California Straight Ahead | |
---|---|
Directed by | Harry A. Pollard |
Written by | Dwinelle Benthall Byron Morgan Harry A. Pollard Beatrice Van |
Starring | Reginald Denny Gertrude Olmstead Tom Wilson |
Cinematography | Virgil Miller Gilbert Warrenton |
Edited by | Daniel Mandell Edward Schroeder |
Production company | |
Distributed by | Universal Pictures |
Release date |
|
Running time | 80 minutes |
Country | United States |
Language | Silent (English intertitles) |
California Straight Ahead is a 1925 American silent comedy film directed by Harry A. Pollard and starring Reginald Denny, Gertrude Olmstead, and Tom Wilson. [1] [2]
As described in a film magazine, [3] on the eve of his wedding, Tom Hayden (Denny) entertains the boys in "The Honeymoon Trailer," an elaborate transcontinental bus he has rigged up for the bridal tour. The bus gets out of control and goes down a gulley. Tom is taken to the hospital, where he regains consciousness and remembers that his bride Betty (Olmstead) is waiting. With the help of his faithful black Sambo (Wilson), he escapes through the window to an ambulance in which an insane woman has just been delivered to the hospital. He dresses while Sambo drives. The insane woman jumps from beneath the bedclothes, embraces him and calls him her long lost lover, making a scene in front of the house of the bride, who scorns him. Betty’s father orders him out and Tom’s own dad disowns him until he has cut out the mad capers and proven himself a man. The families of Hayden and Browne, hitherto friendly enemies — due to the fact that the car manufactured by Hayden has always beaten the car manufactured by Browne, who claims that Hayden’s car could not beat him with anybody but Tom driving — are now bitter enemies, and the merger that would have taken place with Tom’s marriage to Betty is now off. Tom takes his trailer and starts for the West. Sambo sells Southern style chicken dinners to the tourists to make expenses. Nearing California, he meets the Brownes in an auto camp. They shun him, but Betty tearfully longs for him. They are accompanied by Creighton Deane (Gerrard), who has offered financial assistance to Browne’s concern and counts on marrying Betty. Betty, freezing in her tent at night, ventures to call on Tom in his nice warm bus during the absence of her parents who are visiting a nearby circus. A big storm is brewing and he induces her to exchange sleeping quarters with him. The storm breaks up the circus and the wild animals escape, creating havoc in the auto camp. Tom enters Betty’s tent, where he sees a lion. He jumps out of the tent into the arms of Betty’s father and mother. He warns them not to go in, but they enter in a rage, then flee in fright. Tom gets to the bus and starts out with Betty, followed by the Browne family, who are chased by a bear, but catch the bus and are saved. Browne sees Tom in the car ahead with his daughter and orders him to “stop his car.” Tom obliges by cutting off the trailer and letting it stand while he drives to Los Angeles with Betty. Arriving, he is arrested and jailed for kidnapping on the telegraphed charge of Browne. The elder Hayden, who has refused to bail out his scapegrace son, meets Browne. They have their usual spat about the merits of their cars on the eve of the races and agree to a bet of $50,000. Both get the bright idea of bailing Tom out and clinching the race with his expert driving. They go to the jail and bid for his services. Browne wins by offering his daughter as the prize. Tom drives the Browne Special and is in the lead when the jealous Deane sees him and demands that Browne take him out and put him back in jail or he will withdraw his financial support. They get a warrant for him and are about to serve it as he stops to put on a tire. The warrant blows away and Tom starts out to regain his lost lap. In the last lap his car takes fire. To the grandstanders the game is lost, but with heroic grit Tom sticks and wins. In the face of victory nobly won, all family objections vanish. Tom embraces Betty, who comes up smiling with a face full of motor grease.
Wilson played the stereotypical role of Tom's valet Sambo in blackface. The use of white actors in blackface for black character roles in Hollywood films did not begin to decline until the late 1930s, and is now considered highly offensive, disrespectful, and racist. [4]
Prints of California Straight Ahead are held by the Cinematheque Royale de Belgique, George Eastman Museum Motion Picture Collection, and UCLA Film and Television Archive. [5]
Reginald Leigh Dugmore, known professionally as Reginald Denny, was an English actor, aviator, and UAV pioneer.
The Monster is a 1925 American silent horror comedy film directed by Roland West, based on the stage play of the same name by Crane Wilbur, and starring Lon Chaney and comedian Johnny Arthur. The screenplay was written by Willard Mack and Albert Kenyon. It is remembered as an early prototype "old dark house" movie, as well as a precedent to a number of horror film subgenres such as mad scientists with imbecilic assistants. Some sources list the film's release date as March 1925, while others say February.
Charles K. Gerrard, also known as Charles Kavanagh, was an Irish-American motion-picture actor, and the elder brother of actor and film director Douglas Gerrard.
LeRoy Franklin Mason was an American film actor who worked primarily in Westerns in both the silent and sound film eras. Mason was born in Larimore, North Dakota, on July 2, 1903.
Gertrude Olmstead was an American actress of the silent era. She appeared in 56 films between 1920 and 1929. Her last name was sometimes seen as Olmsted.
The Big City is a 1928 American silent crime film directed by Tod Browning and starring Lon Chaney. Waldemar Young wrote the screenplay, based on a story by Tod Browning. The film is now lost.
The Americano is a 1916 American silent adventure / romantic comedy film directed by John Emerson and stars Douglas Fairbanks in his last production for Triangle Film Corporation. Based on the novel Blaze Derringer, by Eugene P. Lyle, Jr., the scenario was written by John Emerson and Anita Loos who also wrote the film's intertitles. The film was re-released by S.A. Lynch Enterprises on August 21, 1923. Three 16mm prints and one 8mm print of the film still exists. Set in a fictional South American country of Paragonia, it has been described as one of a group of films that supported United States imperialism by providing support to the idea of manifest destiny.
Skinner's Dress Suit is a 1926 American silent comedy film produced and distributed by Universal Pictures and starring Reginald Denny. William Seiter was the director of the film which was based on the 1916 novel of the name by Henry Irving Dodge. Laura La Plante and Hedda Hopper co-star in this comedy which has seen video and DVD releases.
Lady Be Good is a 1928 American silent romantic comedy film directed by Richard Wallace. The film is based on the 1924 musical of the same name by George Gershwin and starred Jack Mulhall and Dorothy Mackaill.
The Cheerful Fraud is a 1927 American silent comedy film directed by William A. Seiter and starring Reginald Denny, Gertrude Olmstead, and Otis Harlan. It was produced and distributed by Universal Pictures. It is based on a 1925 novel of the same title by British writer Kenneth Robert Gordon Browne.
Secrets of the Night is a 1924 American silent film directed by Herbert Blaché and made at Universal Pictures. The black-and-white "murder mystery-melodrama comedy" stars James Kirkwood Sr., Madge Bellamy, and ZaSu Pitts. It was adapted from the play The Nightcap written by Guy Bolton and Max Marcin. The film was thought lost until a print of the film was rediscovered in a basement in Mississauga, Ontario, in 2017.
Freedom of the Press is a 1928 American silent mystery film directed by George Melford and starring Lewis Stone, Marceline Day, and Malcolm McGregor.
The Abysmal Brute is a 1923 American silent sports drama film directed by Hobart Henley and starring Reginald Denny, Mabel Julienne Scott, and Charles K. French. It is an adaptation of the 1911 novel The Abysmal Brute by Jack London. The film received mixed reception, with one reviewer stating that the film was not a perfect adaptation of the novel. Comedic scenes, that were not in the novel, were added to the film by leading actor Reginald Denny.
Sweet Adeline is a 1926 American silent comedy film directed by Jerome Storm and starring Charles Ray and Gertrude Olmstead.
Flattery is a 1925 American silent drama film directed by Tom Forman and starring John Bowers, Marguerite De La Motte, and Alan Hale.
Dark Stairways is a 1924 American silent mystery film directed by Robert F. Hill and starring Herbert Rawlinson, Ruth Dwyer, and Hayden Stevenson.
Broadway Madness is a 1927 American silent romantic drama film directed by Burton L. King and starring Marguerite De La Motte, Donald Keith, and Betty Hilburn.
Big Pal is a 1925 American silent sports drama film directed by John G. Adolfi and starring William Russell, Julanne Johnston and Mary Carr. It was released in Britain in 1926, distributed by Wardour Films.
Born to Battle is a 1926 American silent Western film directed by Robert De Lacey and starring Tom Tyler, Jean Arthur and Frankie Darro. Tyler also starred in the 1935 film of the same name, but that western film has a different plot and is unrelated to the 1926 film.
His Darker Self is a 1924 American silent blackface comedy film directed by John W. Noble and starring Lloyd Hamilton, Tom Wilson, and Sally Long. The plot involves a self-taught small town detective who, after a Black friend is killed, goes undercover in blackface.