The Carabinieri Command for the Protection of Cultural Heritage, better known as the Carabinieri T.P.C., is the branch of the Italian Carabinieri responsible for combatting art and antiquities crimes [1] [2] and is viewed as an experienced and efficient task force. [3]
Il Nucleo Tutela Patrimonio Artistico was founded by General Arnaldo Ferrara on 3 May 1969. It was the first specialist police force in the world in this sector, predating the UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property of 1970. On 5 March 1992 the force was renamed Comando Carabinieri per la Tutela del Patrimonio Culturale. [1]
The force has four sections: archaeology, antique dealing, fakes, and contemporary art. It is led by a colonel and headquartered in Rome, with twelve regional offices. It functions in coordination with the Ministero per i Beni e le Attività Culturali . [1] [4]
The force investigates clandestine excavations, the theft and illicit trade in works of art, damage to monuments and archaeological zones, the illegal export of cultural property, and fakes. It is involved in the monitoring and control of archaeological sites, and the activities of art and antique dealers, junk shops, and restorers. The force is also involved in forensic analysis; the development and promotion of educational materials; advising overseas ministries, police forces and customs bodies; international peacekeeping missions; and the protection and recovery of cultural property in disaster zones. [5]
The force works internationally with organisations including UNESCO, UNIDROIT, ICOMOS, ICOM, and INTERPOL. Domestically it works in partnership with a number of universities, cultural foundations, and research centres, including ICCROM, as well as the local soprintendenze and ecclesiastical bodies. [5]
The force maintains a database of stolen works. [6] As of 1 March 2011, some 5,290 missing items were listed as having particular economic or cultural value. [7] It also publishes a Bulletin of Trafficked Art Works, 2010 seeing the 32nd annual issue. [8]
In 2009, some 39,584 looted antiquities and 19,043 other works were recovered, valued at €165 million. In 2008, works valued at €183 million were recovered. Improved international collaboration, site security, and databases saw a drop of 14.5% in stolen Italian works between the two years, while the number of illegal archaeological excavations discovered fell from 238 in 2008 to 58 in 2009. [9] In 2009 137 items relating to the Medici case were returned from Switzerland, recovered from the Zurich-based restorers Fritz Burki & Son, who had worked on the Euphronios Krater. These items included statues, pottery, and a first-century AD fresco. A further 300 items were still being sought in cooperation with Swiss authorities. [9] [10] In 2010 a statue of Zeus was recovered that had been stolen from the Museo Nazionale Romano in 1980. [11] The force has also been active in Iraq, surveying sites at risk, providing training, developing systems, and helping to recover 2,971 objects illicitly trafficked since 1990. [12] [13] In 2010, in cooperation with the Swiss authorities, it managed to recover 337 artifacts of cultural heritage from Geneva, Switzerland and following exhibited the works in the Colosseum in Rome. [3]
The Italian Armed Forces encompass the Italian Army, the Italian Navy and the Italian Air Force. A fourth branch of the armed forces, known as the Carabinieri, take on the role as the nation's military police and are also involved in missions and operations abroad as a combat force. Despite not being a branch of the armed forces, the Guardia di Finanza is organized along military lines. These five forces comprise a total of 340,885 men and women with the official status of active military personnel, of which 167,057 are in the Army, Navy and Air Force. The President of the Italian Republic heads the armed forces as the President of the High Council of Defence established by article 87 of the Constitution of Italy. According to article 78, the Parliament has the authority to declare a state of war and vest the powers to lead the war in the Government.
The Iraq Museum is the national museum of Iraq, located in Baghdad. It is sometimes informally called the National Museum of Iraq. The Iraq Museum contains precious relics from the Mesopotamian, Abbasid, and Persian civilizations. It was looted during and after the 2003 Invasion of Iraq. Despite international efforts, only some of the stolen artifacts have been returned. After being closed for many years while being refurbished, and rarely open for public viewing, the museum was officially reopened in February 2015.
Art theft, sometimes called artnapping, is the stealing of paintings, sculptures, or other forms of visual art from galleries, museums or other public and private locations. Stolen art is often resold or used by criminals as collateral to secure loans. Only a small percentage of stolen art is recovered—an estimated 10%. Many nations operate police squads to investigate art theft and illegal trade in stolen art and antiquities.
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The antiquities trade is the exchange of antiquities and archaeological artifacts from around the world. This trade may be illicit or completely legal. The legal antiquities trade abides by national regulations, allowing for extraction of artifacts for scientific study whilst maintaining archaeological and anthropological context. The illicit antiquities trade involves non-scientific extraction that ignores the archaeological and anthropological context from the artifacts.
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The Association for Research into Crimes against Art (ARCA) is a non-governmental civil society organisation (CSO) that conducts scholarly research and training within the discipline of combatting cultural property crime. Established in 2009 with the aim of exploring the gaps in the international legal framework which addresses art and antiquities crimes. ARCA was founded by Dr. Noah Charney, an art and art crime historian, as well as a published author.
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