A cabriole leg is one of (usually) four vertical supports of a piece of furniture shaped in two curves; the upper arc is convex, while lower is concave; the upper curve always bows outward, while the lower curve bows inward; with the axes of the two curves in the same plane. This design was used by the ancient Chinese and Greeks, but emerged in Europe in the very early 18th century, when it was incorporated into the more curvilinear styles produced in France, England and Holland. [1]
According to Bird, "nothing symbolises 18th century furniture more than the cabriole leg." [2] The cabriole design is often associated with bun or the "ball and claw" foot design. In England, this design was characteristic of Queen Anne and Chippendale furniture. [3] In France, the cabriole leg is associated with the Louis XV period of furniture design. [4] The cabriole design appeared for the first time in the United States in the 18th century. [5] The basis of its original concept was emulated upon legs of certain four-footed mammals, especially ungulates. The etymology of this term specifically derives from the French word cabrioler, meaning to leap like a goat . [6]
This leg style has been used continuously in China, where it is associated with lacquered tables. The cabriole leg, lost to Europe sometime before the Middle Ages, returned to use first in France in Rococo style around the year 1700, imitating a popular graphic scroll design found in contemporary French art. The cabriole leg returned in England in Queen Anne Style chairs between 1712 and 1760. [7] These chairs featured a back with hoop design, a vase-shaped splat, and a bun or pad foot. Another English design from the period follows Chinese style, with a flat cresting and vertical back edges. The later advent of Chippendale furniture saw the English cabriole leg develop a more delicate form. [7]
Cabriole legs first appeared in American design in the mid-18th century, initially imitating Queen Anne Style with a juxtaposition of elements from the Queen Anne subperiod (1702–1714), George I subperiod (1714–1727) and George II subperiod (1727–1760). The cabriole leg, later primarily seen in pad foot design, [7] became almost universal use in American furniture design, leading some to name this the cabriole period. [8] Later in the century, regional differences emerged: for example, the Commonwealth of Massachusetts style features a much more slender leg.[ citation needed ]
In current times the cabriole leg continues in use and more modern manufacturing techniques are applied to form this complex shape. [6] In any case, the initial step is preparation of a template drawn on hardboard or cardboard. Structurally, the cabriole leg is weaker as the "S" shape is more accentuated or "bowed"; [9] in any case the cabriole leg must be fashioned out of a solid piece of wood, rather than laminate. [10] Some of the initial rough turning is sometimes carried out using a lathe, but eventually a bandsaw is required due to the complex arc formations of the design. [6] The next steps include application of a spokeshave, rasp and scraper. The bottom of the leg may terminate in a bun, ball or "ball and claw" rendition; Queen Anne style furniture characteristically uses the bun foot (also called pad foot). The small brackets are constructed from a separate piece of wood and either affixed by dowels or screws.
The antique furniture collection of Henry Cavendish contains a set of "ten inlaid cabriole leg satinwood chairs with matching cabriole legged sofa" documented to have been acquired by Cavendish himself. [11] Another example is manifested in a cherry candlestand deriving from Gloucester with cabriole legs, described by the Essex Institute as produced between 1725 and 1750; [12] moreover, this specimen is notable for the early design of dovetailed attachment of the legs as opposed to dowelled attachment of later eras.
Furniture refers to objects intended to support various human activities such as seating, eating (tables), storing items, working, and sleeping. Furniture is also used to hold objects at a convenient height for work, or to store things. Furniture can be a product of design and can be considered a form of decorative art. In addition to furniture's functional role, it can serve a symbolic or religious purpose. It can be made from a vast multitude of materials, including metal, plastic, and wood. Furniture can be made using a variety of woodworking joints which often reflects the local culture.
Joinery is a part of woodworking that involves joining pieces of wood, engineered lumber, or synthetic substitutes, to produce more complex items. Some woodworking joints employ mechanical fasteners, bindings, or adhesives, while others use only wood elements.
George Hepplewhite was a cabinetmaker. He is regarded as having been one of the "big three" English furniture makers of the 18th century, along with Thomas Sheraton and Thomas Chippendale. There are no pieces of furniture made by Hepplewhite or his firm known to exist but he gave his name to a distinctive style of light, elegant furniture that was fashionable between about 1775 and 1800 and reproductions of his designs continued through the following centuries. One characteristic that is seen in many of his designs is a shield-shaped chair back, where an expansive shield appeared in place of a narrower splat design.
Upholstery is the work of providing furniture, especially seats, with padding, springs, webbing, and fabric or leather covers. The word also refers to the materials used to upholster something.
Chairs are known to have existed since Ancient Egypt and have been widespread in the Western world from the Greeks and Romans onwards. They were in common use in China from the twelfth century, and were used by the Aztecs.
A footstool is a piece of furniture or a support used to elevate the feet. There are two main types of footstool, which can be loosely categorized into those designed for comfort and those designed for function.
A lowboy is an American collectors term for one type of dressing table. It is a small table with one or two rows of drawers, so called in contradistinction to the tallboy or highboy chest of drawers.
Campaign furniture is a type of furniture which is made for travel. Historically, much of it was made for military campaigns.
A Windsor chair is a chair built with a solid wooden seat into which the chair-back and legs are round-tenoned, or pushed into drilled holes, in contrast to other styles of chairs whose back legs and back uprights are continuous. The seats of Windsor chairs are often carved into a shallow dish or saddle shape for comfort. Traditionally, the legs, stretchers, and uprights were usually turned on a pole lathe. Spindles may also be carved, using drawknives and spokeshaves. The back and sometimes the arm pieces are formed from steam bent pieces of wood. Traditional Windsors are typically painted, primarily to hide the different types of wood used in construction, based on their characteristics.
A canapé is a piece of furniture similar to a couch. The word is typically meant to describe an elegant couch made out of elaborately carved wood with wooden legs, an upholstered back, armrests, and a single long seat that typically seats three, that emerged from France in the 18th century.
A club foot is a type of rounded foot for a piece of furniture, such as the end of a chair leg. It is also known by the alternative names pad foot and Dutch foot, the latter sometimes corrupted into duck foot.
A lyre arm is an element of design in furniture, architecture and the decorative arts, wherein a shape is employed to emulate the geometry of a lyre; the original design of this element is from the Classical Greek period, simply reflecting the stylistic design of the musical instrument. One of the earliest uses extant of the lyre design in the Christian era is a 6th-century AD gravestone with lyre design in double volute form. In a furniture context, the design is often associated with a scrolling effect of the arms of a chair or sofa. The lyre arm design arises in many periods of furniture, including Neoclassical schools and in particular the American Federal Period and the Victorian era. Well known designers who employed this stylistic element include the noted New York City furniture designer Duncan Phyfe.
The Queen Anne style of furniture design developed before, during, and after the time of Queen Anne, who reigned from 1702 to 1714.
Turned chairs – sometimes called thrown chairs or spindle chairs – represent a style of Elizabethan or Jacobean turned furniture that were in vogue in the late 16th and early 17th century England, New England and Holland. In turned furniture, the individual wooden spindles of the piece are made by shaping them with chisels and gouges while they are being turned on a lathe. Joiners or carpenters who made such furniture were termed "turners", or "bodgers", hence the surname Turner. Today, turned chairs – as well as various turned decorative elements – are still commonly made, but by machines rather than by hand.
Hogarth Painting the Comic Muse is a painting in the National Portrait Gallery, London by the British artist William Hogarth. It was painted in approximately 1757 and published as a print in etching and engraving in 1758, with its final and sixth state in 1764. Hogarth used this particular self-portrait as the frontispiece of his collected engravings, published in 1764.
Italian Rococo interior design refers to interior decoration in Italy during the Rococo period, which went from the early 18th century to around the 1760s.
A foot is the floor level termination of furniture legs. Legless furniture may be slightly raised off of the floor by their feet.
What later came to be known as the William and Mary style is a furniture design common from 1700 to 1725 in the Netherlands, Kingdom of England, Kingdom of Scotland and Kingdom of Ireland, and later in England's American colonies. It was a transitional style between Mannerist furniture and Queen Anne furniture. Sturdy, emphasizing both straight lines and curves, and featuring elaborate carving and woodturning, the style was one of the first to imitate Asian design elements such as japanning.
A corner chair is a chair design with a four-corner seat arranged in a way that one corner, sometimes rounded, frequently with a cabriole leg, is positioned in front while the rounded or angled backrest is aligned with the two back sides of the seat.