Voodoo Woman | |
---|---|
Directed by | Edward L. Cahn |
Written by | Russ Bender V.I. Voss |
Produced by | Alex Gordon |
Starring | Marla English Tom Conway Mike Connors |
Cinematography | Frederick E. West |
Edited by | Ronald Sinclair |
Music by | Darrell Calker |
Distributed by | American International Pictures |
Release date |
|
Running time | 75 minutes |
Country | United States |
Language | English |
Budget | $65,000 [1] |
Voodoo Woman is a 1957 American horror film directed by Edward L. Cahn and starring Marla English in her final film role, Tom Conway, and Mike Connors. It was released in February 1957 by American International Pictures as a double feature with The Undead . [2]
In 1966, it was remade by Larry Buchanan into an AIP made for television film, Curse of the Swamp Creature .
Harry West (Norman Willis) discovers gold in the idol worshipped by a jungle voodoo tribe in Bantalaya, a French-owned jungle colony. Harry enlists a pair of treasure hunters from the United States, one of them being the beautiful but ruthless Marilyn Blanchard (Marla English). Hoping to take the treasure for themselves, Marilyn murders Harry and steals his map. They con the innocent Ted Bronson (Mike Connors) into acting as a jungle guide and leading them to the tribe that owns the idol.
Meanwhile, Dr. Roland Gerard (Tom Conway), a mad scientist who has exiled himself deep in the same jungle, is using a combination of native voodoo and his own biochemical discoveries in an attempt to create a superhuman being. He hopes that this being, possessing the best of man and beast, will be the mother of a new perfect and deathless race which he will control with a mixture of hypnosis and telepathy. He is accompanied by his wife, Susan (Mary Ellen Kay), who no longer loves Dr. Gerard but is prevented from leaving by her husband and the natives.
Dr. Gerard's initial attempts to create a female superbeing are a failure because the transformation is only temporary and the native girl used as the subject of the experiment lacks the killer instinct he deems necessary to carryout his instructions. However, when he meets the treasure hunters, he decides that Marilyn would be a perfect subject for his experiment. He successfully turns her into an invulnerable monster, but when she learns her quest for gold was in vain, he loses his mental control over her and she destroys him. Ted and Susan are able to escape in the ensuing chaos. After becoming human again, Marilyn tries to salvage the idol which has almost fallen into a poisonous gas pit which the natives use for their sacrifices, and she accidentally loses her balance and falls into it herself, only to rise up out of it as the beast once again.
Paul Blaisdell who played the monsters and also appeared as a drunken customer in the bar room sequence believed that as producer Alex Gordon had a big hit with The She-Creature , he decided to produce a second film for American International Pictures about a female monster. As the scriptwriters of that film were busy on other films, Gordon turned over the writing to actor Russ Bender, who was a pre-war pulp fiction writer and V.I. Voss. (It wound up being the only script Bender would ever write.)
Blaisdell recalled the shoot was not a pleasant one. A prop man handed Tom Conway a small vial of real acid in one scene that was to be poured on the creature's leg, and Blaisdell wound up with a scar on his shin that lasted the rest of his life. Marla English developed a bad case of flu, and Lance Fuller and Mike Connors had a "Who can be taller?" contest with each actor adding higher lifts to their shoes. [3]
Originally titled Black Voodoo, [4] the film was shot during the frigid California winter of 1956-57 under a fast working schedule of six days and a budget of $80,000. Producer Alex Gordon wanted Peter Lorre who again refused to work with him and then called George Zucco, the star of Voodoo Man , who was too ill to work. With the shooting date drawing near, Tom Conway was chosen, who like Marla English and Paul Dubov, had also been in The She-Creature. Publicity for the film declared "Not since he starred in The Cat People and I Walked with a Zombie has Tom had a role like his current one!". [5]
In an interview with Tom Weaver, Mike Connors said,
"I remember that they had set the jungle up on a stage, and you could only shoot about ten feet at a time. Then they'd move the camera and shoot ten feet going the other way, and then ten feet sideways and ten feet this way. It was kinda difficult to visualize what you were trying to put over, it was tough to see a jungle that was only ten feet by ten feet square and picture yourself deep in the heart of Africa!" [6]
The original make-up design for the Voodoo Woman was deemed unsuitable at the last minute and the title monster is actually the She Creature costume hurriedly stripped of its tail, fins and pincer-like claws. What remained was the bulky Thing-style body, which was wrapped in a burlap sarong and topped with a modified skull mask and big blond wig. Cahn worked actively to conceal this fact, using quick cuts and keeping her mostly in shadows or behind foliage. The rumbling growl of a lion was also dubbed for added effect.[ citation needed ] Makeup man Harry Thomas supplied the skull mask and wig for the monster (purchased from a Halloween costume store), but it looked so phony, at the last minute, Blaisdell had to totally rework the head to make it look more acceptable.
Lance Fuller reportedly had a two-films-a-year deal over five years with Golden State Productions. [7]
Writing in AllMovie, critic Hal Erickson described the film as "more of a 'greed and revenge' melodrama than anything else," noting that it "is inevitable that Gerard will transform Marilyn into a monster, leading to a lively if barely credible finale." [8]
In his The Pit and the Pen column in Fangoria magazine producer Alex Gordon revealed that the movie nearly caused a break-up with his then-fiance Ruth Alexander. Proud of the finished production he took her to see it at its Burbank premiere only to have her hand back his engagement ring when it was over, telling him that he should be making prestigious high class art films and not trash like this. Luckily, his brother Richard was able to explain to her the differences between low budget and big budget film-making, and she and Alex were eventually married, with her later actually scripting several of his features.
Darrell Calker composed scores for more than 200 movies, both live action and cartoons, where he was the musical director for Walter Lantz Productions. [9]
Giselle D'Arc, born Giselle Camille Prugnard, was a soprano vocalist with a five-octave range. In addition to singing the title song in her role as a bargirl, she provided vocals for the film's score. Whilst she was singing for Liberty Records, she was discovered by Jeff Chandler who brought her into motion pictures. [10] She later married Clint Walker.
Black Voodoo
Lyrics by John Blackburn
Music by Darrell Calker
Sung by Giselle D'Arc (AKA Giselle Camille Prugnard Hennessy)
Frankenstein's Daughter is an independently made 1958 American black-and-white science fiction/horror film drama, produced by Marc Frederic and George Fowley, directed by Richard E. Cunha, that stars John Ashley, Sandra Knight, Donald Murphy, and Sally Todd. The film was distributed by Astor Pictures and was released theatrically as a double feature with Missile to the Moon.
It! The Terror from Beyond Space is an independently made 1958 American science fiction horror film, produced by Robert Kent, directed by Edward L. Cahn, that stars Marshall Thompson, Shawn Smith, and Kim Spalding. The film was distributed by United Artists as a double feature with Curse of the Faceless Man.
Larry Buchanan, born Marcus Larry Seale Jr., was a film director, producer and writer, who proclaimed himself a "schlockmeister". Many of his extremely low-budget films have landed on "worst movie" lists or in the public domain, but all at least broke even and many made a profit. Most of his films were made for television and were never shown theatrically.
It Conquered the World is an independently made 1956 American science fiction film produced and directed by Roger Corman, and starring Peter Graves, Lee Van Cleef, Beverly Garland, and Sally Fraser. Shot in black-and-white, It Conquered the World was released theatrically by American International Pictures (AIP) as a double feature with The She-Creature.
The Undead is a 1957 horror film directed by Roger Corman and starring Pamela Duncan, Allison Hayes, Richard Garland and Val Dufour. It also features Corman regulars Richard Devon, Dick Miller, Mel Welles and Bruno VeSota. The authors' original working title was The Trance of Diana Love. The film follows the story of a prostitute, Diana Love (Duncan), who is put into a hypnotic trance by psychic Quintus (Dufour), thus causing her to regress to a previous life. Hayes later starred in Attack of the 50 Foot Woman (1958). The film was released on February 14, 1957 by American International Pictures as a double feature with Voodoo Woman.
How to Make a Monster is a 1958 American horror film drama. It was produced and written by Herman Cohen, directed by Herbert L. Strock, and starring Gary Conway, Robert H. Harris, Paul Brinegar, Morris Ankrum, Robert Shayne, and John Ashley. The film was released by American International Pictures as a double feature with Teenage Caveman. It is notable for its inclusion of props and studios that created actual sci-fi horror movies.
Creature from the Haunted Sea is a 1961 horror comedy movie directed by Roger Corman. Written by Charles B. Griffith, the movie is a parody of spy, gangster, and monster movies, concerning a secret agent, XK150, who uses the name "Sparks Moran" in order to infiltrate a criminal gang commanded by Renzo Capetto, who is trying to transport an exiled Cuban general with an entourage and a large portion of the Cuban treasury out of Cuba. Filmgroup released the movie as a double feature with Devil's Partner.
Beast from Haunted Cave is a 1959 horror/heist film directed by Monte Hellman and starring Michael Forest, Frank Wolff and Richard Sinatra. It was produced by Gene Corman, Roger Corman's brother. Filmed in South Dakota at the same time as Ski Troop Attack, it tells the story of bank robbers fleeing in the snow who run afoul of a giant spider-like monster that feeds on humans. The film was released as a double feature with The Wasp Woman (1959).
Marla English was an American film actress during the 1950s.
Day the World Ended is a 1955 independently made black-and-white post-apocalyptic science fiction film, produced and directed by Roger Corman, that stars Richard Denning, Lori Nelson, Adele Jergens, Paul Birch and Mike Connors. Chet Huntley of NBC, later of The Huntley-Brinkley Report, served as the film's narrator. It was released by American Releasing Corporation as a double feature with The Phantom from 10,000 Leagues.
From Hell It Came is a 1957 American science-fiction horror film directed by Dan Milner and written by Richard Bernstein, from a story by Bernstein and Jack Milner. It was released by Allied Artists on a double bill with The Disembodied.
The Unearthly is a 1957 independently made American black-and-white science fiction horror film, produced and directed by Boris Petroff. It stars John Carradine, Myron Healey, Allison Hayes, Marilyn Buferd, Arthur Batanides, Sally Todd, and Tor Johnson. The film was written by Jane Mann and John D.F. Black.
The She-Creature, or The She Creature, is a 1956 American black-and-white science fiction horror film, released by American International Pictures from a script by Lou Rusoff. It was produced by Alex Gordon, directed by Edward L. Cahn, and stars Chester Morris, Marla English and Tom Conway, and casting Frieda Inescort and El Brendel in smaller roles. The producers hired Marla English because they thought she bore a strong resemblance to Elizabeth Taylor.
Alex Gordon was a British film producer and screenwriter.
Creature of Destruction is a 1967 American made-for-television film produced and directed by Larry Buchanan. It is an uncredited color remake of the 1956 movie The She Creature directed by Edward L. Cahn.
Ghost of Dragstrip Hollow is a 1959 AIP horror comedy film. It was a sequel to their film Hot Rod Gang. American International Pictures released the film in July 1959 as a double feature with Diary of a High School Bride.
The Mad Doctor of Blood Island is a 1969 Filipino horror film, co-directed by Eddie Romero and Gerardo de Leon, and starring John Ashley, Angelique Pettyjohn, Eddie Garcia and Ronald Remy.
Paul Blaisdell was an American painter, sculptor and visual effects creator, best remembered for his work in science fiction and horror B movies of the 1950s.
Curucu, Beast of the Amazon is a 1956 American adventure/monster film, directed and written by Curt Siodmak and starring John Bromfield, Beverly Garland and Tom Payne. The title creature is pronounced "Koo-Ruh-SOO". The film was distributed in the United States as a double feature with The Mole People.
Bruno William VeSota was an American character actor, director and producer who, between 1945 and 1974, appeared in hundreds of television episodes and over 50 feature films. He is remembered for prominent supporting roles in 15 Roger Corman films as well as for having directed three low-budget features: Female Jungle (1956), The Brain Eaters and Invasion of the Star Creatures (1962).