The Cohens and Kellys | |
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Directed by | Harry A. Pollard |
Written by | Alfred A. Cohn Aaron Hoffman (play Two Blocks Away) Harry A. Pollard |
Produced by | E.M. Asher Edward Small |
Starring | Charles Murray George Sidney Kate Price Jason Robards Sr. |
Cinematography | Charles Stumar |
Distributed by | Universal Pictures |
Release date |
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Running time | 80 mins. |
Country | United States |
Language | Silent (English intertitles) |
The Cohens and Kellys is a 1926 American silent comedy film directed by Harry A. Pollard and starring Charles Murray, George Sidney, Kate Price, and Jason Robards Sr. The film is the first of the Cohens and Kellys film serials. The film is perhaps best known today as the subject of Nichols v. Universal Pictures Corp. , [1] a copyright infringement case, in which Judge Learned Hand articulated the doctrine that copyright protection does not cover the characteristics of stock characters in a story. [2]
As articulated in the Nichols case, [3]
The Cohens and The [sic] Kellys presents two families, Jewish and Irish, living side by side in the poorer quarters of New York in a state of perpetual enmity. The wives in both cases are still living, and share in the mutual animosity, as do two small sons, and even the respective dogs. The Jews have a daughter, the Irish a son; the Jewish father is in the clothing business; the Irishman is a policeman. The children are in love with each other, and secretly marry, apparently after the play opens. The Jew, being in great financial straits, learns from a lawyer that he has fallen heir to a large fortune from a great-aunt, and moves into a great house, fitted luxuriously. Here he and his family live in vulgar ostentation, and here the Irish boy seeks out his Jewish bride, and is chased away by the angry father. The Jew then abuses the Irishman over the telephone, and both become hysterically excited. The extremity of his feelings makes the Jew sick, so that he must go to Florida for a rest, just before which the daughter discloses her marriage to her mother. On his return, the Jew finds that his daughter has borne a child; at first he suspects the lawyer, but eventually learns the truth and is overcome with anger at such a low alliance. Meanwhile, the Irish family who have been forbidden to see the grandchild, go to the Jew's house, and after a violent scene between the two fathers in which the Jew disowns his daughter, who decides to go back with her husband, the Irishman takes her back with her baby to his own poor lodgings. The lawyer, who had hoped to marry the Jew's daughter, seeing his plan foiled, tells the Jew that his fortune really belongs to the Irishman, who was also related to the dead woman, but offers to conceal his knowledge, if the Jew will share the loot. This the Jew repudiates, and, leaving the astonished lawyer, walks through the rain to his enemy's house to surrender the property. He arrives in great dejection, tells the truth, and abjectly turns to leave. A reconciliation ensues, the Irishman agreeing to share with him equally. The Jew shows some interest in his grandchild, though this is at most a minor motive in the reconciliation, and the curtain falls while the two are in their cups, the Jew insisting that in the firm name for the business, which they are to carry on jointly, his name shall stand first.
The characters were similar to those in the Nichols play, Abie's Irish Rose which was made into a film in 1928 and in 1946.
In addition to a worn Universal Show-at-Home copy, the film exists in two film archives, Cinematheque Royale de Belgique in Brussels and the Museum of Modern Art in New York. [4] An excellent print with French and Dutch intertitles, with English ones apparently overlaid, was screened on April 20, 2016, at the Museum of Jewish Heritage in Manhattan. As French and Dutch are the official languages of bi-lingual Belgium, this undoubtedly was the print just referenced in an archive. [5]
The Cohens and Kellys was the first in a series of films featuring characters from the Cohen and Kelly families. It was followed by The Cohens and the Kellys in Paris (1928), The Cohens and Kellys in Atlantic City (1929), [6] The Cohens and the Kellys in Scotland (1930), [7] The Cohens and the Kellys in Africa (1930), [8] The Cohens and Kellys in Hollywood (1932), [9] and The Cohens and Kellys in Trouble (1933).
It was an early production of Edward Small. [10]
The Heartbreak Kid is a 1972 American romantic black comedy film directed by Elaine May and written by Neil Simon, starring Charles Grodin, Cybill Shepherd, Jeannie Berlin, Audra Lindley, Eddie Albert, and Doris Roberts. It is based on the short story "A Change of Plan", written by Bruce Jay Friedman and first published in Esquire in 1966.
Abie's Irish Rose is a popular comedy by Anne Nichols, which premiered in 1922. Initially a Broadway play, it has become familiar through repeated stage productions, films and radio programs. The basic premise involves an Irish Catholic girl and a young Jewish man who marry despite the objections of their families.
Nichols v. Universal Pictures Corporation, 45 F.2d 119 , was a United States Court of Appeals for the Second Circuit case on copyright infringement by non-literal copying of a dramatic work. The Court held that copyright protection cannot be extended to the characteristics of stock characters in a story, whether it be a book, play, or film.
Norman Kerry was an American actor whose career in the motion picture industry spanned twenty-five years, beginning in 1916 and peaking during the silent era of the 1920s. Changing his name from the unmistakably German "Kaiser" at the onset of World War I, he rose quickly in his field, becoming "the Clark Gable of the [1920s]."
Abie's Irish Rose is a 1928 early sound (part-talkie) film directed by Victor Fleming and starring Charles "Buddy" Rogers, Nancy Carroll, Jean Hersholt, and J. Farrell MacDonald. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film based on the 1922 play Abie's Irish Rose by Anne Nichols. The film was later remade in 1946. In the 1930s, author Nichols revealed that her deal with Paramount brought her $300,000 plus half the film's profits.
Paris is a 1929 American pre-Code musical comedy film, featuring Irène Bordoni. It was filmed with Technicolor sequences: four of the film's ten reels were originally photographed in Technicolor.
Charles Albert Murray, was an American film actor of the silent era.
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Sally is a 1925 American silent romantic comedy film starring Colleen Moore. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Sally written by Guy Bolton and Clifford Grey that was adapted to film by June Mathis. The play was a Florenz Ziegfeld Jr. production written specifically for Marilyn Miller that opened on December 21, 1920, at the New Amsterdam Theatre on Broadway. It ran for 570 performances.
The Cohens and the Kellys in Scotland is a 1930 American comedy film. It is one of The Cohens and Kellys series, and is also the series' first sound film. It was directed by William James Craft and produced and released by Universal Pictures.
Abie's Irish Rose is a 1946 American comedy film directed by A. Edward Sutherland based on a play by Anne Nichols. The film stars Michael Chekhov, Joanne Dru, Richard Norris, J. M. Kerrigan, George E. Stone, Vera Gordon, and Emory Parnell. The film was released on December 27, 1946, by United Artists. It was a remake of the 1928 film that was based on the 1922 play Abie's Irish Rose by Anne Nichols. The film drew criticism for stereotyping and additional cuts were made after complaints.
Alfred Emory Johnson was an American actor, director, producer, and writer. As a teenager, he started acting in silent films. Early in his career, Carl Laemmle chose Emory to become a Universal Studio leading man. He also became part of one of the early Hollywood celebrity marriages when he wed Ella Hall.
Broken Hearts of Hollywood is a 1926 American silent comedy drama film released by Warner Bros. and directed by Lloyd Bacon. It is unknown, but the film might have been released with a Vitaphone soundtrack. A print of the film exists.
Hit and Run is a 1924 silent American comedy drama film directed by Edward Sedgwick and starring western star Hoot Gibson as a member of a baseball team. It was produced and distributed by Universal Pictures.
Spook Ranch is a 1925 American silent Western film directed by Edward Laemmle and starring Hoot Gibson. It was produced and distributed by Universal Pictures. The film featured white actor Ed Cowles in blackface playing Hoot Gibson's black sidekick, George Washington Black.
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White Flannels is a lost 1927 American drama film directed by Lloyd Bacon and starring Louise Dresser, Jason Robards Sr., Virginia Brown Faire, Warner Richmond, George Nichols and Brooks Benedict. It was written by C. Graham Baker. The film was released by Warner Bros. on March 19, 1927.
The Law Forbids is a 1924 American drama film directed by Jess Robbins and written by Lois Zellner and Ford Beebe. The film stars Baby Peggy, Robert Ellis, Elinor Fair, Winifred Bryson, James Corrigan, and Anna Dodge. The film was released on April 7, 1924, by Universal Pictures.