The Gorilla | |
---|---|
Directed by | Alfred Santell |
Screenplay by |
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Based on | The Gorilla 1925 play by Ralph Spence |
Produced by | Asher-Small-Rogers |
Starring | |
Cinematography | Arthur Edeson [1] |
Production company | |
Distributed by | First National Pictures, Inc. [1] |
Release date |
|
Running time | 72 minutes |
Country | United States [2] |
Language | Silent (English intertitles) |
The Gorilla is an American 1927 silent mystery film directed by Alfred Santell based on the play The Gorilla by Ralph Spence. [2] It stars Charles Murray, Fred Kelsey, and Walter Pidgeon.
Following the success of Spence's play on Broadway, production on a film adaptation was set to start in March 1927, while principal photography only began in August 1927. The Gorilla premiered in Cleveland and Toledo, Ohio and in St. Louis, Missouri on November 5, 1927. The film received positive reviews from The Chicago Tribune , Variety , and Harrison's Reports while being dismissed by The New York Times .
The play was adapted again as The Gorilla in 1930 and The Gorilla (1939). Prior to its 2024 restoration and reissue, the 1927 version of the film was considered a lost film.
As the film is considered a lost film, specific details on the plot are not clear. [1] [3] This plot summary combines details from the Library of Congress, the AFI Catalog of Feature Films, and the Harrison's Reports . Some plot details remain unclear, such as whether the murders are done by a real gorilla or a man in the suit in the story. [3]
Mystery surrounds the brutal murder of several persons, with the killer believed to be a gorilla who has murdered Cyrus Townsend, father of Alice, in his home leading to suspicions being put on Arthur Marsden, his secretary and his partner Alice. The circumstances of the murder are similar to the other gorilla killings. As Alice, Marsden and a friend of Townsend with Stevens gather about the library tablem they discover a note that warns them to leave before midnight. At ten minutes to twelve they are terrified by a loud knocking at the door. It turns out to be Garrity and Mulligan, who announce they are detectives sent to solve the mystery.
They begin to search for the killer, whom they are certain is one of the people present. People suddenly vanish, doors open and shut, strange noises are heard and lights go off and on. Meanwhile, a real gorilla is discovered on the premises.
A sailor confesses to being the Gorilla, but Marsden, who reveals himself to be a detective, finds that Stevens is the true culprit.
The Gorilla based on the play of the play The Gorilla, a Mystery Comedy in Three Acts by Ralph Spence. [1] Spencer was previously done work in Broadway for The Ziegfeld Follies and made a bet with other playwrights over dinner that he could write a play in just three days. Producer Al H. Woods overheard this and took him on his bet, leading to Spence writing the play The Gorilla which debuted on Broadway on April 28, 1925. [4]
The Gorilla was a humorous variation on Broadway plays like The Bat and The Cat and the Canary . It stayed on Broadway for 257 performances while other productions were also productions performed in London, Boston and Chicago. [4] On January 3, 1927, Film Daily announced an adaptation of the play as a film titled The Gorilla as a forthcoming feature from the independent production company Asher-Small-Rogers. Asher-Small-Rogers would produce the film for First National Pictures, Inc., as the second of their three-picture deal with the company, that started with the film McFadden's Flats. [2]
Initially, Paul Schofield had been hired to write an adaption but he did not remain with the project. [2] The play was adapted by James T. O'Donohoe with a scenario written by Al Cohn and Henry McCarty. [1] The film eliminates the play-within-a-play gimmick and turns the black servant Jefferson into a disdainful British butler portrayed by Syd Crossley. [3]
Alfred Santell was announced as the film's director on February 25, 1927 with production scheduled to star in March 1927. Production on the film would then later announced to on May 27, 1927 by Motion Picture News that June 1927 was the star of filming and announced the co-leads being Charles Murray and George Sidney. [2] Alice Day received her role that had originally been announced for Dorothy Revier. Some of First National's publicity reports still note Revier being on set in error. [5]
Later, Film Daily again declared that principal photography would be on August 1, 1927, while Variety reported that filming began on August 9, 1927. [2]
The ape suit in the film was created by Charles Gemora, it was his first gorilla creation he made which led to a long Hollywood career involving ape suits. Originally, producer Edward Small thought of using a real Gorilla and contracted the person who captured and trained one for the Ringing Brother Circus. [3]
The Gorilla premiered in Cleveland and Toledo, Ohio and in St. Louis, Missouri on November 5, 1927. It later opened in Los Angeles on November 17, 1927 and in New York on November 21, 1927. [2]
The film was remade as a sound film by First National in 1930 as The Gorilla (1930) with only Walter Pidgeon re-appearing in the film as a different character. [2] The 1930 one is reportedly more close to the play than the original story. [5] The story was adapted again by 20th Century Fox in 1939 again as The Gorilla by Allan Dwan and starring The Ritz Brothers . [2] In the 1940s, there were discussions of a fourth version of the film, but nothing came of the project. [6]
The original 1927 version of the film was long considered a lost film. [1]
The film has been found and was shown at the 2024 San Francisco Silent Film Festival. [7]
From contemporary reviews, the authors of American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929 noted that "most critics felt The Gorilla, in addition to delivering a few scares, largely captured the zaniness of the play." [3] The Chicago Tribune stated that the film had splendid acting and direction. [3] The Harrison's Reports reviewer noted that scenes involving the gorilla on the roof would "take one breath away" while "the scenes that show the heroine coming face to face with the gorilla and swooning, being taken by the gorilla in her arms, are other scenes that will stop one's breath completely." [5] Variety commented "Except in a few serious instances, the story is done in broad comedy. Sets are highly atmospheric. Effective direction by Santell." [8] The New York Times opined "Excitement and amusement are linked in [the film] [...] but here are there, this film slumps into horseplay and silly stunts. Very much as if Mack Sennett had turned to Edgar Allan Poe's Murders in the Rue Morgue and decided to adapt it to the screen." [8]
Some reviewers, such as the Los Angeles Times noted the film's basic premise of an old man killed in a house full of his prospective heirs was not unlike that of The Cat and the Canary, with the newspapers specifically noting that the film was stylistically similar as well, declaring tha "there are some seemingly similar tricks of having the shadows over the building, the play of lights in the windows and odd camera angles." [3]
The following is an overview of 1927 in film, including significant events, a list of films released and notable births and deaths.
The Gorilla is a 1939 American comedy horror film starring the Ritz Brothers, Anita Louise, Art Miles, Lionel Atwill, Bela Lugosi, and Patsy Kelly. It was based on the 1925 play of the same name by Ralph Spence.
The Bat is a 1926 American silent comedy mystery film directed by Roland West and starring Jack Pickford and Louise Fazenda. The film is based on the 1920 Broadway hit play The Bat by Mary Roberts Rinehart and Avery Hopwood.
The Cat and the Canary is a 1927 American silent comedy horror film directed by Paul Leni. An adaptation of John Willard's 1922 black-comedy play of the same name, the film stars Laura La Plante as Annabelle West, Forrest Stanley as Charlie Wilder, and Creighton Hale as Paul Jones. The plot revolves around the death of Cyrus West, who is Annabelle, Charlie, and Paul's uncle, and the reading of his will twenty years later. Annabelle inherits her uncle's fortune, but when she and her family spend the night in his haunted mansion, they are stalked by a mysterious figure. Meanwhile, a lunatic mainly known as the Cat escapes from an asylum and hides in the mansion.
The Unknown Purple is a lost 1923 American silent mystery film that was written and directed by Roland West.
Dorothy Revier was an American actress.
The Gorilla is a three-act play written by Ralph Spence. Donald Gallaher produced it on Broadway, where it opened at the Selwyn Theatre on April 28, 1925. The play was a success and ran on Broadway for 257 performances. A production opened in London at the New Oxford Theatre on June 30, 1925, and ran for 134 performances. The play was a parody of popular theatrical mysteries such as The Bat and The Cat and the Canary. Its advertisements claimed it "outbats The Bat".
Showgirl in Hollywood is a 1930 American pre-Code all-talking musical film with Technicolor sequences, produced and distributed by First National Pictures, a subsidiary of Warner Bros. The film stars Alice White, Jack Mulhall and Blanche Sweet. It was adapted from the 1929 novel Hollywood Girl by J.P. McEvoy.
The Bad Man is a 1930 American Pre-Code Western film starring Walter Huston which was produced and released by First National Pictures, a subsidiary of Warner Bros. The movie is based on Porter Emerson Browne's 1920 play of the same name and is a sound remake of the 1923 silent version of the same name. The film stars Walter Huston and features Dorothy Revier, Sidney Blackmer and James Rennie.
Frederick J. Jackson, also known professionally as Fred Jackson and Frederick Jackson and under the pseudonym Victor Thorne, was an American author, playwright, screenwriter, novelist, and producer for both stage and film. A prolific writer of short stories and serialized novels, most of his non-theatre works were published in pulp magazines such as Detective Story Magazine and Argosy. Many of these stories were adapted into films by other writers.
The Thirteenth Chair is a 1929 American mystery film directed by Tod Browning. The picture is based on a 1916 play of the same name by Bayard Veiller. It stars Conrad Nagel, Leila Hyams and Margaret Wycherly.
Seven Footprints to Satan is a sound part-talkie 1929 American mystery film directed by Danish filmmaker Benjamin Christensen. Based on the 1928 story of the same name by Abraham Merritt, it stars Thelma Todd, Creighton Hale, William V. Mong and Sheldon Lewis. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film survives at the Cineteca Italiana in an alternate sound version known as an International Sound Version. The sound disks for this foreign sound version are apparently not extant.
The Preview Murder Mystery is a 1936 American comedy mystery film directed by Robert Florey and starring Reginald Denny, Frances Drake and Gail Patrick. It was produced and distributed by Paramount Pictures. The plot follows a studio public relations man who attempts to trap a killer using television technology, allowing on-screen glimpses of technicians like Florey's cinematographer Karl Struss.
The Flying Torpedo is a 1916 American silent drama directed by John B. O'Brien and Christy Cabanne. It was produced by the Fine Arts Film Company and distributed by the Triangle Film Corporation. The film was written by John Emerson, Robert M. Baker and D. W. Griffith. The film is now considered lost.
The Bat is a three-act play by Mary Roberts Rinehart and Avery Hopwood that was first produced by Lincoln Wagenhals and Collin Kemper in 1920. The story combines elements of mystery and comedy as Cornelia Van Gorder and guests spend a stormy night at her rented summer home, searching for stolen money they believe is hidden in the house, while they are stalked by a masked criminal known as "the Bat". The Bat's identity is revealed at the end of the final act.
The Gorilla (1930) is an American pre-Code mystery-comedy film produced by First National Pictures, distributed by Warner Bros., and directed by Bryan Foy. It stars Joe Frisco, Harry Gribbon, Walter Pidgeon and Lila Lee, and is based on the 1925 play of the same name by Ralph Spence. The 1930 film version was a sound remake of the 1927 silent version, also produced by First National Pictures.
The Witching Hour is a 1921 American silent drama film directed by William Desmond Taylor and written by Julia Crawford Ivers, adapting the 1907 stage play by Augustus E. Thomas. The film stars Elliott Dexter, Winter Hall, Ruth Renick, Robert Cain, A. Edward Sutherland, Mary Alden, and F. A. Turner. The film was released on April 10, 1921, by Paramount Pictures.
The Wizard is a lost 1927 American mystery film directed by Richard Rosson. The film is based on the 1911 story Balaoo by Gaston Leroux. The film is about Dr. Paul Coriolos who has grafted a human face onto an ape, and sends it out to capture people and bring them back to his home to be tortured and killed. Reporter Stanley Gordon is booked to a write-up on the mystery, and finds that Anne Webster and her father have been mysteriously disappeared from their dinner home. Gordon follows the clues to discover them at Coriolos's home.
The Charlatan is a 1929 sound part-talkie film directed by George Melford for Universal Pictures. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film starred Holmes E. Herbert, Margaret Livingston and Rockliffe Fellowes. The film is based on the 1923 play The Charlatan by Leonard Praskins and Ernest Pascal.
The Thirteenth Juror is a 1927 American silent mystery film directed by Edward Laemmle and written by Charles Logue and Walter Anthony. It is based on the 1908 play Counsel for the Defense by Henry Irving Dodge. The film stars Anna Q. Nilsson, Francis X. Bushman, Walter Pidgeon, Martha Mattox, Sidney Bracey and Sailor Sharkey. The film was released on November 13, 1927, by Universal Pictures.