| C Album | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | August 4, 1999 | |||
| Genre | J-pop | |||
| Length | 66:09 | |||
| Label | Johnny's Entertainment JECN-0007 | |||
| KinKi Kids chronology | ||||
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| Singles from C album | ||||
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C Album is the third studio album of the Japanese duo KinKi Kids. It was released on August 4, 1999, and debuted at the top of the Oricon charts, selling 451,230 copies in its first week. [1] The album was certified double platinum by the RIAJ for 800,000 copies shipped to stores in Japan. [2]
| No. | Title | Lyrics | Music | Length |
|---|---|---|---|---|
| 1. | "It's All Right" | Kōji Ueno (上野浩司) | Takehiko Iida (飯田建彦) | |
| 2. | "Flying People'99" (ふらいんぐ・ぴーぷる'９９) | Masami Tozawa (戸沢暢美) | Iida | |
| 3. | "Kimi wa Naite Tsuyoku Naru" (キミは泣いてツヨくなる) | Taku Mitsui (三井 拓) | Makihiko Araki (荒木真樹彦) | |
| 4. | "Zenbu Dakishimete" (全部だきしめて) | Chinka Ko (康珍 化) | Takuro Yoshida (吉田拓郎) | |
| 5. | "Anotoki no Sora" (あのときの空) | Yoshihiko Chino (知野芳彦) | Chino | |
| 6. | "Peaceful World" (Koichi Domoto solo) | Koichi Domoto | Koichi Domoto | |
| 7. | "Yamenai de, Pure" (やめないで，Pure) | Shizuka Ijyuin (伊集院静) | Tsutsumi Kyohei (筒美京平) | |
| 8. | "Natural Thang" | Toshinori Yonekura (米倉利紀) | Yonekura | |
| 9. | "Flower" (フラワー) | Hal | Hal, Nehi (音妃) | |
| 10. | "Brand New Day" | Hidemi Yamamoto (山本英美) | Akihiko Kawakami (川上明彦) | |
| 11. | "Samazama na Ai" (さまざまな愛, Tsuyoshi Domoto solo) | Tsuyoshi Domoto | Tsuyoshi Domoto | |
| 12. | "Rocketman" | Takeshi Aida (相田 毅) | Susumu Nishikawa (西川 進) | |
| 13. | "Ao no Jidai" (青の時代) | Canna | Canna |
Namie Amuro is a Japanese former recording artist, producer, songwriter, dancer, model, actress and entrepreneur who was active between 1992 and 2018. A leading figure of the Japanese entertainment industry since the early 1990s, Amuro is known for breaking the youthful idol stereotype of J-Pop, changing the fashion trends and lifestyle of women in Japan, her experimentation across music styles, and for her visual imagery in music videos and live performances. Due to her career longevity, resilience, professionalism, efforts behind-the-scenes in the music industry, and her way of life, she is considered a pop culture icon in Japan and Asia. She has been referred to as "Diva of Heisei Era" and the "Queen of Japanese Pop", and has been recognized as having the influence and career impact domestically equivalent to artists such as Janet Jackson and Madonna in Western music and pop culture.
Koshi Inaba is a Japanese vocalist, multi-instrumentalist and songwriter. He is best known as the singer and lyricist of the rock duo B'z, the best-selling music act in their native Japan. He has also had a successful solo career, with five studio albums and five singles topping the Japanese music charts. He collaborated with Slash on single "Sahara" which was released in 2009. In 2017, he released a collaborative album, Chubby Groove, with Stevie Salas under the name "Inaba/Salas".
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Japanese singer Ayumi Hamasaki has released seventeen studio albums, five compilation albums, twenty-six remix albums, four live albums and numerous singles and promotional singles. She debuted in 1995 under Nippon Columbia with the stage name Ayumi, releasing an extended play Nothing from Nothing, which was a collaboration with Dohzi-T and DJ Bass. Three years later, Hamasaki debuted again as a singer under Avex Trax with the single "Poker Face" (1998). Her first album A Song for ×× (1999) debuted at number one on Oricon's albums chart, and sold over 1.4 million copies.
The discography of Japanese-American R&B and pop singer Hikaru Utada consists of eleven studio albums, three compilation albums, eleven video albums and numerous singles and promotional singles. Utada began as a musician in the early 1990s as a member of U3, a family unit made up of her, her mother Junko Utada, also known as 1970s enka singer Keiko Fuji, and her father, musical producer Teruzane Utada. U3 released their debut album Star in 1993, with the hope to debut in America. In 1996, the group was rebranded as Cubic U, an R&B project focusing on Hikaru Utada, resulting in the English language album Precious in 1998 with record label Toshiba EMI.
The solo discography of Ringo Sheena features seven studio albums, five compilation albums, two extended plays and twenty-three singles. These were released on the Toshiba EMI sublabel East World from 1998 to 2000, before Shiina moved to the Virgin Music sub-label. In April 2013, EMI Music Japan was absorbed into Universal Music Japan, meaning all releases since 2013 have been on the new EMI R sub-label of Universal.
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The discography of Japanese R&B singer Misia consists of nine studio albums, three compilation albums, one extended play (EP), one live album, six remix albums, twenty-six singles, twelve promotional singles, eighteen video albums and thirty-seven music videos. In 1997, Misia signed a recording contract with BMG Japan and joined the then up-and-coming talent agency, Rhythmedia. Under the sub-label Arista Japan, Misia released her first single, "Tsutsumikomu Yō ni..." in February 1998, followed by "Hi no Ataru Basho" in May. In June, her debut album, Mother Father Brother Sister, opened at number three on the Oricon chart. The album peaked at number one three weeks later and stayed in the top five for eleven consecutive weeks. Mother Father Brother Sister was certified double million and won a Japan Record Award for Best Album, as well as a Japan Gold Disc Award for Pop Album of the Year. In 2000, Misia's second studio album, Love Is the Message, debuted at number one and was certified double million. It won a Japan Record Award for Best Album and a Japan Gold Disc Award for Pop Album of the Year. The album spawned three top ten hits: "Believe," "Wasurenai Hibi" and "Sweetness." Misia's first remix album, Misia Remix 2000 Little Tokyo, was released three months later and shot to number one. It sold over 800,000 copies and is the second best-selling remix album of all time in Japan.
The discography of Japanese singer Mai Kuraki consists of fifteen studio albums, six compilation albums, twenty-three video albums, three remix albums, fifty-six singles, and sixteen promotional singles. Kuraki debuted in 1999, while she was still in high school, through Giza Studio. The label initially marketed Kuraki in the United States under the name Mai K, and released the single "Baby I Like" (1999). However, the single was a commercial failure which prompted the label to send her back to Japan. There, they released her single "Love, Day After Tomorrow", which peaked at number two on the Oricon Singles Chart and was certified million by the Recording Industry Association of Japan (RIAJ). The second single, "Stay by My Side" became her first number one single on the chart. Kuraki's debut album, Delicious Way, topped the Oricon Albums Chart and was certified triple million by the RIAJ.
"Kimi no Tame ni Boku ga Iru" (君のために僕がいる) is the fifth single of the Japanese boy band Arashi. The single was released in two editions. While both the regular edition and limited edition contains two songs and its instrumentals, only the limited edition included stickers and changeable disc covers. It was certified gold by the RIAJ for a shipment of 200,000 copies.
"Jidai" is the sixth single of the Japanese boy band Arashi. The single was released in two editions. While both the regular edition and limited edition contains two songs and its instrumentals, the two have different covers and only the limited edition included cards and a poster. It was certified platinum by the RIAJ for a shipment of 400,000 copies.
The discography of Japanese musician Chara consists of fifteen studio albums, four compilation albums, two live albums, three extended plays one soundtrack, eight video albums and fifty singles. Chara debuted as a musician in 1991 with Sony Music Entertainment Japan, and saw great success with the singles "Swallowtail Butterfly " (1996), the theme song for the film Swallowtail, and "Yasashii Kimochi" (1997). After releasing ten albums with the label, Chara left Sony in 2004 to become an independent musician, releasing the album Something Blue (2005). The next year, Chara signed her second major label contract with Universal Music Japan, releasing four albums between 2007 and 2011.
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B Album is the second studio album of the Japanese duo KinKi Kids. It was released on August 12, 1998 and debuted at the top of the Oricon charts, selling 524,540 copies in its first week. The album was certified Million by RIAJ.
E Album is the fifth studio album of Japanese group KinKi Kids. It was released on July 25, 2001. Debuting at the top of the Oricon charts, the album sold 400,480 copies in its first week. The album was certified platinum by the RIAJ for 400,000 copies shipped to stores in Japan.
F Album is the sixth studio album of the Japanese duo KinKi Kids. It was released on December 26, 2002 and debuted at number two on the Oricon charts, selling 360,102 copies in its first week. The album was certified platinum by the RIAJ for 400,000 copies shipped to stores in Japan.
The discography of Japanese recording artist and actor Masaharu Fukuyama consists of ten studio albums, four compilation albums, three remix albums, twenty video albums, and numerous physical and promotional singles. Fukuyama debuted through BMG Japan by releasing the single "Tsuioku no Ame no Naka" (1990) and the album Dengon. The works failed to chart, however, in 1992 the single "Good Night", aided by the popularity it gained through use in the drama Ai wa Dō da, charted on the Oricon Singles Chart, peaking at number nine. In 1993, his album Calling became his first number one album on the Oricon Albums Chart; it has sold over 850,000 copies in Japan and has been certified two-times platinum by the Recording Industry Association of Japan (RIAJ).
The discography of Japanese rock band The Brilliant Green consists of five studio albums, compilation album and 20 singles. These were released through Sony Music Records from 1997 until mid 2000, when the band moved to Sony sub-label Defstar Records. The Brilliant Green parted with Sony in 2008 after releasing the compilation album Complete Single Collection '97–'08, and began releasing music through Warner Music Japan from 2010 onwards.
The discography of the Japanese pop duo Chage and Aska consists of 21 studio albums, 14 compilation albums, 26 video albums and 55 singles. Chage and Aska debuted in 1979 with the single "Hitorizaki", which peaked at number 24 on the Oricon Singles Chart. In 1980, their single "Banri no Kawa" was their first chart hit. Their 1991 single, "Say Yes", which was used as the theme to the Japanese drama The 101st Marriage Proposal (101回目のプロポーズ), sold two million copies and is the sixth best-selling single of all time in Japan. The group had another double million seller in 1993 with "Yah Yah Yah". The group has sold about 31 million records in Japan.
The discography of Japanese boy band SMAP consists of 21 studio albums, 5 compilation albums, 23 video albums, and numerous singles. Sports Music Assemble People, abbreviated as SMAP, was formed in 1988 by a group of backup dancers for the boy band Hikaru Genji of Johnny & Associates. The band's initial releases performed poorly on the charts, but the following ones started gaining attention, aided by the group's appearance on their own variety show, SMAP×SMAP. Meanwhile Kimi Iro Omoi single was used in anime Akazukin Chacha broadcast in Japan only. In worldwide broadcast, Kimi Iro Omoi single was replaced by Shoko Sawada. However, that single can only available on MP3 Store, then download between TV Size and Full version. Their 2003 single "Sekai ni Hitotsu Dake no Hana" sold over two million copies in Japan, becoming one of the best-selling singles in the country. In August 2016, the group announced that they will disband by the year end. Since 2003, all of the band's releases have peaked at number one on the Oricon Albums or Singles Chart. The group has sold over 38,5 million records in Japan.
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