Related Research Articles
Karl Richter was a German conductor, choirmaster, organist, and harpsichordist.
Jan Pieterszoon Sweelinck was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition.
Gustav Maria Leonhardt was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments.
Masaaki Suzuki is a Japanese organist, harpsichordist, conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for which he is also recording Bach's concertos, orchestral suites, and solo works for harpsichord and organ. He is also an artist-in-residence at Yale University and the principal guest conductor of its Schola Cantorum, and has conducted orchestras and choruses around the world.
Johann Gottfried Müthel was a German composer and noted keyboard virtuoso. Along with C.P.E. Bach, he represented the Sturm und Drang style of composition.
Fürchtegott Theodor Kirchner was a German composer and pianist of the Romantic era.
The pedal piano is a kind of piano that includes a pedalboard, enabling bass register notes to be played with the feet, as is standard on the organ.
Wolfgang Friedrich Rübsam is a German-American organist, pianist, composer and pedagogue.
The 17th century organ composers of Germany can be divided into two primary schools: the north German school and the south German school. The stylistic differences were dictated not only by teacher-pupil traditions and international influences, but also by separate organ building traditions: northern organs tend to have a tower layout with emphasis on the pedal division, while southern and Austrian instruments are typically divided around a window and emphasize manual divisions.
Harald Vogel is a German organist, organologist, and author. He is a leading expert on Renaissance and Baroque keyboard music. He has been professor of organ at the University of the Arts Bremen since 1994.
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord, strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord, three concertos for two harpsichords, two concertos for three harpsichords, and one concerto for four harpsichords. Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and Brandenburg Concerto No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord which adds an oboe to the strings and continuo.
Haig Mardirosian is Dean Emeritus of the College of Arts and Letters at the University of Tampa, Professor Emeritus at American University in Washington, DC, a concert organist, composer, and conductor. He has performed in many of the most important concert venues throughout North America and Europe. He has over a dozen commercial recordings to his credit including well known and respected performances of the organ works of Bach, Brahms, Liszt, Petr Eben, and Jean Langlais.
Hans Christoph Becker-Foss is a German conductor, organist and harpsichordist and professor at the Hochschule für Musik und Theater Hannover.
Simone Stella is an Italian harpsichordist, organist, pianist, composer and producer.
Matthias Eisenberg is a German concert organist and harpsichordist, and a cantor. The award-winning player is known for performing concerts with clarinetist Giora Feidman. He has performed and conducted master classes internationally. He recorded, including the complete organ works by J. S. Bach and improvisations, and has conducted Bach cantatas from the harpsichord in collaboration with the Thomanerchor.
Johann Vexo is a French organist. He is the organist for both the choir organ at Notre Dame de Paris and the great organ of Nancy Cathedral.
Martin Schmeding is a German church musician, concert organist and academic teacher, who has made recordings of the complete organ works by composers such as Brahms, Mendelssohn, Franz Schmidt, Max Reger and Tilo Medek.
Pieter-Jan Belder is a Dutch instrumentalist in historically informed performance, playing recorder, harpsichord and fortepiano. He founded the ensemble Musica Amphion for recordings and performances.
The Harpsichord Concerto in D minor, BWV 1052, is a concerto for harpsichord and Baroque string orchestra by Johann Sebastian Bach. In three movements, marked Allegro, Adagio and Allegro, it is the first of Bach's harpsichord concertos, BWV 1052–1065.
In the 18th century, the appreciation of Johann Sebastian Bach's music was mostly limited to distinguished connoisseurs. The 19th century started with publication of the first biography of the composer and ended with the completion of the publication of all of Bach's known works by the Bach Gesellschaft. A Bach Revival had started from Mendelssohn's performance of the St Matthew Passion in 1829. Soon after that performance, Bach started to become regarded as one of the greatest composers of all time, if not the greatest, a reputation he has retained ever since. A new extensive Bach biography was published in the second half of the 19th century.
References
- ↑ Joanne De Pue: "Exit Interview: Organ Professor Carole Terry." News Archive (October 16, 2019), UW School of Music, Seattle. Retrieved December 30, 2024.
- ↑ Biography on the Philip Truckenbrod Concert Artists Website. Retrieved December 30, 2024.
