Burgo de Osma Cathedral

Last updated

El Burgo de Osma Cathedral
Cathedral of the Assumption of Mary
Catedral de la Asunción de María
Osma 2021 - south facade.jpg
South façade and tower
Burgo de Osma Cathedral
41°35′08″N3°04′16″W / 41.585629°N 3.071°W / 41.585629; -3.071
Location El Burgo de Osma
Address2, Plaza San Pedro
CountrySpain
Denomination Catholic
Website burgodeosmacatedral.com
History
Status Cathedral
Dedication Assumption of Mary
Dedicated1272 [1]
Architecture
Style Gothic, , Baroque, Neoclassic
Years built1232 - 1784
Specifications
Tower height72 m (236 ft 3 in) [2]
Administration
Metropolis Burgos
Diocese Osma-Soria
Clergy
Bishop(s) Abilio Martínez Varea
TypeNon-movable
CriteriaMonument
Designated3 June 1902
Reference no.RI-51-0000918

The Cathedral of the Assumption of Mary is a Roman Catholic cathedral located in El Burgo de Osma, Spain. It was built in the Gothic architectural style, and was constructed on an area previously occupied by a Romanesque church. It is one of the best preserved medieval buildings in the country, [3] and considered one of the best examples of thirteenth-century gothic architecture in Spain. [4] The building of the church started in 1232, and was completed in 1784. The cloister is from 1512. The tower is from 1739. [5]

Contents

Museum

The cathedral museum is home to several items of religious art. Among them is a Commentary on the Apocalypse from 1086.

Shroud of San Pedro de Osma

Chapel of San Pedro de Osma. Osma 2021 - chapel.jpg
Chapel of San Pedro de Osma.

The Shroud of San Pedro de Osma is a magnificent piece of 12th-century silk, measuring about 50 by 43 centimetres. [6] Found in the Cathedral of Burgo de Osma within the tomb of San Pedro de Osma, it was used in the burial process to wrap the bones of San Pedro de Osma, a bishop who died in 1109. [7] The textile is adorned with gold wrapped thread and decorated with inscriptions, roundels, mirrored images of lions with harpies on their backs, and griffins flanking kneeling men. The silk shroud contains a type of mirrored inscription formation called muthanna, which means doubled in Arabic. [8] The inscription, located within the smaller roundels, states: “This is among the things made at Baghdad, may God protect it!” [7]

While the inscription states that the silk textile was made in Baghdad, and similarly-decorated textiles were surely made there, specific elements of the piece suggest it was made in southern Spain. The spelling of certain words in the inscription is suggestive of the western Islamic lands, and the distinctive lampas weave and the method of interlacing the golden thread are likewise more indicative of textile production in the west. [7] The shroud was also formed in a 2-2-4 formation of warps, a characteristic which denotes a Spanish origin. [9] Accordingly, the specific elements of the shroud are more consistent with silk pieces made in southern Spain. Some scholars have concluded that during the 11th and 12th centuries, imitating Islamic designs and declaring that they were of Islamic origin must have been a relatively common occurrence in Spain at the time. [10]

The shroud is now part of the collection of the Museum of Fine Arts, Boston, after being purchased in 1933. [6]


Related Research Articles

<span class="mw-page-title-main">Burgos</span> Municipality in Castile and León, Spain

Burgos is a city in Spain located in the autonomous community of Castile and León. It is the capital and most populated municipality of the province of Burgos.

<span class="mw-page-title-main">Segovia</span> City in the autonomous community of Castile and León, Spain

Segovia is a city in the autonomous community of Castile and León, Spain. It is the capital and most populated municipality of the Province of Segovia. Segovia is in the Inner Plateau, near the northern slopes of the Sistema Central range and on a bend of the Eresma river.

<span class="mw-page-title-main">Islamic art</span> Visual art forms associated with Muslims

Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery.

<span class="mw-page-title-main">Tizona</span> Name of one of the swords carried by El Cid

Tizona is the name of one of the swords carried by Rodrigo Díaz de Vivar, El Cid, according to the Cantar de Mio Cid. The name of the second sword of El Cid is Colada.

<span class="mw-page-title-main">Burgo de Osma-Ciudad de Osma</span> Municipality in Castile and León, Spain

Burgo de Osma-Ciudad de Osma is the third-largest municipality in the province of Soria, in the autonomous community of Castile and León, Spain. It has a population of about 5,250.

<span class="mw-page-title-main">Kiswah</span> Cloth cover over the Kaaba in Mecca

Kiswa is the cloth that covers the Kaaba in Mecca, Saudi Arabia. It is draped annually, though the date of draping has changed over the years. A procession traditionally accompanies the kiswa to Mecca, a tradition dating back to the 12th century. The term kiswa has multiple translations, with common ones being 'robe' or 'garment'. Due to the iconic designs and the quality of materials used in creating the kiswa, it is considered one of the most sacred objects in Islamic art, ritual, and worship.

<span class="mw-page-title-main">Burgos Cathedral</span> Catholic cathedral in Burgos, Spain

The Cathedral of Saint Mary of Burgos is a Catholic church dedicated to the Virgin Mary located in the historical center of the Spanish city of Burgos. Its official name is the Holy Metropolitan Cathedral Basilica Church of St Mary of Burgos.

<span class="mw-page-title-main">Spanish Gothic architecture</span> Late Medieval Spanish architecture

Spanish Gothic architecture is the style of architecture prevalent in Spain in the Late Medieval period.

<span class="mw-page-title-main">Montejo de Tiermes</span> Municipality in Castile and León, Spain

Montejo de Tiermes is a municipality located in the province of Soria, Castile and León, Spain. In 2010 the population of Montejo de Tiermes (municipality) was 198 inhabitants, 126 men and 72 women. Montejo de Tiermes (locality) had a population of 58 inhabitants on 1 January 2010, 41 men and 17 women.

<span class="mw-page-title-main">Roman Catholic Diocese of Osma-Soria</span> Roman Catholic diocese in Spain

The Diocese of Osma-Soria is a Latin Church ecclesiastical territory or diocese of the Catholic Church in northern Spain. It is a suffragan diocese in the ecclesiastical province of the metropolitan Archdiocese of Burgos. Its cathedral episcopal see is Catedral de Santa María de la Asunción, dedicated to the Assumption of Mary, in El Burgo de Osma. It also has a co-cathedral, Concatedral de San Pedro, dedicated to St. Peter, in Soria, and a minor basilica: Basílica de Nuestra Señora de los Miagros Miagros, in Ágreda, Soria, Castile and León, Spain.

<span class="mw-page-title-main">Samite</span> Silk fabric

Samite was a luxurious and heavy silk fabric worn in the Middle Ages, of a twill-type weave, often including gold or silver thread. The word was derived from Old French samit, from medieval Latin samitum, examitum deriving from the Byzantine Greek ἑξάμιτον hexamiton "six threads", usually interpreted as indicating the use of six yarns in the warp. Samite is still used in ecclesiastical robes, vestments, ornamental fabrics, and interior decoration.

The Suaire de Saint-Josse, the "Shroud of Saint Josse" that is now conserved in the Musée du Louvre, is a rich silk samite saddle cloth that was woven in northeastern Iran, some time before 961 C.E., when Abu Mansur Bakhtegin, the "camel-prince" for whom it was woven, was beheaded. It was brought back from the First Crusade by Étienne de Blois and dedicated as a votive gift at the Abbey of Saint-Josse, near Boulogne-sur-Mer, Pas-de-Calais. It has been described as "the major landmark in early Islamic silk weaving".

<span class="mw-page-title-main">Monastery of San Pedro de Arlanza</span>

San Pedro de Arlanza is a ruined Benedictine monastery in north central Spain. It is located in the valley of the river Arlanza in Hortigüela, Burgos. Founded in 912, it has been called the "cradle of Castile". It was abandoned in 1841 during the confiscations of Juan Álvarez Mendizábal's government, when ecclesiastical properties were roundly redistributed.

<span class="mw-page-title-main">Byzantine silk</span> Silk woven in or distributed via the Byzantine Empire

Byzantine silk is silk woven in the Byzantine Empire (Byzantium) from about the fourth century until the Fall of Constantinople in 1453.

<span class="mw-page-title-main">Toledo Cathedral</span> Seat of Archdiocese of Toledo, Spain

The Primatial Cathedral of Saint Mary of Toledo, otherwise known as Toledo Cathedral, is a Roman Catholic church in Toledo, Spain. It is the seat of the Metropolitan Archdiocese of Toledo.

<span class="mw-page-title-main">Gonzalo Pérez</span> Valencian painter

Gonzalo Pérez, or Gonçal Peris Sarrià, was a Valencian painter of the first half of the 15th century. His life is scarcely documented. He executed altarpieces and devotional paintings in his hometown, Valencia, in the late Gothic style from 1380 and 1451. Also, he worked for altarpiece in Cuenca, Murcia, Ródenas, Burgo de Osma or Puertomingalvo.

<i>Tiraz</i> Medieval Islamic embroidery

Tiraz are medieval Islamic embroideries, usually in the form of armbands sewn onto robes of honour (khilat). They were bestowed upon high-ranking officials who showed loyalty to the Caliphate, and given as gifts to distinguished individuals. They were usually inscribed with the ruler's names, and were embroidered with threads of precious metal and decorated with complex patterns. Tiraz were a symbol of power; their production and export were strictly regulated, and were overseen by a government-appointed official.

The Fermo chasuble of St. Thomas Becket is a garment belonging to Thomas Becket, Archbishop of Canterbury from 1162 until his murder in 1170.

Almerían silks were a class of luxury textiles manufactured in Almería. During the Almoravid age, there were 800 workshops in the Islamic town devoted to the manufacture of silks goods. These included luxury fabrics and brocades called "dihaj" and "siqlatun" respectively, silk threads, curtains and netting, striped silks called "attabi", knotted silks called "muajar", silks of Isfahani style and more. At the height of Almoravid prosperity, in the 12th century, imitations of Baghdadi silks were especially prized, of which the shroud of San Pedro de Osma is a notable example.

References

  1. "Historia de la Catedral de El Burgo de Osma". catedralburgodeosma.com (in Spanish). Retrieved 16 June 2021.
  2. "Cathedral, El Burgo de Osma". Planetware.com. Archived from the original on 16 May 2008. Retrieved 16 April 2011.
  3. "Ancient descriptions of movement disorders: Cathedral el Burgo de Osma (Soria, Spain)". J. Neurol. 253 (6): 731–4. June 2006. doi:10.1007/s00415-006-0100-8. PMID   16511653.
  4. Mildred Davison (1968). "An Altarpiece from Burgo de Osma". Art Institute of Chicago Museum Studies. 3: 108–124. JSTOR   4104302.
  5. "El Burgo de Osma, Spain: tourism in El Burgo de Osma, Spain". Spain.info. 23 April 2007. Archived from the original on 25 December 2018. Retrieved 16 April 2011.
  6. 1 2 Museum of Fine Arts Boston. "Fragment with Wrestling Lions and Harpies".
  7. 1 2 3 Bloom, Jonathan; Blair, Sheila (1997). Islamic Arts. Phaidon. p. 233.
  8. Akın-Kıvanç, Esra (2021). "In the Mirror of the Other: Imprints of Muslim–Christian Encounters in the Late Antique and Early Medieval Mediterranean". Dumbarton Oaks Papers. 75: 239.
  9. Shepherd, Dorothy (1957). "A Dated Hispano-Islamic Silk". Ars Orientalis. 2: 378.
  10. Shepherd, Dorothy (1957). "A Dated Hispano-Islamic Silk". Ars Orientalis. 2: 380.