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Samuel Osmond Barber II was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the mid-20th century. Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the Cello Concerto (1945) and Medea's Dance of Vengeance (1955); and the use of tonal ambiguity and a narrow use of serialism in his Piano Sonata (1949), Prayers of Kierkegaard (1954), and Nocturne (1959).
The Piano Concerto, Op. 38, by Samuel Barber was commissioned by the music publishing company G. Schirmer in honor of the centenary of their founding. The premiere was on September 24, 1962, in the opening festivities of Philharmonic Hall, now David Geffen Hall, the first hall built at Lincoln Center in Manhattan, with John Browning as soloist with the Boston Symphony Orchestra conducted by Erich Leinsdorf.
Samuel Barber's Concerto for Violoncello and Orchestra, Op. 22, completed on 27 November 1945, was the second of his three concertos. Barber was commissioned to write his cello concerto for Raya Garbousova, an expatriate Russian cellist, by Serge Koussevitzky on behalf of Garbusova and the Boston Symphony Orchestra. Funds for the commission were supplied, however, by John Nicholas Brown, an amateur cellist and a trustee of the Boston Symphony Orchestra. The score is dedicated to John and Anne Brown. Barber was still on active duty with the U. S. Army at the time he received the commission, and before beginning work asked Garbousova to play through her repertoire for him so that he could understand her particular performing style and the resources of the instrument. Garbousova premiered it with the Boston Symphony Orchestra in Symphony Hall, Boston, on 5 April 1946, followed by New York performances at the Brooklyn Academy of Music on 12 and 13 April. The concerto won Barber the New York Music Critics' Circle Award in 1947.
Samuel Barber completed his Violin Concerto, Op. 14, in 1939. It is a work in three movements, lasting about 22 minutes.
The Concerto for Piano and Orchestra in G minor, Op. 33, is the only piano concerto by Czech composer Antonín Dvořák. Written in 1876, it was the first of three concertos that Dvořák completed, followed by the Violin Concerto, Op. 53 from 1879 and the Cello Concerto, Op. 104, written in 1894–1895. The piano concerto is the least known and least performed of Dvořák's concertos.
An organ concerto is an orchestral piece of music in which a pipe organ soloist is accompanied by an an orchestra, although some works exist with the name "concerto" which are for organ alone.
The Symphony No. 1 in D major, D 82, was composed by Franz Schubert in 1813, when he was just 16 years old. Despite his youth, his first symphony is an impressive piece of orchestral music for both its time and size. The first movement opens with a stately Adagio introduction, reminiscent of Joseph Haydn's 104th symphony in its format. The short Adagio sets off a lively Allegro vivace.
The Piano Concerto No. 1 in D major, Op. 17, by Camille Saint-Saëns was composed in 1858, when the composer was 23 and dedicated to Marie Jaëll. It is the first piano concerto ever written by a major French composer.
The Symphony No. 2 by Peter Maxwell Davies was commissioned by the Boston Symphony Orchestra in celebration of its centenary, and was composed in 1980. Seiji Ozawa conducted the world premiere with the BSO on 26 February 1981 at Symphony Hall, Boston. The same forces performed the New York premiere on 4 March that year at Carnegie Hall.
The Symphony No. 4 by Peter Maxwell Davies was commissioned for the Scottish Chamber Orchestra by Christian Salvesen plc and composed in 1989. It is dedicated to the memory of the violinist John Tunnell, who had been leader of the orchestra, and was premiered at the Royal Albert Hall on a BBC Promenade Concert on 10 September 1989, with the composer conducting the Scottish Chamber Orchestra.
Symphony No. 2, Op. 19 is a three-movement work for orchestra by the American composer Samuel Barber. The 25-minute work was originally written in 1944. The work underwent many revisions and was finally published in 1950. The original manuscript was withdrawn by Barber in 1964. He ordered that G. Schirmer destroy the original manuscript and all scores in their library. The work remained unpublished for many years until 1984 when a set of parts turned up in a warehouse in England. Renewed interest in Barber's work led to a 1990 reprint of the 1950 edition.
The Third Essay for Orchestra, Op. 47, is a short orchestral work composed by Samuel Barber in 1978. The score is dedicated to Audrey Sheldon.
The Symphony No. 63, Op. 411, Loon Lake is a symphony for orchestra in two movements by the American composer Alan Hovhaness. The work was commissioned in September 1987 by the New Hampshire Music Festival and the Loon Preservation Society. It was completed in early 1988 and premiered August 18, 1988, with conductor Thomas Nee leading the New Hampshire Music Festival Orchestra. The ending of the piece was later revised by Hovhaness at the request of his wife; the revised symphony premiered July 2, 1991, and is the only version available on recording.
The Symphony No. 6 in C minor, Op. 58, was composed by Alexander Glazunov in 1896, and was published two years later. It is dedicated to Sigismond Blumenfeld, brother of the composer Felix Blumenfeld.
The Concerto for Piano and Orchestra is a musical composition by the American composer Aaron Copland. The work was commissioned by the conductor Serge Koussevitzky who was then music director of the Boston Symphony Orchestra. It was first performed on January 28, 1927, by the Boston Symphony Orchestra conducted by Koussevitzky with the composer himself as the soloist. The piece is dedicated to Copland's patron Alma Morgenthau Wertheim.
The Sinfonie di concerto grosso is the title of twelve works for flute, strings and basso continuo by Alessandro Scarlatti, composed in Naples from June 1, 1715 - the same year as the performance of his opera Tigrane, one of his greatest successes, and his oratorio La Santissima Trinità.
The Violin Concerto, Op. 54, is a three-movement concertante composition for violin and orchestra written in 1952 by the Swedish composer Lars-Erik Larsson. The piece premiered over Swedish Radio on 11 January 1953 in Stockholm, Sweden, with Sten Frykberg conducting the Swedish Radio Orchestra. The soloist was the Hungarian violinist André Gertler, its dedicatee.
The Violin Concerto, Op. 23, is a three-movement concertante composition for violin and orchestra written from 1945 to 1946 by the Swedish composer Dag Wirén. The piece premiered on 10 April 1947 in Gothenburg, Sweden, with Clarence Raybould conducting the Gothenburg Orchestral Society; the soloist was the Swedish violinist Otto Kyndel. The Violin Concerto is a rare example of Wirén—the idiom of whom was primarily neo-classical—embracing a "full-blooded" neo-romantic style; it is, with its "greater depth of expression, ... in the spirit of" Jean Sibelius. In a 1979 radio interview, Wirén characterized the Violin Concerto as one of the best pieces he had composed
References
- Heyman, Barbara B. (1992). Samuel Barber: The Composer and His Music. New York City and Oxford: Oxford University Press. ISBN 9780195090581.
- Wright, Jeffrey Marsh II. 2010. "The Enlisted Composer: Samuel Barber's Career, 1942–1945". Ph.D. diss. Chapel Hill: University of North Carolina, Chapel Hill.
Footnotes
- ↑ Heyman 1992, p. 239.
- ↑ Wright 2010, pp. 23, 135.
- ↑ Wright 2010, p. 160.
- ↑ Kozinn, llan (May 22, 1997). "Daniel Saidenberg, 90, Cellist, Conductor and Gallery Owner (obituary)" . New York Times.
- ↑ Heyman 1992, p. 243.
- ↑ Wright 2010, pp. 149–50.
