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Bang on a Can is a multi-faceted contemporary classical music organization based in New York City. It was founded in 1987 by three American composers who remain its artistic directors: Julia Wolfe, David Lang, and Michael Gordon. Called "the country's most important vehicle for contemporary music" by the San Francisco Chronicle, the organization focuses on the presentation of new concert music, and has presented hundreds of musical events worldwide.
Andrew Welsh Imbrie was an American contemporary classical music composer and pianist.
Eric Ewazen is an American composer and teacher.
Marc Mellits is an American composer and musician.
Scott Richard Johnson was an American composer known for his pioneering use of recorded speech as musical melody, and his distinctive crossing of American vernacular and art music traditions, making extensive use of electric guitar in concert works, and adapting popular music structures for art music genres such as the string quartet. He was the recipient of a 2006 Guggenheim fellowship, and a 2015 American Academy of Arts and Letters Award.
The Albany Symphony Orchestra is a professional symphony orchestra based in Albany, New York.
La Serenissima is a British early music/period instrument ensemble founded in 1994 by violinist Adrian Chandler, who has served as the group's director since its creation. Taking its name from La Serenissima Repubblica di Venezia, the ensemble specializes in the music of Venetian Baroque composer Antonio Vivaldi (1678–1741) and his contemporaries.
The Meridian Arts Ensemble is an American chamber music ensemble based in New York City, specializing in the performance of new works for brass and percussion.
Peter Burlingham Child is an American composer, teacher, and musical analyst. He is Professor of Music at the Massachusetts Institute of Technology (MIT) and was a composer in residence with the New England Philharmonic.
A Pierrot ensemble is a musical ensemble comprising flute, clarinet, violin, cello and piano. This ensemble is named after 20th-century composer Arnold Schoenberg’s seminal work Pierrot Lunaire, which includes the quintet of instruments above with a narrator.
Boston Musica Viva is a Boston, Massachusetts-based music ensemble founded by its music director, Richard Pittman, in 1969 and dedicated to contemporary music.
Andy Vores is a Welsh classical music and opera composer. He has lived in the United States since 1986 and is based in Boston, Massachusetts.
The San Francisco Contemporary Music Players (SFCMP) is a performing arts organization and unionized chamber orchestra that commissions, performs, and records innovative new music from across cultures and stylistic traditions. SFCMP incorporated in 1974 to give voice to the burgeoning genre of contemporary chamber music in the Bay Area. They are solely devoted to contemporary repertoire, particularly the work of living composers and large ensemble works. The current Artistic Director is Eric Dudley.
Randall Hodgkinson is an American classical pianist.
Marti Epstein is an American composer. She is Professor of Composition at Berklee College of Music and the Boston Conservatory at Berklee.
Randall Woolf is an American composer known for his diverse contemporary works for chamber orchestra, chamber ensembles, and solo players, often combined with digital audio, turntables, and video. He studied composition privately with David Del Tredici and Joseph Maneri, and at Harvard, where he earned a Ph.D. He is a member of the Common Sense Composers Collective. He is composer-mentor of the Brooklyn Philharmonic. In 1997, he composed a ballet version of Where the Wild Things Are in collaboration with Maurice Sendak and Septime Webre. He created three pieces for video and live instruments with directors Mary Harron and John C. Walsh. He has worked frequently with John Cale, notably on his score of American Psycho. He re-created four of Nico’s songs for Cale’s tribute concert “On the Borderline”, sung by Peter Murphy, Lisa Gerrard, Sparklehorse, Stephin Merritt, Peaches, and Meshell Ndegeocello. He arranged over 40 of Cale’s songs for orchestra, including the entire Paris 1919 album, songs from The Velvet Underground and Nico, and "Music for a New Society". His works have been performed by Kathleen Supové, Jennifer Choi, Timothy Fain, Mary Rowell, Todd Reynolds, Ethel, conductor/flutist Ransom Wilson, Tara O’Connor, Lindsey Goodman, the Brooklyn Philharmonic, the Kronos Quartet, Turnmusic, Fulcrum Point, the Pittsburgh New Music Ensemble, Sonic Generator, Bang on a Can/SPIT Orchestra, the American Composers Orchestra, NakedEye Ensemble, and others.
Gregory Mertl is an American composer that has garnered commissions from the Tanglewood Music Center (1999), the Rhode Island Philharmonic (2000), the Tarab Cello Ensemble (2001), the Phoenix Symphony (2001), the Wind Ensembles of the Big Ten Universities (2002), the Ostrava Oboe Festival, Czech Republic, Kenneth Meyer and the Hanson Institute (2006), the University of Oregon (2013), CSTMA (2013), counter)induction (2016), the University of Niš (2016), and the Barlow Endowment for a piano concerto for pianist Solungga Liu and the University of Minnesota Wind Ensemble, Craig Kirchhoff, conductor, which was premiered in November, 2011 and released by Bridge Records in May 2017.
Cindy Cox is an American composer and performer, and Professor of Music. Cox grew up in Houston. She holds a Bachelor of Music in piano performance from Texas Christian University, and her Masters and Doctorate in 1992 from Indiana University Bloomington in composition, where she studied with Harvey Sollberger, Donald Erb, Eugene O’Brien, and John Eaton. She has also studied with John Harbison at the Tanglewood Music Center, and Bernard Rands and Jacob Druckman at the Aspen Music Festival. As a pianist, she studied with the Mozart and Schubert specialist Lili Kraus. As of 2011, Cox is a professor at the University of California at Berkeley.
Valerie Coleman is an American composer and flutist as well as the creator of the wind quintet Imani Winds. Coleman is a distinguished artist of the century who was named Performance Today's 2020 Classical Woman of the year and was listed as “one of the Top 35 Women Composers” in the Washington Post. In 2019, Coleman's orchestral work, Umoja, Anthem for Unity, was commissioned and premiered by the Philadelphia Orchestra. Coleman's Umoja is the first classical work by a living African American woman that the Philadelphia Orchestra has performed.
Kathleen Supové is an American pianist specializing in modern classical music. She has premiered the works of dozens of composers on her Exploding Piano series. Her recitals involve recitation, costume, theatrical elements such as lighting, and sets. Kathleen's intention is to augment and extend the piano recital, and to borrow from contemporary theater, film and dance to create a new context for modern classical music. She also performs works that extend the sonic world of the piano recital, by using electronics both live and pre-recorded, preparation of the piano, and playing inside the piano on the strings themselves.
