Burn Baby Burn | |
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Studio album by Norman Howard and Joe Phillips | |
Released | 1993, 2007 |
Recorded | November 1968 |
Studio | Cleveland, Ohio |
Genre | Free jazz |
Length | 51:49 |
Label | Homeboy Music 2 ESP-Disk 4033 |
1993 cassette cover | |
Burn Baby Burn is an album by trumpeter Norman Howard and saxophonist Joe Phillips, who are accompanied by bassist Walter Cliff and drummer Corney Millsap. It was recorded in Cleveland, Ohio, in November 1968 as part of a session that was originally intended for release by ESP-Disk as catalogue number 1073. However, the material was shelved until 1989, when some of the tracks were released by Homeboy Music, a label run by British musicologist Roy Morris, on a limited-edition cassette titled Signals. In 1993, Homeboy reissued the contents of Signals, along with additional tracks from the session, on a second cassette called Burn, Baby, Burn. In 2007, ESP-Disk issued eight of the tracks in remastered form on CD as Burn Baby Burn. [1] [2] [3] [4] [5] [6]
In 2013, the title track was reissued as part of the ESP-Disk sampler Fire Music Vol. 1. [7]
Review scores | |
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Source | Rating |
AllMusic | [6] |
The Penguin Guide to Jazz | [8] |
All About Jazz | [9] |
The Free Jazz Collective | [10] |
In a review for AllMusic, Scott Yanow wrote: "Fans of high energy '60s free jazz blowouts will find Burn Baby Burn to be of strong interest. This release should lead to a reappraisal of Norman Howard's skills, and some appreciation for the forgotten altoist Joe Phillips." [6]
The authors of The Penguin Guide to Jazz Recordings described the album as "a period piece, from an incendiary year, but not without interest." [8]
Henry Smith of All About Jazz commented: "These recordings... hold a distinct sound all their own. The closing lines of Burn Baby Burn serve not only as a reminder of the existence of fertile local free jazz communities, but also to that music's vitality. Not only does it serve to provide a deeper and more accurate history of the form, but it also contextualizes and re-informs the work of those, like Ayler, who were able to move outside of their local terrain." [9]
A reviewer for The Free Jazz Collective stated: "it's free jazz at its best, not far removed from its cradle, but the sheer raw power, the emotional expressiveness, the anything-goes-attitude are truly magnificent. But it's not a free-for-all blowing contest, the music is controlled without being too composed, opening up full of possibilities, expressing basic emotions such as anger, sorrow, joy too at moments, with a refreshing directness and musicality." [10]
Writing for the Cleveland Scene , Phil Freeman called the album "a lost treasure of Cleveland avant-garde jazz," and remarked: "Burn Baby Burn is an unsparingly raw document. Its eight compositions fuse raucous blare and innocently joyous melodies... Lucky for us, the music survives and now has a chance to reach the larger audience it has always deserved." [11]
Clifford Allen of Paris Transatlantic wrote: "Norman Howard's music, and that of his mate Joe Phillips, is a superb example of how Albert Ayler's influence inspired musicians back in his hometown as well as throughout the world. More importantly, it shows how vital the free music scene was – and still is – on the local level." [1]
All compositions by Norman Howard and Joe Phillips.
Albert Ayler was an American avant-garde jazz saxophonist, singer and composer.
James Marcellus Arthur "Sunny" Murray was an American musician, and was one of the pioneers of the free jazz style of drumming.
Patty Waters is a jazz vocalist best known for her free jazz recordings in the 1960s for the ESP-Disk label.
Spiritual Unity is a studio album by American free jazz saxophonist Albert Ayler. It was recorded on July 10, 1964 in New York City, and features bassist Gary Peacock and drummer Sunny Murray. It was the first album recorded for Bernard Stollman's ESP-Disk label, and it brought Ayler to international attention as it was so "shockingly different". At the same time, it transformed ESP-DISK into "a major source for avant-garde jazz". A 5-star review in AllMusic called it a "landmark recording that's essential to any basic understanding of free jazz", "the album that pushed Albert Ayler to the forefront of jazz's avant-garde... really the first available document of Ayler's music that matched him with a group of truly sympathetic musicians", and stated that "the results are a magnificently pure distillation of his aesthetic."
Frank Wright was an American free jazz musician, known for his frantic style of playing the tenor saxophone. Critics often compare his music to that of Albert Ayler, although Wright "offers his honks and squawks with a phraseology derived from the slower, earthier funk of R&B and gospel music." According to AllMusic biographer Chris Kelsey, Wright "never recorded even a single record under his own name for a major label; he was 'underground' his entire career." In addition to tenor saxophone, Wright also played the soprano saxophone and bass clarinet.
Albert Ayler In Greenwich Village is a 1967 live album by free jazz saxophonist Albert Ayler. It was his first album for Impulse! Records, and is generally regarded as being his best for the label.
Love Cry is a 1968 album by jazz saxophonist Albert Ayler, released on Impulse! Records in 1968. It was originally reissued on CD by GRP with two previously unreleased alternate takes and one previously unreleased outtake. The cover claimed that "Universal Indians" is presented as a longer extended edit, but it is actually identical to the original LP. The later twofer CD edition discards the bonus tracks.
This is the discography of the American ESP-Disk record label, ordered by ID number of each musical album.
Bells is a live album by American free jazz saxophonist Albert Ayler recorded at The Town Hall in New York City in 1965 and first released as a single sided LP on the ESP-Disk label. The album was released in many variations including clear and coloured vinyl and with a variety of colored covers and most recently on CD combined with Prophecy.
Prophecy is a live album by American free jazz saxophonist Albert Ayler recorded in New York City on June 14, 1964 and first released in 1975 on the ESP-Disk label.
Live at Slug's Saloon is a live album by the American jazz saxophonist Albert Ayler recorded on May 1, 1966 at Slugs' Saloon in New York City. The music was originally released in 1982 as Albert Ayler Quintet Live at Slug's Saloon volumes 1 and 2 on Base Records (Italy), DIW Records (Japan), and ESP-Disk (U.S.), and, over the years, was reissued by a variety of small labels under different titles. A CD containing both volumes, plus an additional track recorded at the same concert, was released by ESP-Disk with the title Slugs' Saloon. On the album, Ayler plays tenor saxophone, and is accompanied by his brother Donald Ayler on trumpet, Michel Samson on violin, Lewis Worrell on bass, and Ronald Shannon Jackson on drums.
Live on the Riviera is a live album by the American jazz saxophonist Albert Ayler recorded on July 25, 1970 at the Maeght Foundation in Saint-Paul-de-Vence, France, and originally released in 2005 on the ESP-Disk label. The album, which was remastered and reissued by ESP-Disk in 2013, documents one of the last known performances by Ayler prior to his death in November of that year.
More is the second album by American jazz saxophonist Giuseppi Logan, recorded in May 1965 and released in 1966 by the ESP-Disk label. The album features Logan on alto saxophone, bass clarinet, flute, and piano along with pianist Don Pullen, bassists Eddie Gómez and Reggie Johnson, and drummer Milford Graves.
Sunny Murray, also known as Sunny Murray Quintet, is an album by American free jazz drummer Sunny Murray, his second as a leader. It was recorded in New York City in January, 1966, and released on the ESP-Disk label. The album features Murray on drums along with alto saxophonists Byard Lancaster and Jack Graham, trumpeter Jacques Coursil, and bassist Alan Silva. A remastered version, which includes an interview between Murray and ESP founder Bernard Stollman, was issued by ESP-Disk in 2007.
Frank Wright Trio is the debut album by saxophonist Frank Wright. It was recorded in November 1965 in New York City, released by ESP-Disk in 1966, and reissued on CD in 1992. On the album, Wright is joined by bassist Henry Grimes and drummer Tom Price. The tracks were also reissued in 2005 on the Frank Wright compilation The Complete ESP-Disk Recordings.
Live at Cafe Montmartre 1966, Volumes 1, 2, and 3, is a trio of live albums by trumpeter Don Cherry. The albums were recorded in March 1966 at the Cafe Montmartre in Copenhagen, Denmark, and were released by ESP-Disk in 2007, 2008, and 2009. On the recordings, Cherry is joined by saxophonist Gato Barbieri, vibraphonist Karl Berger, bassist Bo Stief, and drummer Aldo Romano. Volume 1 is accompanied by a bonus DVD sampler featuring a variety of the label's artists.
Unity is a live album by saxophonist Frank Wright. It was recorded at the Moers Festival in Moers, Germany on June 1, 1974, and was released in 2006 by ESP-Disk. On the album, Wright is joined by pianist Bobby Few, bassist Alan Silva, and drummer Muhammad Ali.
Noah Howard Quartet is the debut album by alto saxophonist Noah Howard. It was recorded in New York City during January 1966, and was released later that year by ESP-Disk. On the album, Howard is joined by trumpeter Ric Colbeck, bassist Scotty Holt, and percussionist Dave Grant.
At Judson Hall is a live album by alto saxophonist Noah Howard. It was recorded at Judson Hall in New York City on October 19, 1966, and was released in 1968 by ESP-Disk. On the album, Howard is joined by trumpeter Ric Colbeck, cellist Catherine Norris, pianist Dave Burrell, bassist Norris Jones, and percussionist Robert Kapp.
Norman Howard is a free jazz trumpeter best known for his association with saxophonist Albert Ayler.