A hairstyle, hairdo, haircut or coiffure refers to the styling of hair, usually on the human head but sometimes on the face or body. The fashioning of hair can be considered an aspect of personal grooming, fashion, and cosmetics, although practical, cultural, and popular considerations also influence some hairstyles.
A ponytail is a hairstyle in which some, most, or all of the hair on the head is pulled away from the face, gathered and secured at the back of the head with a hair tie, clip, or other similar accessory and allowed to hang freely from that point. It gets its name from its resemblance to the tail of a pony.
Bonnet has been used as the name for a wide variety of headgear for both sexes—more often female—from the Middle Ages to the present. As with "hat" and "cap", it is impossible to generalize as to the styles for which the word has been used, but there is for both sexes a tendency to use the word for styles in soft material and lacking a brim, or at least one all the way round, rather than just at the front. Yet the term has also been used, for example, for steel helmets. This was from Scotland, where the term has long been especially popular.
A toupée is a hairpiece or partial wig of natural or synthetic hair worn to cover partial baldness or for theatrical purposes. While toupées and hairpieces are typically associated with male wearers, some women also use hairpieces to lengthen existing hair, or cover a partially exposed scalp.
In the context of hairstyles, the usage of the term pigtail shows considerable variation. The term may refer to a single braid, but is more frequently used in the plural ("pigtails") to refer to twin braids on opposite sides of the head. Sometimes, the term "pigtails" applies whether or not the hair is braided, but there is not widespread agreement on this.
A bun is a type of hairstyle in which the hair is pulled back from the face, twisted or plaited, and wrapped in a circular coil around itself, typically on top or back of the head or just above the neck. A bun can be secured with a hair tie, barrette, bobby pins, one or more hair sticks, a hairnet, or a pen or pencil. Hair may also be wrapped around a piece called a "rat". Alternatively, hair bun inserts, or sometimes rolled up socks, may also be used to create donut-shaped buns. Buns may be tightly gathered, or loose and more informal.
A bouffant is a type of puffy, rounded hairstyle characterized by hair raised high on the head and usually covering the ears or hanging down on the sides.
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached its peak in the 1530s, and by mid-century a tall, narrow line with a V-lined waist was back in fashion. Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into the next century. The characteristic garment of the period was the ruff, which began as a modest ruffle attached to the neckband of a shirt or smock and grew into a separate garment of fine linen, trimmed with lace, cutwork or embroidery, and shaped into crisp, precise folds with starch and heated irons.
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.
Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque. Following the end of the Thirty Years' War and the Restoration of England's Charles II, military influences in men's clothing were replaced by a brief period of decorative exuberance which then sobered into the coat, waistcoat and breeches costume that would reign for the next century and a half. In the normal cycle of fashion, the broad, high-waisted silhouette of the previous period was replaced by a long, lean line with a low waist for both men and women. This period also marked the rise of the periwig as an essential item of men's fashion.
Fashion in the period 1795–1820 in European and European-influenced countries saw the final triumph of undress or informal styles over the brocades, lace, periwigs and powder of the earlier 18th century. In the aftermath of the French Revolution, no one wanted to appear to be a member of the French aristocracy, and people began using clothing more as a form of individual expression of the true self than as a pure indication of social status. As a result, the shifts that occurred in fashion at the turn of the 19th century granted the opportunity to present new public identities that also provided insights into their private selves. Katherine Aaslestad indicates how "fashion, embodying new social values, emerged as a key site of confrontation between tradition and change."
The pouf or pouffe also "toque" is a hairstyle and a hairstyling support deriving from 18th-century France. It was made popular by the Queen of France, Marie Antoinette (1755–1793), when she wore it in June 1775 at the coronation of her husband Louis XVI, triggering a wave of French noblewomen to wear their hair in the same manner. The hairstyle would become popular across Europe in the 1770s.
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles. Wigs remained essential for men and women of substance, and were often white; natural hair was powdered to achieve the fashionable look. The costume of the eighteenth century, if lacking in the refinement and grace of earlier times, was distinctly quaint and picturesque.
According to halacha, married Jewish women are expected to cover their hair when in the presence of men other than their husband or close family members. Such covering is common practice nowadays among Orthodox Jewish women.
A queue or cue is a hairstyle worn by the Jurchen and Manchu peoples of Manchuria, and was later required to be worn by male subjects of Qing China. Hair on top of the scalp is grown long and is often braided, while the front portion of the head is shaved. The distinctive hairstyle led to its wearers being targeted during anti-Chinese riots in Australia and the United States.
Hairstyle fashion in Rome was ever changing, and particularly in the Roman Imperial Period there were a number of different ways to style hair. As with clothes, there were several hairstyles that were limited to certain people in ancient society. Styles are so distinctive they allow scholars today to create a chronology of Roman portraiture and art; we are able to date pictures of the empresses on coins or identify busts depending on their hairstyles.
A lace wig or a lace front wig is a special type of hairpiece or wig in which human hair or synthetic hair is tied by hand to a sheer lace base which goes over the scalp.
Headgear, headwear, or headdress is any element of clothing which is worn on one's head, including hats, helmets, turbans and many other types. Headgear is worn for many purposes, including protection against the elements, decoration, or for religious or cultural reasons, including social conventions.
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes.
Hanfu, are the traditional styles of clothing worn by the Han Chinese since the 2nd millenium BCE. There are several representative styles of hanfu, such as the ruqun, the aoqun, the beizi and the shenyi, and the shanku.