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A concerto is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement preceded and followed by fast movements, became a standard from the early 18th century.
Samuel Osmond Barber II was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century. The music critic Donal Henahan said, "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the Cello Concerto (1945) and Medea's Dance of Vengeance (1955); and the use of tonal ambiguity and a narrow use of serialism in his Piano Sonata (1949), Prayers of Kierkegaard (1954), and Nocturne (1959).
The Piano Concerto, Op. 38, by Samuel Barber was commissioned by the music publishing company G. Schirmer in honor of the centenary of their founding. The premiere was on September 24, 1962, in the opening festivities of Philharmonic Hall, now David Geffen Hall, the first hall built at Lincoln Center in Manhattan, with John Browning as soloist with the Boston Symphony Orchestra conducted by Erich Leinsdorf.
The Cello Concerto in B minor, Op. 104, B. 191, is the last solo concerto by Antonín Dvořák. It was written in 1894 for his friend, the cellist Hanuš Wihan, but was premiered in London on March 19, 1896, by the English cellist Leo Stern.
Ludwig van Beethoven's Concerto for Violin, Cello, and Piano in C major, Op. 56, commonly known as the Triple Concerto, was composed in 1803 and published in 1804 by Breitkopf & Härtel. The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ever completed for more than one solo instrument. A typical performance takes approximately thirty-seven minutes.
Camille Saint-Saëns composed his Cello Concerto No. 1 in A minor, Op. 33, in 1872, when he was 37 years old. He wrote this work for the French cellist, viola da gamba player and instrument maker Auguste Tolbecque. Tolbecque was part of a distinguished family of musicians closely associated with the Société des Concerts du Conservatoire, France's leading concert society. The concerto was first performed on January 19, 1873, at the Paris Conservatoire concert with Tolbecque as soloist. This was considered a mark of Saint-Saëns' growing acceptance by the French musical establishment.
The two Serenades, Op. 11 and 16, represent early efforts by Johannes Brahms to write orchestral music. They both date from after the 1856 death of Robert Schumann when Brahms was residing in Detmold and had access to an orchestra.
The Sonata for Violoncello and Piano, Opus 6, by Samuel Barber is a sonata for cello and piano. It is in the key of C minor.
Zara Nelsova was a prominent cellist.
Alisa Weilerstein is an American classical cellist. She was named a 2011 MacArthur Fellow.
Capricorn Concerto, Op. 21, is a composition for flute, oboe, trumpet, and strings by Samuel Barber, completed on September 8, 1944. A typical performance lasts approximately 14 minutes.
Samuel Barber's Symphony in One Movement (Op. 9), was completed 24 February 1936. It was premiered by Rome's Philharmonic Augusteo Orchestra under the baton of Bernardino Molinari on 13 December 1936. It lasts around 21 minutes. The title given in the printed score of the work is First Symphony (in One Movement), and the uniform title is Symphonies, no. 1, op. 9.
Cello Concerto in E minor, Op. 58 is a concerto written by Sergey Prokofiev between 1933 and 1938. Its duration is approximately 35 minutes. It consists of three movements:
- Andante – Poco meno mosso – Adagio
- Allegro giusto
- Tema (allegro) – Interludio 1 – Variations 1–3 – Interludio 2 – Variation 4 – Reminiscenza – Coda – Più mosso
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William Walton's Cello Concerto (1957) is the third and last of the composer's concertos for string instruments, following his Viola Concerto (1929) and Violin Concerto (1939). It was written between February and October 1956, commissioned by and dedicated to the cellist Gregor Piatigorsky, the soloist at the premiere in Boston on 25 January 1957.
The Violoncello Concerto Op. 91 composed by Franco Margola is one of his most important works. Dedicated to the Spanish cellist Gaspar Cassadó the concerto "came to exist in three different versions from which Margola drew the material for the definitive final version in 1949, having also benefited from the advice of the dedicatee Cassadó".
Symphony No. 2, Op. 19 is a three-movement work for orchestra by the American composer Samuel Barber. The 25-minute work was originally written in 1944. The work underwent many revisions and was finally published in 1950. The original manuscript was withdrawn by Barber in 1964. He ordered that G. Schirmer destroy the original manuscript and all scores in their library. The work remained unpublished for many years until 1984 when a set of parts turned up in a warehouse in England. Renewed interest in Barber's work led to a 1990 reprint of the 1950 edition.
The Third Essay for Orchestra, Op. 47, is a short orchestral work composed by Samuel Barber in 1978. The score is dedicated to Audrey Sheldon.
The Cello Concerto No. 3, Legend of the Phoenix, is a composition for cello solo and orchestra by the American composer Augusta Read Thomas. The work was commissioned by the Boston Symphony Orchestra with contributions from Bill and Solange Brown. It was first performed in Boston on March 14, 2013, by the cellist Lynn Harrell and the Boston Symphony Orchestra under the conductor Christoph Eschenbach. Thomas subsequently adapted the piece into a viola concerto in 2013.
The Cello Concerto is a composition for solo cello and orchestra by the American composer Elliott Carter. The work was commissioned by the Chicago Symphony Orchestra for the cellist Yo-Yo Ma. It was first performed in Chicago, Illinois, on September 27, 2001 by Yo-Yo Ma and the Chicago Symphony Orchestra under the conductor Daniel Barenboim.
References
- Heyman, Barbara B. (1992). Samuel Barber: The Composer and His Music. New York City and Oxford: Oxford University Press. ISBN 9780195090581.
- 1 2 Heyman 1992, p. 252.
- ↑ Heyman 1992, p. 248.
- ↑ Barber, Samuel. 1952. Concerto for Violoncello and Orchestra, Op. 22. G. Schirmer's Edition of Study Scores of Orchestral Works and Chamber Music No. 61. New York City: G. Schirmer. p. 1.
- ↑ Heyman 1992, p. 249.
- ↑ Heyman 1992, p. 257.
- ↑ Davies, Daniel Edward. 1999. "An Analytical, Historical, and Pedagogical Overview of Samuel Barber's Cello Concerto, Dmitri Shostakovich's Cello Concerto No. 1, and William Walton's Cello Concerto". DMA diss. Evanston: Northwestern University. p. 34.
