Bugles in the Afternoon

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Bugles in the Afternoon
Bitapos.jpg
Original film poster
Directed by Roy Rowland
Screenplay by Daniel Mainwaring
(as Geoffrey Homes)
Harry Brown
Based onnovel by Ernest Haycox
Produced by William Cagney
Starring Ray Milland
Helena Carter
Hugh Marlowe
Forrest Tucker
Cinematography Wilfred M. Cline
Edited byThomas Reilly
Music by Dimitri Tiomkin
Color process Technicolor
Production
company
William Cagney Productions
Distributed by Warner Bros.
Release date
  • February 28, 1952 (1952-02-28)
Running time
85 minutes
CountryUnited States
LanguageEnglish
Box office$1.5 million (North America) [1]

Bugles in the Afternoon is a 1952 American Western film produced by William Cagney, directed by Roy Rowland and starring Ray Milland, Helena Carter, Hugh Marlowe and Forrest Tucker, based on the 1943 novel by Ernest Haycox. [2] The story features the Battle of the Little Big Horn. [3]

Contents

Plot

A rivalry between two U.S. cavalry officers results in Capt. Kern Shafter being court-martialed for striking a fellow officer, Lt. Edward Garnett, with a saber. Shafter claims to have been defending the honor of his fiancée. The court-martial finds Shafter guilty as charged, and he is dismissed from the US Army.

After his dismissal from the Army, Shafter drifts for a while and then decides to enlist in the Army as a private. He chooses to enlist at Fort Abraham Lincoln in the Dakota territory. On the trip to Fort Lincoln, he meets a woman, Josephine Russell, when both are waiting to board a stagecoach to Fargo. When they reach Bismarck in the Dakota territory, Shafter heads to Fort Abraham Lincoln and enlists in the 7th Cavalry. He is assigned to a company commanded by an old friend and former sergeant major, Capt. Myles Moylan, and given the rank of sergeant. He is pleased until he learns that Lt. Garnett too is at Fort Lincoln, and is now a captain and commander of one of the companies assigned to the fort.

Shafter makes friends with Private Donovan who was formerly a sergeant until he punched a sergeant major. The two of them are assigned to investigate the murder of local miners by Sioux tribesmen, leading to a dangerous encounter. When these risky missions continue, Capt. Moylan begins to realize that Garnett is deliberately putting Shafter at risk. Moylan puts into motion an effort to clear Shafter.

The feud escalates when Shafter discovers that Garnett also has romantic designs on Josephine. Unaware of the history between the two men, or of Garnett's true character, she feels that Shafter should be dealing with issues more reasonably. She is angered when Shafter strikes Garnett.

The soldiers leave with Lt. Col. George Armstrong Custer to engage the Sioux. Garnett deliberately puts Shafter, Donovan, and another soldier in danger by sending the three on a scouting mission, claiming there are no Sioux warriors in the vicinity. The three see their company fall back as they discover a large Sioux war party in their scouting area. After his friend Donovan is fatally wounded, Shafter is able to get back to his command, only to witness Custer's entire command killed in battle. Garnett pursues Shafter during a different skirmish with the Sioux, and the two scuffle until Shafter is knocked out by Garnett. Just as Garnett is about to drop a large rock on Shafter, a Sioux warrior fatally shoots Garnett. Capt. Moylan arrives and kills the warrior, and informs Shafter he saw the end of the fight with Garnett. The two then regroup with their command to fight the Sioux. Shafter is shot during this battle.

Shafter and Moylan survive. Thanks to Moylan, Shafter's reputation and rank of captain are restored, and Josephine now sees Shafter as the man she wants.

Cast

Production

Development

The film was based on a novel by Ernest Haycox that was published in 1944 and was serialised in The Saturday Evening Post . The New York Times called it "competent". [4]

In May 1944, William Cagney purchased the screen rights intending to make it a vehicle for his brother James Cagney. It was the first of six films William Cagney was to make for United Artists; [5] the others were to be Blood on the Sun , Only the Valiant , Port Royal, The Stray Lamb and an untitled mystery romance. [6] In August 1944 Ring Lardner Jnr was assigned to write the script, which was intended to star James Cagney. [7]

The movie was meant to follow Blood on the Sun, but was put back when Cagney elected to make The Time of Your Life instead. [8]

By March 1949 the Cagney deal with United Artists had ended, and William Cagney signed a three-picture deal with Warner Bros; the films were to be Only the Valiant, A Lion in the Streets and Bugles in the Afternoon. [9] In September 1950, William Cagney announced Harry Brown was writing the script. [10]

In February 1951, Warners, which hoped that Errol Flynn would play the lead, announced that Harry Brown and Geoffrey Home had written the script and that filming would start in May. [11] In April, Roy Rowland, who had signed a long-term deal with Cagney Productions (CP), was going to direct; he left for Utah to scout locations, and CP was still hopeful that Flynn would star. [12]

In April, William Cagney announced he had signed Ray Milland to star and that Helena Carter, David Brian and Robert Preston would co-star. [13] (Carter had previously made Kiss Tomorrow Goodbye with Cagney.) [14] Ward Bond was also mentioned. Then, by May, Brian – who had refused to make the film and was put on suspension – was replaced by Hugh Marlowe, borrowed from 20th Century Fox, and Bond – who had to go and make The Quiet Man – was replaced by James Millican. Forrest Tucker joined the cast by June, presumably in the role intended for Preston. [15]

Filming

Filming took place in June 1951. Parts of the film were shot in Johnson Canyon, Long Canyon, Asay Creek, Kanab Canyon, Aspen Mirror Lake, and Strawberry Valley in Utah. [16]

In late June, the unit returned from Utah. [17]

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References

  1. ↑ "Top Box-Office Hits of 1952", Variety, January 7, 1953. Please note this figure is of rentals accruing to distributors, not gross box office takings.
  2. ↑ "THE SCREEN IN REVIEW; 'Bugles in the Afternoon,' a Technicolor Western With Ray Milland, Bows at the Warner". The New York Times . March 5, 1952.
  3. ↑ "BUGLES IN THE AFTERNOON". Monthly Film Bulletin. Vol. 19, no. 216. London. January 1, 1952. p. 78.
  4. ↑ Hutchens, John K. (February 13, 1944). "Custer's New Stand: BUGLES IN THE AFTERNOON. By Ernest Hayco. 306 lop. Boston: Little, Brown Co. $2.50". The New York Times. p. BR6.
  5. ↑ "Of Local Origin". The New York Times. May 2, 1944. p. 15.
  6. ↑ "News of the Screen". The Christian Science Monitor. July 21, 1944. p. 4.
  7. ↑ "SCREEN NEWS: Metro to Make Film on Women's Army Corps". The New York Times. August 11, 1944. p. 12.
  8. ↑ A.H. WEILER (December 15, 1946). "BY WAY OF REPORT: Cagneys Have 'The Time of Your Life'-- Man From Down Under--Addenda Author at Work Chips Newcomer Billing Ford Film". The New York Times. p. X5.
  9. ↑ THOMAS F. BRADY (March 24, 1949). "PREMINGER PLANS FILM IN HONG KONG: Fox Producer and Scenarist, Dunne, Return From China With Idea for Picture". The New York Times. p. 35.
  10. ↑ "JOHN HUSTON WINS DIRECTORS' AWARD: Captures Quarterly Prize of Screen Guild for 'Asphalt Jungle,' Made at Metro Of Local Origin". The New York Times. September 5, 1950. p. 39.
  11. ↑ Schallert, Edwin (February 17, 1951). "Drama: 'Force of Arms' Indexed for Todd; Flynn Right for 'Bugles in Afternoon'". Los Angeles Times. p. 9.
  12. ↑ Schallert, Edwin (April 24, 1951). "Drama: Breakston-Stahl Buy 'Primrose;' Barbara Bates Wins 'Best' Role". Los Angeles Times. p. B7.
  13. ↑ "LIPPERT, PETRILLO IN ACCORD ON VIDEO: Movie Producer and Head of Musicians' Union Work Out Formula on TV Films Of Local Origin". The New York Times. April 24, 1951. p. 35.
  14. ↑ Vagg, Stephen (February 14, 2020). "Helena Carter: An Appreciation". Filmink.
  15. ↑ Schallert, Edwin (June 25, 1951). "Drama: Joan Fontaine Deal for Rowena Hinted; 20th Plans Brady Build-up". Los Angeles Times. p. 15.
  16. ↑ D'Arc, James V. (2010). When Hollywood came to town: a history of moviemaking in Utah (1st ed.). Layton, UT: Gibbs Smith. ISBN   9781423605874.
  17. ↑ "MOVIELAND BRIEFS". Los Angeles Times. June 25, 1951. p. B7.
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