External links
- Faculty Website at the University of Washington in Seattle, WA
- Artist Biography on the Philip Truckenbrod Concert Artists Website
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Carole Ruth Terry (born in 1948) is an American organist, harpsichordist, and pedagogue.
Carole Terry received her musical training at Southern Methodist University in Dallas, Texas (organ with Robert T. Anderson, harpsichord with Larry Palmer), Eastman School of Music (organ with David Craighead), and Stanford University, where she obtained in 1977 a Doctor of Musical Arts degree in early music performance practice. Her teachers in Stanford were Herbert Nanney (organ), Margaret Fabrizio (harpsichord), and Joan Benson (fortepiano and clavichord). In 1979, she was appointed professor of organ and harpsichord at the University of Washington in Seattle. From 2000–2003, she was Resident Organist and curator of the C. B. Fisk organ at Benaroya Hall in Seattle.
As organist and harpsichordist, she has performed throughout the United States, Europe, and Asia, and frequently serves as jury member for international organ competitions and lecturer for master classes in keyboard performance practice.
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Toccata is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments.
Karl Richter was a German conductor, choirmaster, organist, and harpsichordist.
Jan Pieterszoon Sweelinck was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition.
Gustav Maria Leonhardt was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments.
Masaaki Suzuki is a Japanese organist, harpsichordist and conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for which he is also recording Bach's concertos, orchestral suites, and solo works for harpsichord and organ. He is also an artist-in-residence at Yale University and the principal guest conductor of its Schola Cantorum, and has conducted orchestras and choruses around the world.
Johann Gottfried Müthel was a German composer and noted keyboard virtuoso. Along with C.P.E. Bach, he represented the Sturm und Drang style of composition.
Pasi Organ Builders, based in Roy, WA, manufactures mechanical action organs and restores historic instruments. Martin Pasi received his first formal experience in organ building during a four-year apprenticeship with the Rieger Company in his native Austria. After working in Austria and in the United States, Pasi set up his own studio, Pasi Organ Builders, in 1990 in a former school building in Roy, Wash.
The 17th century organ composers of Germany can be divided into two primary schools: the north German school and the south German school. The stylistic differences were dictated not only by teacher-pupil traditions and international influences, but also by separate organ building traditions: northern organs tend to have a tower layout with emphasis on the pedal division, while southern and Austrian instruments are typically divided around a window and emphasize manual divisions.
Harald Vogel is a German organist, organologist, and author. He is a leading expert on Renaissance and Baroque keyboard music. He has been professor of organ at the University of the Arts Bremen since 1994.
Haig Mardirosian is Dean Emeritus of the College of Arts and Letters at the University of Tampa, Professor Emeritus at American University in Washington, DC, a concert organist, composer, and conductor. He has performed in many of the most important concert venues throughout North America and Europe. He has over a dozen commercial recordings to his credit including well known and respected performances of the organ works of Bach, Brahms, Liszt, Petr Eben, and Jean Langlais.
"Ach Gott, vom Himmel sieh darein" is a Lutheran chorale of 1524, with words written by Martin Luther paraphrasing Psalm 12. It was published as one of eight songs in 1524 in the first Lutheran hymnal, the Achtliederbuch, which contained four songs by Luther, three by Speratus, and one by Justus Jonas. It was contained in 1524 in the Erfurt Enchiridion. It is part of many hymnals, also in translations. The text inspired vocal and organ music by composers such as Heinrich Schütz, who set it as part of his Becker Psalter, and Johann Sebastian Bach, who based a chorale cantata on it. Mozart used one of its tunes in his opera The Magic Flute.
Anthony Newman is an American classical musician. While mostly known as an organist, Newman is also a harpsichordist, pianist, composer, conductor, writer, and teacher. He is a specialist in music of the Baroque period, particularly the works of Johann Sebastian Bach, and has collaborated with such noted musicians as Kathleen Battle, Julius Baker, Itzhak Perlman, Eugenia Zukerman, Jean-Pierre Rampal, Leonard Bernstein, Michala Petri, and Wynton Marsalis, for whom he arranged and conducted In Gabriel’s Garden, the most popular classical record of 1996.
Hans Christoph Becker-Foss is a German conductor, organist and harpsichordist and professor at the Hochschule für Musik und Theater Hannover.
Matthias Eisenberg is a German concert organist and harpsichordist, and a cantor. The award-winning player is known for performing concerts with clarinetist Giora Feidman. He has performed and conducted master classes internationally. He recorded, including the complete organ works by J. S. Bach and improvisations, and has conducted Bach cantatas from the harpsichord in collaboration with the Thomanerchor.
Bob van Asperen is a Dutch harpsichordist and early keyboard instrument performer, as well as a conductor. He graduated in 1971 from the Amsterdam Conservatory, where he studied the harpsichord with Gustav Leonhardt and the pipe organ with Albert de Klerk. Since then he has been performing extensively in Europe and the rest of the world as a soloist and accompanist/conductor.
Johann Vexo is a French organist. He is the organist for both the choir organ at Notre Dame de Paris and the great organ of Nancy Cathedral.
Martin Schmeding is a German church musician, concert organist and academic teacher, who has made recordings of the complete organ works by composers such as Brahms, Mendelssohn, Franz Schmidt, Max Reger and Tilo Medek.
Pieter-Jan Belder is a Dutch instrumentalist in historically informed performance, playing recorder, harpsichord and fortepiano. He founded the ensemble Musica Amphion for recordings and performances.
The Harpsichord Concerto in D minor, BWV 1052, is a concerto for harpsichord and Baroque string orchestra by Johann Sebastian Bach. In three movements, marked Allegro, Adagio and Allegro, it is the first of Bach's harpsichord concertos, BWV 1052–1065.
Throughout the 18th century, the appreciation of Johann Sebastian Bach's music was mostly limited to distinguished connoisseurs. The 19th century started with publication of the first biography of the composer and ended with the completion of the publication of all of Bach's known works by the Bach Gesellschaft. A Bach Revival had started from Mendelssohn's performance of the St Matthew Passion in 1829. Soon after that performance, Bach started to become regarded as one of the greatest composers of all times, if not the greatest, a reputation he has retained ever since. A new extensive Bach biography was published in the second half of the 19th century.
