Cary Peppermint | |
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Born | 1970 |
Nationality | American |
Education | MFA Syracuse University, BFA University of Georgia |
Known for | Performance, Internet Art, New Media Art, Environmental Art |
Awards | 2012 New York State Council on the Arts Grant, 2009 New York Foundation for the Arts Digital / Electronic Arts Fellowship, 2009 Whitney Museum of American Art Sunrise/Sunset Commission, 2008 New Radio and Performing Arts Turbulece.org commission, 2003 Rhizome Commission, 2001 Franklin Furnace Performance Grant |
Cary Peppermint (born 1970) is a New York-based conceptual, new media, performance, and environmental artist. Peppermint was born in Rome, Georgia, in 1970 and received in M.F.A. from Syracuse University in 1997. [1] Peppermint has conducted a series of Dadaist and Fluxus inspired digital, networked performances via his website RestlessCulture, an ongoing, post-cinema living documentary database. [2] In Artforum , Mark Tribe called this series of work “twenty-first-century takes on Warhol's Factory.” [3]
In 2005, Peppermint founded ecoarttech with his partner Leila Christine Nadir. Their collaborative explores environmental issues and convergent media and technologies from an interdisciplinary perspective. In a 2012 interview with visualMAG, Peppermint and Nadir report that "movement between environmental extremes–between mega-cities and green landscapes–has always been the most creatively stimulating 'place' for us to dwell in. No matter where we go, we are always fascinated by the technologies and systems that human beings use to produce their survival and to create meaning in their lives." [4]
One of ecoarttech's inaugural works was “Wilderness Trouble” (2007). More recent works include “Indeterminate Hikes” (2011), a smartphone app and installation that transforms chance encounters in everyday locales into public performances of bio-cultural diversity and wild happenings, created originally for the Whitney Museum of American Art's 2010 ISP exhibition; “Untitled Landscape #5” (2009), an internet-based work commissioned by the Whitney Museum of American Art for its Sunrise and Sunset series; “Center for Wildness in the Everyday” (2010), a series of networked performances about the “wildness” of water in the Texas Trinity River Basin, commissioned by the University of North Texas College of Visual Arts and Design; and “Eclipse” (2009), a net art work exploring the politics of pollution, the myth of wilderness, and the surplus of online information, commissioned by Turbulence.org of New Radio and Performing Arts, Inc. [5]
He is currently an Assistant Professor of Art and Art History at the University of Rochester. [6] His work is in the collections of the Walker Art Center, Rhizome.org at the New Museum, The Whitney Museum of American Art, and Computer Fine Arts. [7]
Lewis "Duke" Baltz was an American visual artist, photographer, and educator. He was an important figure in the New Topographics movement of the late 1970s. His best known work was monochrome photography of suburban landscapes and industrial parks which highlighted his commentary of void within the "American Dream".
Pope.L is an American visual artist best known for his work in performance art, and interventionist public art. However, he has also produced art in painting, photography and theater. He was included in the 2002 Whitney Biennial and is a Guggenheim Fellow and a recipient of the Creative Capital Visual Arts Award. Pope.L was also included in the 2017 Whitney Biennial.
Josiah McElheny is an artist and sculptor, primarily known for his work with glass blowing and assemblages of glass and mirrored glassed objects. He is a 2006 recipient of the MacArthur Fellows Program. He lives and works in New York City.
Mary Lucier is an American visual artist and pioneer in video art. Concentrating primarily on video and installation since 1973, she has produced numerous multiple- and single-channel pieces that have had a significant impact on the medium.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
David Schafer is an American visual and sound artist based in Los Angeles, whose practice integrates aural, textual, graphic and sculptural elements to create installations, public art and individual works that critics describe as immersive, spatial experiments. His approach combines self-consciously formalist aesthetics, a Pop Art sensibility, and postmodern Deconstructionist intent, often appropriating and reframing cultural motifs in order to investigate systems of historical and cultural memory, built space, and language. Schafer has exhibited nationally and internationally in museums, galleries and public spaces, including the Whitney Museum of American Art, MoMA PS1, The Drawing Center, MASS MoCA, Baltimore Museum of Art, Long Beach Museum of Art, SculptureCenter, and Vleeshal Middelburg. He has received awards from the Pollock-Krasner Foundation and National Endowment for the Arts, among others, as well as public commissions from the Public Art Fund of New York and the Los Angeles County Arts Commission. Los Angeles Times critic Leah Ollman describes his work as a "heady jumble" producing collisions, contradictions and convergences at the intersection of architecture, sound, sculpture, language and theory in order to "disrupt communication intentionally, incisively, through strategies of fragmentation and interruption." Schafer has taught sculpture, art theory, digital media and sound at institutions on the East and West coasts since 1985, and is currently on the Fine Arts faculty at Art Center College of Design in Los Angeles.
Internet art is a form of new media art distributed via the Internet. This form of art circumvents the traditional dominance of the physical gallery and museum system. In many cases, the viewer is drawn into some kind of interaction with the work of art. Artists working in this manner are sometimes referred to as net artists.
James Welling is an American artist, photographer and educator living in New York City. He attended Carnegie-Mellon University where he studied drawing with Gandy Brodie and at the University of Pittsburgh where he took modern dance classes. Welling transferred to the California Institute of the Arts in Valencia, California in 1971 and received a B.F.A. and an M.F.A. in the School of Art. At Cal Arts, he studied with John Baldessari, Wolfgang Stoerchle and Jack Goldstein.
Little Lake is the local name given to Soil Conservation Services Hickory Creek Basin Retarding Pond #16 within Denton, Texas and the Trinity River Basin. Originally constructed in 1975 as a retention / detention pond to prevent flooding, the Lake soon exceeded its capacity as a hydraulic infrastructure, attracting wildlife and becoming host to vibrant cultural and ecological diversity.
The flood hazard areas of Denton County are subject to periodic inundation which result in loss of life and property. These flood loses are created by the cumulative effect of obstructions in the floodplain which cause an increase in flood heights and velocities, and by the occupancy of flood hazard areas by uses vulnerable to floods and hazardous to other lands because they are inadequately elevated, floodproofed or otherwise protected from flood damage." –City of Denton Public Works, Planning Division
Ecoarttech is an experimental, postdisciplinary, mixed media environmental art collaborative founded in 2005 by artist Cary Peppermint and literary writer/critic Leila Christine Nadir. The collaborative explores the complex relationships between modernity, technologies, networks, and concepts of nature and culture. Merging primitive with emergent technologies, ecoarttech’s work investigates the overlapping terrain between “nature,” built environments, mobility, and electronic spaces. In furtherfield.org, Sophia Kosmaoglou writes, "Refusing to regard technology merely as a tool, Ecoarttech expand the uses of mobile technology and digital networks revealing them to be fundamental components of the way we experience our environment... By drawing our attention to the increasing replacement or mediation of physical experiences by technology, Ecoarttech challenge the widely reproduced distinction between nature and culture." In visualMAG, Teresa de Andrés describes the artists as "determined to blur the frontiers between city and countryside by using technologies in a creative way... they invite us to lose ourselves in unexplored lands, sinuous urban alleys and arid mountains to the south of the Earth.
Sanford Biggers is a Harlem-based interdisciplinary artist who works in film/video, installation, sculpture, music, and performance. An L.A. native, he has lived and worked in New York City since 1999.
Ecological art is an art genre and artistic practice that seeks to preserve, remediate and/or vitalize the life forms, resources and ecology of Earth. Ecological art practitioners do this by applying the principles of ecosystems to living species and their habitats throughout the lithosphere, atmosphere, biosphere, and hydrosphere, including wilderness, rural, suburban and urban locations. Ecological art is a distinct genre from Environmental art in that it involves functional ecological systems-restoration, as well as socially engaged, activist, community-based interventions. Ecological art also addresses politics, culture, economics, ethics and aesthetics as they impact the conditions of ecosystems. Ecological art practitioners include artists, scientists, philosophers and activists who often collaborate on restoration, remediation and public awareness projects.
Melissa Miller is an American painter who is best known for what Art in America called "raucous allegorical paintings" of animals that balance storytelling, psychological insight and behavioral observation with technical virtuosity and formal rigor. She rose to prominence during a rebirth in figurative painting and narrative content in the early 1980s championed by curators such as Marcia Tucker and Barbara Rose, who both selected Miller for prominent surveys. Rose identified Miller among a group of iconoclastic "rule breakers," describing her work as "a wild kingdom … gone slightly berserk" in the struggle for survival, whose intensity recalled Delacroix. In a later Artforum review, Donald Kuspit called Miller's paintings "apocalyptic allegories" executed with meticulous old-master methods that articulated psychic states, existential problems and ecological concerns. Miller has exhibited at museums throughout the United States, including the Whitney Museum, New Museum, San Francisco Museum of Modern Art (SFMOMA), Museum of Fine Arts, Houston, and Hirshhorn Museum. Her work belongs to the public art collections of the Museum of Modern Art, National Museum of Women in the Arts, Albright-Knox Gallery and Museum of Fine Arts, Houston, among others, and she has received the Anonymous Was A Woman Award and Texas Artist of the Year Award. Miller lives and works in Austin, Texas.
Leila Christine Nadir is an artist and writer and Associate Professor at the University of Rochester, where she is also Founding Director of the Environmental Humanities Program.
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Laura Larson is an American photographer based in Columbus, Ohio.
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