Carl Reiner and Mel Brooks at the Cannes Film Festival | ||||
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Live album by | ||||
Released | 1963 | |||
Recorded | 1963 at the Cannes Film Festival, Cannes | |||
Genre | Comedy | |||
Length | 31:18 | |||
Label | Capitol W 1815 [1] | |||
Carl Reiner and Mel Brooks chronology | ||||
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Carl Reiner and Mel Brooks at the Cannes Film Festival is a live 1963 comedy album by the American comedians Carl Reiner and Mel Brooks, recorded at the Cannes Film Festival. It was the third album released by the pair, and their last recording in 12 years. [2] In 1964 at the 6th Annual Grammy Awards it was nominated for both Best Comedy Performance and Best Album Cover – Other Than Classical. [3]
Characters on the album include the Italian film director "Federico Fetuchini" (inspired by Federico Fellini), the Nazi inspired "Adolph Hartner", and the British Tippy Skittles K.C.V.B. [2]
The Negro Digest positively reviewed the album in their September 1963 issue, highlighting the satire on Italian film directors as the "richest ore of humour in this platter". Referencing the character's imaginary film, Rape, the Negro Digest wrote that "Everything is rape with Mr. Fetuchini. He loves it. And so will the listener". [4]
Blazing Saddles is a 1974 American satirical postmodernist Western black comedy film directed by Mel Brooks, who co-wrote the screenplay with Andrew Bergman, Richard Pryor, Norman Steinberg, and Alan Uger, based on a story treatment by Bergman. The film stars Cleavon Little and Gene Wilder. The film received generally positive reviews from critics and audiences, was nominated for three Academy Awards, and is ranked number six on the American Film Institute's 100 Years...100 Laughs list.
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8+1⁄2 is an Italian 1963 avant-garde surrealist comedy-drama film directed and co-written by Federico Fellini. The metafictional narrative centers on Guido Anselmi, played by Marcello Mastroianni, a famous Italian film director who suffers from stifled creativity as he attempts to direct an epic science fiction film. Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella Falk, Barbara Steele, and Eddra Gale portray the various women in Guido's life. The film is shot in black and white by cinematographer Gianni Di Venanzo and features a soundtrack by Nino Rota, with costume and set designs by Piero Gherardi.
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