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Samuel Osmond Barber II was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century. The music critic Donal Henahan said, "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the Cello Concerto (1945) and Medea's Dance of Vengeance (1955); and the use of tonal ambiguity and a narrow use of serialism in his Piano Sonata (1949), Prayers of Kierkegaard (1954), and Nocturne (1959).
Ernst Toch was an Austrian composer of European classical music and film scores, who from 1933 worked as an émigré in Paris, London and New York. He sought throughout his life to introduce new approaches to music.
Adagio for Strings is a work by Samuel Barber, arguably his best known, arranged for string orchestra from the second movement of his String Quartet, Op. 11.
Samuel Coleridge-Taylor was a British composer and conductor.
Ruth Dorothy Louisa ("Wid") Gipps was an English composer, oboist, pianist, conductor, and educator. She composed music in a wide range of genres, including five symphonies, seven concertos, and numerous chamber and choral works. She founded both the London Repertoire Orchestra and the Chanticleer Orchestra and served as conductor and music director for the City of Birmingham Choir. Later in her life she served as chairwoman of the Composers' Guild of Great Britain.
The Piano Concerto, Op. 38, by Samuel Barber was commissioned by the music publishing company G. Schirmer in honor of the centenary of their founding. The premiere was on September 24, 1962, in the opening festivities of Philharmonic Hall, now David Geffen Hall, the first hall built at Lincoln Center in Manhattan, with John Browning as soloist with the Boston Symphony Orchestra conducted by Erich Leinsdorf.
Aulis Heikki Sallinen is a Finnish contemporary classical music composer. His music has been variously described as "remorselessly harsh", a "beautifully crafted amalgam of several 20th-century styles", and "neo-romantic". Sallinen studied at the Sibelius Academy, where his teachers included Joonas Kokkonen. He has had works commissioned by the Kronos Quartet, and has also written seven operas, eight symphonies, concertos for violin, cello, flute, horn, and English horn, as well as several chamber works. He won the Nordic Council Music Prize in 1978 for his opera Ratsumies.
A Hand of Bridge, opus 35, is an opera in one act composed by Samuel Barber with libretto by Gian Carlo Menotti, and is possibly the shortest opera that is regularly performed: it lasts about nine minutes. It premiered as a part of Menotti's Festival of Two Worlds in Spoleto on 17 June 1959 at the Teatro Caio Melisso. The United States premiere occurred the next year. The opera consists of two unhappily married couples playing a hand of bridge, during which each character has an arietta in which he or she professes his or her inner desires.
Concertino is the diminutive of concerto, thus literally a small or short concerto.
Samuel Barber's Concerto for Violoncello and Orchestra, Op. 22, completed on 27 November 1945, was the second of his three concertos. Barber was commissioned to write his cello concerto for Raya Garbousova, an expatriate Russian cellist, by Serge Koussevitzky on behalf of Garbusova and the Boston Symphony Orchestra. Funds for the commission were supplied, however, by John Nicholas Brown, an amateur cellist and a trustee of the Boston Symphony Orchestra. The score is dedicated to John and Anne Brown. Barber was still on active duty with the U. S. Army at the time he received the commission, and before beginning work asked Garbousova to play through her repertoire for him so that he could understand her particular performing style and the resources of the instrument. Garbousova premiered it with the Boston Symphony Orchestra in Symphony Hall, Boston, on 5 April 1946, followed by New York performances at the Brooklyn Academy of Music on 12 and 13 April. The concerto won Barber the New York Music Critics' Circle Award in 1947.
Capricorn Concerto, Op. 21, is a composition for flute, oboe, trumpet, and strings by Samuel Barber, completed on September 8, 1944. A typical performance lasts approximately 14 minutes.
Samuel Barber's Second Essay for Orchestra, completed 15 March 1942, is an orchestral work in one movement. It was premiered by the New York Philharmonic-Symphony Orchestra at Carnegie Hall 16 April 1942. It lasts around 11 minutes and is dedicated to the poet Robert Horan.
French composer Hector Berlioz wrote a number of "overtures", many of which have become popular concert works. They include true overtures, intended to introduce operas, but also independent concert overtures that are in effect the first orchestral tone poems.
Summer Music, Op. 31, is a classical composition for wind quintet by Samuel Barber.
Matthew Taylor is an English composer and conductor.
Symphony No. 2, Op. 19 is a three-movement work for orchestra by the American composer Samuel Barber. The 25-minute work was originally written in 1944. The work underwent many revisions and was finally published in 1950. The original manuscript was withdrawn by Barber in 1964. He ordered that G. Schirmer destroy the original manuscript and all scores in their library. The work remained unpublished for many years until 1984 when a set of parts turned up in a warehouse in England. Renewed interest in Barber's work led to a 1990 reprint of the 1950 edition.
Orchestral Works by Tomas Svoboda is a classical music album by the Oregon Symphony under the artistic direction of James DePreist, released by the record label Albany in 2003. The album was recorded at the Arlene Schnitzer Concert Hall in Portland, Oregon during three performances in January and June 2000. It contains three works by Tomáš Svoboda, a Czech-American composer who taught at Portland State University for more than 25 years: Overture of the Season, Op. 89; Concerto for Marimba and Orchestra, Op. 148; and Symphony No. 1, Op. 20. The album's executive producers were Peter Kermani, Susan Bush, and Mark B. Rulison; Blanton Alspaugh served as the recording producer.
The Third Essay for Orchestra, Op. 47, is a short orchestral work composed by Samuel Barber in 1978. The score is dedicated to Audrey Sheldon.
A concert piece is a musical composition, in most cases in one movement, intended for performance in a concert. Usually it is written for one or more virtuoso instrumental soloists and orchestral or piano accompaniment.
References
- 1 2 3 Brewer, Roy. "Description: The School for Scandal, overture for orchestra, Op. 5". allmusic . Retrieved 2010-12-13.
- ↑ Wentzel, Wayne (2010). Samuel Barber: A Research and Information Guide, p. 66 (2nd ed). Taylor & Francis, London. ISBN 9780415875585.
- ↑ Wentzel, Wayne (2010). Samuel Barber: A Research and Information Guide, p. 20 (2nd ed). Taylor & Francis, London. ISBN 9780415875585.
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