Cello Sonata (Barber)

Last updated

The Sonata for Violoncello and Piano, Opus 6, by Samuel Barber is a sonata for cello and piano. It is in the key of C minor. [1]

Contents

History

The sonata was composed between June and December 1932 during a trip to Europe as Barber was finishing his studies at the Curtis Institute of Music. The score is dedicated to Barber's composition teacher, Rosario Scalero, and was officially premiered on 5 March 1933 with the composer at the piano and his friend and colleague Orlando Cole as cellist, at a concert of the League of Composers in New York City. [2] Together with the Music for a Scene from Shelley , Op. 7, this sonata won both a Pulitzer travel stipend and the Prix de Rome of the American Academy in Rome in 1937. [3] [4]

Analysis

The Cello Sonata, Opus 6, is a chamber piece. A romantic piece in a clear C minor, its a profound and passionate cello sonata reminiscent of the examples of Brahms and Pfitzner.

The sonata is in three movements:

  1. Allegro ma non troppo
  2. Adagio (in combination with a scherzo) [5]
  3. Allegro appassionato.

Media

Related Research Articles

<span class="mw-page-title-main">Piano Trios, Op. 1 (Beethoven)</span> Three piano trios published in 1795

Ludwig van Beethoven's Opus 1 is a set of three piano trios, first performed in 1795 in the house of Prince Lichnowsky, to whom they are dedicated. The trios were published in 1795.

<span class="mw-page-title-main">Edvard Grieg</span> Norwegian composer and pianist (1843–1907)

Edvard Hagerup Grieg was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia.

<span class="mw-page-title-main">Sonata</span> Type of instrumental composition

Sonata, in music, literally means a piece played as opposed to a cantata, a piece sung. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure.

<span class="mw-page-title-main">Samuel Barber</span> American composer (1910–1981)

Samuel Osmond Barber II was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the mid-20th century. Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the Cello Concerto (1945) and Medea's Dance of Vengeance (1955); and the use of tonal ambiguity and a narrow use of serialism in his Piano Sonata (1949), Prayers of Kierkegaard (1954), and Nocturne (1959).

The concerto grosso is a form of baroque music in which the musical material is passed between a small group of soloists and full orchestra. This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra.

The Piano Quintet in F minor, Op. 34, by Johannes Brahms was completed during the summer of 1864 and published in 1865. It was dedicated to Her Royal Highness Princess Anna of Hesse. As with most piano quintets composed after Robert Schumann's Piano Quintet (1842), it is written for piano and string quartet.

<span class="mw-page-title-main">Carl Reinecke</span> German composer, conductor and pianist (1824–1910)

Carl Heinrich Carsten Reinecke was a German composer, conductor, and pianist in the mid-Romantic era.

<span class="mw-page-title-main">Woldemar Bargiel</span> German composer (1828–1897)

Woldemar Bargiel was a German composer and conductor of the Romantic period.

<span class="mw-page-title-main">Bernhard Romberg</span> German cellist and composer (1767–1841)

Bernhard Heinrich Romberg was a German cellist and composer.

Cello Sonatas No. 1 and No. 2, Op. 5, are two sonatas for cello and piano written by Ludwig van Beethoven in 1796, while he was in Berlin. While there, Beethoven met the King of Prussia Friedrich Wilhelm II, an ardent music-lover and keen cellist. Although the sonatas are dedicated to Friedrich Wilhelm II, Ferdinand Ries tells us that Beethoven "played several times at the court, where he also played the two cello sonatas, opus 5, composed for Duport and himself". Although Jean-Pierre Duport was one of the King's teachers, it is now thought to have been his brother Jean-Louis Duport who had the honor of premiering these sonatas.

<span class="mw-page-title-main">Marco Enrico Bossi</span> Italian composer

Marco Enrico Bossi was an Italian organist, composer, improviser and teacher.

<span class="mw-page-title-main">Piano Trio No. 4 (Dvořák)</span>

The Piano Trio No. 4 in E minor, Op. 90, B. 166, is a composition by Antonín Dvořák for piano, violin and cello. It is among the composer's best-known works.

Capricorn Concerto, Op. 21, is a composition for flute, oboe, trumpet, and strings by Samuel Barber, completed on September 8, 1944. A typical performance lasts approximately 14 minutes.

Samuel Barber's Symphony in One Movement (Op. 9), was completed 24 February 1936. It was premiered by Rome's Philharmonic Augusteo Orchestra under the baton of Bernardino Molinari on 13 December 1936. It lasts around 21 minutes. The title given in the printed score of the work is First Symphony (in One Movement), and the uniform title is Symphonies, no. 1, op. 9.

Felix Mendelssohn's Sextet in D major, Op. 110, MWV Q 16, for piano, violin, two violas, cello, and double bass was composed in April–May 1824, when Mendelssohn was only 15, the same time he was working on a comic opera Die Hochzeit des Camacho. Its composition took place between the Viola Sonata and the Piano Quartet No. 3. It also preceded the famous Octet, Op. 20 by about a year. 1824 is also the probable year of the composition of the Clarinet Sonata. Like the latter, the Sextet was not published during the composer's lifetime. Its first edition was issued in 1868 as a part of a complete collection of Mendelssohn's works, hence the misleadingly high opus number.

The Piano Sonata No. 9 in C major, Op. 103 by Sergei Prokofiev is his final completed piano sonata. It is dedicated to pianist Sviatoslav Richter.

<i>Music for a Scene from Shelley</i> Tone poem by Samuel Barber

Music for a Scene from Shelley, Op. 7, is a tone poem composed by Samuel Barber in 1933.

The Piano Quartet No. 2 in G major, Op. 26 by Henrique Oswald was composed in the second half of 1898. It is scored for piano, violin, viola and cello. The approximate duration is 25–30 minutes.

References

  1. "Barber: Cello Sonata Op. 6 - sin80". www.sin80.com. Retrieved 2022-02-04.
  2. Heyman, Barbara B. (1992). Samuel Barber: The Composer and His Music. New York City and Oxford: Oxford University Press. pp. 110–1, 114. ISBN   9780195090581.
  3. Friedewald 1957, p. 166.
  4. Pleasants, Henry (May 25, 1935). "Samuel Barber Wins Two Musical Awards". Philadelphia Bulletin .
  5. Friedewald 1957, p. 172.