrieved January 17, 2012.
  13. Mohammad, Arsalan (December 24, 2009). "6th Dubai International Film Festival". Tmagazine.blogs.nytimes.com. Retrieved January 17, 2012.
  14. 1 2 3 "Budrus Laurels". Justvision.org. Archived from the original on February 2, 2012. Retrieved January 17, 2012.
  15. "San Francisco Jewish Film Festival". Sfjff.org. Archived from the original on January 19, 2012. Retrieved January 17, 2012.
  16. "14th Annual DocuWeeks". Documentary.org. Archived from the original on February 23, 2011. Retrieved January 17, 2012.
  17. "Budrus". Rotten Tomatoes . Retrieved January 15, 2011.
  18. "Week of September 24, 2010". The Critic List. Archived from the original on March 13, 2012. Retrieved January 17, 2012.
  19. Dawson, Tom (February 25, 2011). "Total Film Review". Totalfilm.com. Retrieved January 17, 2012.
  20. Peter Bradshaw (September 23, 2010). "The Guardian Film Review". The Guardian. UK. Retrieved January 17, 2012.
  21. "TimeOut London Film Review". Timeout.com. Retrieved January 17, 2012.
  22. Little White Lies Film Review
  23. "Budrus shows power of peace". Evening Standard. London. September 24, 2010. Archived from the original on September 15, 2012. Retrieved January 17, 2012.
  24. Film Reviews (September 23, 2010). "The Daily Telegraph film review". The Daily Telegraph. UK. Retrieved January 17, 2012.
  25. Andrews, Nigel (September 29, 2010). "Financial Times Film Review". Financial Times. Retrieved January 17, 2012.
  26. "New York Magazine Critic's Pick". Nymag.com. October 8, 2010. Retrieved January 17, 2012.
  27. "Washington Post film review". The Washington Post. Archived from the original on November 4, 2010. Retrieved January 17, 2012.
  28. "Oscar-doc snub, er, short list announced". Voices.washingtonpost.com. November 19, 2010. Archived from the original on October 8, 2012. Retrieved January 17, 2012.
  29. Turan, Kenneth (October 22, 2010). "Los Angeles Times Film Review". Los Angeles Times. Retrieved January 17, 2012.
  30. "Chicago Tribune Film Review". Chicago Tribune. November 18, 2010. Archived from the original on November 25, 2010. Retrieved January 17, 2012.
  31. Hale, Mike (October 7, 2010). "A Study in Middle East Nonviolence". West Bank: Movies.nytimes.com. Retrieved January 17, 2012.
  32. Ella Taylor (October 6, 2010). "Making Peace Look Possible in Budrus". Villagevoice.com. Archived from the original on May 26, 2021. Retrieved January 17, 2012.
  33. Alissa Simon, Budrus: Variety Review, Variety , December 13, 2009.
  34. "Slant Film Review". Slantmagazine.com. October 4, 2010. Retrieved January 17, 2012.
  35. Time Out New York Film Review Archived October 16, 2010, at the Wayback Machine