Carlos Miranda | |
|---|---|
 Carlos Miranda in 2013 | |
| Born | 17 January 1945 Santiago, Chile |
| Nationality | Spanish-Chilean |
| Alma mater | The Royal College of Music, London |
| Occupation(s) | Music composer, pianist, conductor and actor |
Luis Carlos Miranda Cordal (born Santiago, Chile, 17 July 1945), also known as Carlos Miranda is a Spanish composer, pianist, conductor and actor.
He was born in Chile, where he studied at the Conservatorio Nacional de Música composition with Gustavo Becerra-Schmidt and piano with Flora Guerra. [1] He moved to Italy and worked as apprentice in films by Franco Zeffirelli (Romeo and Juliet) and Pier Paolo Pasolini (Teorema). He then settled in London, initially working nights as accompanist to American cabaret singer Militia Battlefield (portrayed in Jana Bokova's 1975 documentary film of the same name, [2] and days as pianist repetiteur at The Dance Centre (Covent Garden) for various dance teachers among which: Errol Addison, Matt Mattox, Brigitte Kelly and John O'Brien.
He won a British Council Scholarship to the Royal College of Music in London studying piano with Harry Platts, composition with John Lambert and conducting with Vernon Handley. After graduating, he joined the Rambert Dance Company (1974–78) as pianist and resident composer, playing and writing scores for both dance performances and concerts with the Mercury Ensemble.[ citation needed ]
In 1977 he wrote the music for the full-length dance-theatre work "Cruel Garden", choreographed by Christopher Bruce, scenario and direction by Lindsay Kemp. The piece, based on the life and death of Federico García Lorca, [3] has since been staged by various dance companies in the UK, [4] [5] Germany and the USA. [6] The BBC television adaptation, directed by Colin Nears, won the Prix Italia Music-1982. [7]
His association with Lindsay Kemp began with his earliest creation for Rambert Dance Co., the recently revived ballet "The Parades Gone By". [8] [9] He then joined the Lindsay Kemp Company writing the music and collaborating in the creation of various dance-theatre productions that toured Europe, the Americas, Israel, Singapore, Japan and Australia: "A Midsummer Night's Dream", "Mr. Punch's Pantomime", "Duende, Poema Fantastico per F. Garcia Lorca", [10] "The Big Parade" (Producciones Julio Alvarez), "Nijinsky il Matto" (Teatro Alla Scala, Milano), "Cinderella, a Gothic Operetta" (Cenicienta S.L), "Variété" (Susumu Matahira-Tate Corporation), "Dreamdances" (Italian tour 2001) [11] and "Elizabeth I, the last dance" [12] [13]
Carlos Miranda has produced scores for movies directed by independent Spanish film-makers, among which: Celestino Coronado’s "Hamlet" (1977) [14] and "A Midsummer Night's Dream" (1984), [15] Manuel Huerga's "Gaudì" (1988), Félix Rotaeta's "The Pleasure of Killing" (1988) and "Chatarra" (1991).
In 1992, Miranda composed the music, and conducted the Ciutat de Barcelona Orchestra, for the Parade of Nations during the opening ceremony of the 1992 Summer Olympics. [16] [17] He also created the soundtrack for the official video of the Seville Expo '92.
In 1993 he conducted the Orquestra de Cambra Teatre Lliure in performances of his score for the full-length ballet "El Jardiner" for Compañía de Danza Gelabert Azzopardi. In 1997 he wrote the piece "Quell Inocente Figlio" for the BBC Radio 3 series "The Schubert Songbook". In 2004 he composed and recorded the music for multimedia dance spectacle "Glimpse" [18] [19] (Barcelona FORUM) collaborating with choreographer/dancer Cesc Gelabert and American media-dance filmmaker Charles Atlas. That year he also wrote the instrumental piece "Del Amor Insomne Noche" (City of London Festival) later recorded for BBC Radio 3 by the Galliard Ensemble Wind Quintet, with Lucy Wakeford (harp) and Colin Currie (marimba).
Among the films he has acted in: Velvet Goldmine (Todd Haynes – 1998), Mauvais Esprit (Patrick Alessandrin – 2003), The Feast of the Goat (Luis Llosa – 2005), Goya's Ghosts (Miloš Forman – 2006), Karol: The Pope, The Man (made for TV, Giacomo Battiato – 2006) and The Promise , (Terry George – 2016).
A Midsummer Night's Dream is a comedy play written by William Shakespeare in about 1595 or 1596. The play is set in Athens, and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict among four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. The play is one of Shakespeare's most popular and is widely performed.
A Midsummer Night's Dream, Op. 64, is an opera with music by Benjamin Britten and set to a libretto adapted by the composer and Peter Pears from William Shakespeare's play, A Midsummer Night's Dream. It was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer and with set and costume designs by Carl Toms. Stylistically, the work is typical of Britten, with a highly individual sound-world – not strikingly dissonant or atonal, but replete with subtly atmospheric harmonies and tone painting. The role of Oberon was composed for the countertenor Alfred Deller. Atypically for Britten, the opera did not include a leading role for his partner Pears, who instead was given the comic drag role of Flute/Thisbe.
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