Invisible Invaders | |
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Directed by | Edward L. Cahn |
Written by | Samuel Newman |
Produced by | Robert E. Kent |
Starring |
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Cinematography | Maury Gertsman |
Edited by | Grant Whytock |
Music by | Paul Dunlap |
Production company | Premium Pictures |
Distributed by | United Artists |
Release date |
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Running time | 67 minutes |
Country | United States |
Language | English |
Invisible Invaders is a 1959 American science fiction film starring John Agar, Jean Byron, John Carradine and Philip Tonge. [1] It was produced by Robert E. Kent, directed by Edward L. Cahn and written by Samuel Newman.
Dr. Karol Noymann, an atomic scientist, is killed in a laboratory explosion. His colleague, Dr. Adam Penner, is disturbed by the accident and resigns his position and calls for changes.
At Dr. Noymann's funeral, an invisible alien takes over Noymann's dead body. The alien, in Noymann's body, visits Dr. Penner and tells him the Earth must surrender or an alien force will invade and take over the Earth by inhabiting the dead and causing chaos. The alien demonstrates to Penner that they are able to make things invisible. Penner tells his daughter Phyllis and Dr. John Lamont about the experience and asks Dr. Lamont to relay the message to the government in Washington, D.C. The government ignores the warning and Dr. Penner is labeled a crank by the media.
Dr. Penner takes his daughter and Dr. Lamont to Dr. Noymann's grave, where they are visited by an invisible alien. Later, at the site of a plane crash, another alien takes over the body of a dead pilot, goes to a hockey game, chokes the announcer, and issues an ultimatum for the Earth to surrender. Another alien takes over a dead body from a car crash and issues the same ultimatum at a different sporting event. The media announce the threat and the governments of the world decide to resist the invasion. Aliens take over more dead bodies and blow up dams, cause fires and destroy buildings, causing chaos worldwide.
Major Bruce Jay arrives to take Dr. Penner, Phyllis and Dr. Lamont to a secret bunker. On the way, they are confronted by a scared farmer who tries to take their vehicle. The major kills the farmer and the four proceed to the bunker while an alien takes over the dead farmer's body.
At the bunker, they are contacted by the government and tasked with stopping the alien invasion. They determine that the aliens are radioactive, and decide to capture an alien to conduct tests on. They attempt to spray an alien with acrylic to seal it in plastic, but this fails. They then fill a hole with the acrylic liquid and lure an alien into it. Once captured, the encased alien is taken to the bunker.
Back at the bunker, they confine the alien in a pressure chamber and break the acrylic casing using high air pressure. The alien offers to spare their lives if they will surrender and set it free; Major Jay refuses. They try several experiments, but nothing affects the alien. Frustrated and hopeless, Dr. Lamont wants to surrender, but Major Jay does not. The two fight and inadvertently damage some electronic equipment, setting off a loud alarm. They notice that the alien reacts violently to the noise.
They build a sound gun and test it on the alien, causing it to become visible and killing it in the process. They try to inform the government, but their radio is jammed by the aliens, who are apparently nearby. Using a radio direction finder they follow the jamming signal to the alien ship, killing several aliens along the way.
Jay walks through the woods to get to the ship and is confronted by several aliens. He kills them with the sound gun, but is shot by an alien zombie in the process. Despite being wounded, he finds the alien ship and shoots it with the sound gun, causing it to explode. With the jamming signal silenced, Dr. Penner is then able to contact the government and tell them how to stop the aliens, while Phyllis tends Bruce's wound.
Later, at the United Nations in New York, Dr. Penner, Dr. Lamont, Phyllis Penner and Major Jay receive thanks for saving the world from the alien invasion. The movie ends with the narrator proudly saying that in the face of a planetary threat, all the people of Earth will unite against a common foe.
Production of Invisible Invaders began in December 1958. [2]
The shooting schedule and budget are not known. Byron said in an interview that the "picture was filmed rather quickly. I remember the director moving from one set-up to the next very rapidly". [3] Film critic Bill Warren called it a "cheap little picture", noting that it "couldn't possibly have had a shooting schedule longer than two weeks (probably one week)" and that the movie gives "every evidence of having been made in great haste". [4]
Costs were held down, in part, by re-use of special effects artist Paul Blaisdell's monster costume from It! The Terror from Beyond Space (1958) also directed by Cahn) [5] during a sequence in which one of the invaders is encased in plastic so it can be seen. According to author Randy Palmer, "To help camouflage the costume, optical effects were added to lighten the image and give it a distinct blur, so that it's very difficult to tell that the invader's true form matches that of (Blaisdell's) Martian Lizard Man". [6] However, as Warren pointed out, by 1959 "no one cared about SF movies made on this budget level. They were just a product to get on the screen as soon as possible". [4] Nevertheless, Blaisdell wasn't compensated for the reuse of his prop monster suit.
Warren also commented on the film's extensive use of stock footage. "A great flurry of stock shots" were used "as the invaders smash things all over the world – fires, quakes, buildings collapsing, dams bursting". This is "dispiriting," but "the very cheap and shoddy effects match the overall tone" of the movie. The stock footage includes the fatal car wreck scene from Thunder Road (1958). [4] Footage shot for the film itself was also repeated, with scenes re-used of the invisible alien making parallel grooves in the dirt as it shuffles toward Dr. Noymann's grave and then pushes aside some bushes. [4]
Invisible Invaders was released to US theaters on May 15, 1959. [2] It was copyrighted on 8 May that year, [7] a week before the film opened. Outside the US, it opened in Finland on August 12, 1960, and in Sweden on September 22, 1960. It was also exhibited in theaters in Brazil, Chile, Spain and the Soviet Union. [8] In the UK, it received an "A" certificate from the British Board of Film Censors on June 15, 1959, [9] which allowed it to be shown to "children accompanied by anyone over 16". [10]
To drum up domestic interest in the film, Variety said in its "Exploitips" listing that "the attention-getting title is the chief selling point - a ballyhoo man dressed in a rented space suit ... will get notice from neighborhood youngsters". [11] Whether this was actually done, or if it convinced children to attend the movie, is unknown.
In a review of the Blu-ray release of Invisible Invaders, Christopher P. Jacobs noted that in an audio commentary, noted sci-fi author Dr. Robert J. Kiss "gives some interesting data on the film's 1959 release and exhibition history, noting how it was almost always shown as the second of a double feature, quickly shifting from one-week runs to bookings of only a couple of days". [12] However, the movie wasn't always the second feature. According to a contemporary advertisement for the New Plaza Theater in Odessa, Texas, Invisible Invaders was the third movie on a triple feature, with Plan 9 from Outer Space as the first movie and The Snorkel as the second, showing on September 27 and 28, 1959, just four months after Invisible Invaders was released. [13]
The movie had only a short run but became a minor cult film on television. [14] Jacobs says it had "unprecedented success in 1962 prime-time TV showings, after low ratings as a late night movie". [15] For example, Invisible Invaders was shown on Chicago's WFLD in 1971 as part of its well-known "Science Fiction Theater" program. [16] TCM ran the film as part of a monster movie marathon on New Year's Day 2007. [17]
Film critic Emanuel Levy rated the film 3 out of 5 stars. [18] Writing in The Zombie Movie Encyclopedia, academic Peter Dendle said, "Though clearly a product of its own time and a low budget, Invisible Invaders is engaging and fast-paced, riddled with genuinely inspired twists alongside breathtaking implausibilities". [19] Writing in AllMovie, critic Bruce Eder described the film as "an interesting idea for a movie, executed not badly within the context of its time" with "performances [that] are decent, if at times a bit over the top." [20] The film is described on Turner Classic Movies as "the inspiration for Night of the Living Dead," noting that "the severe lack of funds obviously influenced the producer's decision to make the aliens invisible." [21] Writing on DVD Talk, critic Adam Tyner noted that "Invisible Invaders doesn't exactly hold up to scrutiny," that the film's "pace is this side of glacial," and that "there's nearly as much narration as there is actual dialogue." [22]
Invisible Invaders was first released to the home video market on VHS videotape in 1996 by MGM/UA Home Video. [23] The film was released on DVD by MGM Home Entertainment in 2003, packaged with Journey to the Seventh Planet as part of their Midnite Movies series. [24] The Blu-ray edition, released in July 2016 by Kino Lorber, featured a full-length audio commentary by film historians Tom Weaver and Dr. Robert J. Kiss.
Paul Dunlap composed the music for Invisible Invaders. Dunlap would later use much of the same music in three other science fiction movies: The Angry Red Planet (1959), The Three Stooges in Orbit (1962), and Destination Inner Space (1966).
Forbidden Planet is a 1956 American science fiction film from Metro-Goldwyn-Mayer, produced by Nicholas Nayfack, and directed by Fred M. Wilcox from a script by Cyril Hume that was based on an original film story by Allen Adler and Irving Block. It stars Walter Pidgeon, Anne Francis, and Leslie Nielsen. Shot in Eastmancolor and CinemaScope, it is considered one of the great science fiction films of the 1950s, a precursor of contemporary science fiction cinema. The characters and isolated setting have been compared to those in William Shakespeare's The Tempest, and the plot contains certain happenings analogous to the play, leading many to consider it a loose adaptation.
The Thing from Another World, sometimes referred to as just The Thing, is a 1951 American black-and-white science fiction-horror film, directed by Christian Nyby, produced by Edward Lasker for Howard Hawks' Winchester Pictures Corporation, and released by RKO Radio Pictures. The film stars Margaret Sheridan, Kenneth Tobey, Robert Cornthwaite, and Douglas Spencer. James Arness plays The Thing. The Thing from Another World is based on the 1938 novella "Who Goes There?" by John W. Campbell.
The Angry Red Planet is a 1959 American science fiction film directed by Ib Melchior and starring Gerald Mohr.
It! The Terror from Beyond Space is an independently made 1958 American science fiction horror film, produced by Robert Kent, directed by Edward L. Cahn, that stars Marshall Thompson, Shawn Smith, and Kim Spalding. The film was distributed by United Artists as a double feature with Curse of the Faceless Man.
Teenagers from Outer Space is a 1959 American independent black-and-white science fiction cult film released by Warner Bros. The film was produced, written and directed by Tom Graeff and stars David Love, Dawn Bender, Bryan Grant, Harvey B. Dunn, Tom Graeff and King Moody. Teenagers from Outer Space was distributed theatrically by Warner Bros. on a double feature with Gigantis the Fire Monster, the English-dubbed version of the 1955 Japanese giant monster film Godzilla Raids Again.
Invaders from Mars is a 1953 American independent science fiction film directed by William Cameron Menzies and starring Jimmy Hunt, Helena Carter, Arthur Franz, Morris Ankrum, Leif Erickson, and Hillary Brooke. It was produced by Edward L. Alperson Jr. and released by 20th Century-Fox in SuperCinecolor. The film follows David MacLean, a young boy who witnesses a flying saucer behind his home one night. When his father investigates, he returns a changed man; soon David's mother, his neighbors, and others begin to act in the same way. David's panicked story is heard by Dr. Pat Blake, who takes him to astronomer Dr. Stuart Kelston. David soon convinces Kelston, who comes to believe that this is an invading vanguard from Mars.
The Cape Canaveral Monsters is a 1960 independent American black-and-white science-fiction film, produced by Lionel Dichter and Richard Greer, and written and directed by Phil Tucker. It stars Katherine Victor, Jason Johnson, Scott Peters and Linda Connell, Though planned as a theatrical feature, it was ultimately released directly to television. The movies deals with two extraterrestrials who have come to earth to "transmit" healthy, living humans, especially women, back to their home planet and to disrupt rockets launched from Cape Canaveral. It was made shortly before the start of the USA's crewed space program and has been categorized by a reviewer as a later entry in the "reds-under-the-beds," fear-of-communism films that were often part of sci-fi during the 1950s
The Astounding She-Monster is a 1958 science fiction horror film starring Robert Clarke and directed, co-written and produced by Ronnie Ashcroft for Hollywood International Productions. The film focuses on a geologist, a gang which has kidnapped a rich heiress, and their encounter with a beautiful but deadly femae alien who has crashed to Earth. In the UK, it was released as The Mysterious Invader. The film was released in American theaters on January 26, 1958 by American International Pictures on a double feature with Roger Corman's The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent.
Invasion of the Saucer Men, is a 1957 black-and-white comic science fiction/comedy horror film produced by James H. Nicholson for release by American International Pictures. The film was directed by Edward L. Cahn and stars Stephen Terrell, Gloria Castillo, Raymond Hatton and Frank Gorshin.
The Monster That Challenged the World is a 1957 black-and-white science-fiction monster film from Gramercy Pictures, produced by Arthur Gardner, Jules V. Levy, and Arnold Laven, and starring Tim Holt and Audrey Dalton. The film was distributed by United Artists as the top half of a double feature with The Vampire. The film concerns an army of giant molluscs that emerge from California's Salton Sea.
The Giant Behemoth is a 1959 British-American science fiction action horror film directed by Eugène Lourié, with special effects by Willis H. O'Brien, Pete Peterson, Irving Block, Jack Rabin, and Louis de Witt. The film stars Gene Evans and André Morell. The screenplay was written by blacklisted author Daniel Lewis James with director Lourié.
The Man from Planet X is a 1951 independently made American black-and-white science fiction horror film, produced by Jack Pollexfen and Aubrey Wisberg, directed by Edgar G. Ulmer, that stars Robert Clarke, Margaret Field, and William Schallert. The film was distributed by United Artists.
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