Cafe Moscow

Last updated • 1 min readFrom Wikipedia, The Free Encyclopedia

Cafe Moscow
Cafe Moscow.jpg
Directed by Steve Sekely
Written by István Tamás
Steve Sekely
Starring
Cinematography Willy Goldberger
Rudolf Icsey
Edited by Ladislao Vajda
Music by Sándor László
Production
company
Patria Film
Release date
  • 13 February 1936 (1936-02-13)
Running time
84 minutes
CountryHungary
Language Hungarian

Cafe Moscow (Hungarian: Café Moszkva) is a 1936 Hungarian adventure film directed by Steve Sekely and starring Anna Tõkés, Gyula Csortos and Ferenc Kiss. Art direction was by József Pán. It is also known by the alternative title Only One Night. [1] The film is set during the First World War on the Eastern Front between Russia and the Austro-Hungarian Empire. The film was intended to convey an anti-war message. [2]

Contents

Plot summary

Cast

Related Research Articles

<i>The State Department Store</i> 1953 film by Viktor Gertler

The State Department Store is a 1953 Hungarian musical comedy film directed by Viktor Gertler and starring Miklós Gábor, Kálmán Latabár and Kamill Feleki. The film is set in and around a Budapest department store, whose employees are battling against black marketeers.

<span class="mw-page-title-main">Anna Tőkés</span> Hungarian actress (1903–1966)

Anna Tőkés was a Hungarian stage and film actress. Tőkés was a Transylvanian born in what is today Târgu Mureș in Romania, but was then part of the Austro-Hungarian Empire. Like many ethnic Hungarians, she moved to Hungary following the First World War. She starred in the 1936 First World War film Cafe Moscow.

Marika is a 1938 Hungarian comedy drama film directed by Viktor Gertler and starring Pál Jávor, Lia Szepes and Zita Perczel. The film is based on a play by István Zágon, which was later adapted as the German film Marili. The sets were designed by the art director Márton Vincze

<i>Modern Girls</i> (1937 film) 1937 film by Béla Gaál

Modern Girls or Today's Girls is a 1937 Hungarian comedy film directed by Béla Gaál and starring Lia Szepes, Jenö Pataky and Steven Geray. The film may be best remembered for Magda Gabor's appearance in a supporting role.

<i>The Pagan Madonna</i> 1981 Hungarian film

The Pagan Madonna is a 1981 Hungarian crime action comedy film directed by Gyula Mészáros.

Hotel Springtime is a 1937 Hungarian comedy film directed by Béla Gaál and starring Anna Tõkés, Ida Turay and Antal Páger. Location shooting took place around the city of Pécs. The film's sets were designed by the art director Márton Vincze.

The Red Wallet is a 1938 Hungarian drama film directed by Béla Pásztor and starring Bella Bordy, Artúr Somlay and Ferenc Kiss. It was shot at the Hunnia Studios in Budapest. The film's sets were designed by the art director Imre Sörés.

Man Sometimes Errs is a 1938 Hungarian comedy film directed by Béla Gaál and starring Antal Páger, Anna Tõkés and Margit Dajka. The film's sets were designed by the art director Márton Vincze.

<i>The Golden Man</i> (film) 1936 film

The Golden Man is a 1936 Hungarian historical drama film directed by Béla Gaál and starring Ferenc Kiss, Tivadar Uray and Gyula Csortos. The film is an adaptation of the 1872 novel The Man with the Golden Touch by Mór Jókai. It was shot at the Hunnia Studios in Budapest and on location around Budafok and the Romanian island of Ada Kaleh on the Danube. The film's sets were designed by the art director Márton Vincze.

<i>Barbara in America</i> 1938 film

Barbara in America is a 1938 Hungarian comedy film directed by Márton Keleti and starring Margit Dajka, Imre Hámory and Gerö Mály. The film's sets were designed by the art director József Pán.

<i>Princess of the Puszta</i> 1939 film

Princess of the Puszta is a 1939 Hungarian romantic drama film directed by Béla Csepreghy and starring Éva Szörényi, Sándor Szabó and Gyula Csortos. The film's sets were designed by the art director József Pán. Location shooting took place around Hortobágy.

<i>Son of the Pusta</i> 1936 film

Son of the Pusta is a 1936 Hungarian drama film directed by Béla Pásztor and starring Gyula Csortos, Ferenc Kiss and Júlia Komár. It was shot at the Hunnia Studios in Budapest. The film's sets were designed by the art director Márton Vincze.

Hungary's Revival is a 1939 Hungarian war drama film directed by Jenö Csepreghy and Ferenc Kiss and starring Anna Tõkés, Manyi Kiss and Gyula Benkö. Nationalist in tone, it celebrated the recent Hungarian territorial gains following the Munich agreement and the First Vienna Award.

The Man Under the Bridge is a 1936 Hungarian drama film directed by Ladislao Vajda and starring Mária Lázár, Gyula Csortos and Ferenc Kiss. The film's sets were designed by the art director József Pán.

<i>Janos the Valiant</i> 1939 film

Janos the Valiant is a 1939 Hungarian musical fantasy adventure film directed by Béla Gaál and starring Margit Dajka, Imre Palló and Ferenc Kiss. It is inspired by the epic poem János vitéz by Sándor Petőfi. The film's sets were designed by the art director József Pán.

<i>Storm</i> (1952 film) 1952 film

Storm is a 1952 Hungarian drama film directed by Zoltán Fábri and starring József Bihari, Manyi Kiss and Ferenc Bessenyei. It was shot at the Hunnia Studios in Budapest. The film's sets and costumes were designed by the art director István Köpeczi-Boócz.

<i>Haunting Spirit</i> 1940 film

Haunting Spirit is a 1940 Hungarian drama film directed by Lajos Zilahy and starring Katalin Karády, Antal Páger and Gyula Csortos. It was shot at the Hunnia Studios in Budapest. The film's sets were designed by the art director Imre Sörés.

<span class="mw-page-title-main">József Timár</span> Hungarian actor

József Timár (1902–1960) was a Hungarian stage and film actor. He was associated with the National Theatre in Budapest for many years.

<i>Time of Trial</i> (film) 1942 film

Time of Trial is a 1942 Hungarian drama film directed by Endre Rodríguez and starring Katalin Karády, László Szilassy and Artúr Somlay. It was shot at the Hunnia Studios in Budapest. A separate Bulgarian-language version Izpitanie was also produced. The two countries were aligned as Axis powers at the time.

References

  1. Cunningham p.236
  2. Nemeskürty & Szántó p.60

Bibliography