Venom are an English heavy metal band formed in Newcastle upon Tyne in 1978. Coming to prominence towards the end of the new wave of British heavy metal, Venom's first two albums, Welcome to Hell (1981) and Black Metal (1982), are considered major influences on thrash metal and extreme metal in general. Their second album proved influential enough that its title was used as the name of the black metal genre; as a result, Venom were part of the early wave of the genre, along with Mercyful Fate and Bathory.
Projects in the Jungle is the second studio album by American heavy metal band Pantera, released on July 27, 1984 through Metal Magic Records.
I Am the Night is the third studio album by American heavy metal band Pantera, released on August 16, 1985 through Metal Magic Records. It was made available only on vinyl and cassette, with any subsequent CD releases being bootlegs transferred from the vinyl or tape originals.
Black Metal is the second album by English heavy metal band Venom. It was released in November 1982 during the new wave of British heavy metal, and is considered a major influence on the thrash metal, death metal and black metal scenes that emerged in the 1980s and early 1990s.
Hail to England is the third studio album by American heavy metal band Manowar, released in 1984 by Music for Nations.
Overnight Sensation is the thirteenth studio album by British rock band Motörhead. It was released on 15 October 1996 via Steamhammer, their second on the label. It is their first album to feature a trio line-up since Another Perfect Day (1983). It would also mark the band's last lineup change and longest remaining one prior their dissolution in 2015.
Snake Bite Love is the fourteenth studio album by British rock band Motörhead. It was released on 10 March 1998 via Steamhammer, their third with the label.
Welcome to Hell is the debut studio album by English heavy metal band Venom released in December 1981 through Neat Records. After various line-up changes and recording several demo tapes in Impulse Studios, Venom gained success and attention with the single "In League with Satan", their dark, satanic image and their fast, raw sound. The band re-recorded all of the demos' songs, which Neat Records released as an album.
At War with Satan is the third album by the British heavy metal band Venom, released in April 1984. It is a concept album that tells the story of a war between Heaven and Hell which the latter side wins. It was touted as Venom's crossover into mainstream music, but failed to do so. Shortly after it went on sale, the HMV record chain withdrew the album from its shelves because of its anti-Christian content.
Possessed is the fourth studio album by English heavy metal band Venom, released on 8 April 1985. It is the band's last studio album to feature guitarist Jeffrey Dunn before his first departure from the band in 1986. At the time of its release, it received mixed reviews, even from critics who had liked Venom's earlier albums; Possessed was thought to be in another league as compared to the band's earlier works, even though much of the material on Possessed was written before the release of its predecessor, At War with Satan. It was the first Venom album recorded outside of Impulse Studios. The song "Possessed" is ranked No. 14 on the Parents Music Resource Center's "Filthy Fifteen", a list of the 15 songs the group found to be most objectionable.
Calm Before the Storm is the fifth studio album by British heavy metal band Venom. The original title of the album would have been Deadline, but the title was changed when guitarist Jeffrey "Mantas" Dunn left the band and was replaced by Jimi Clare and Mike Hickey. Both were to follow bassist Conrad "Cronos" Lant in his later solo career and the latter would also return on the 2006 album Metal Black.
Release from Agony is the third studio album by German thrash metal band Destruction, released on December 1, 1987 by Steamhammer/SPV in mainly Europe, and in 1988 by Profile/Rock Hotel Records in North America. This was their last studio album to feature bassist and lead vocalist Marcel "Schmier" Schirmer until he rejoined the band in 1999.
Restless Breed is the fourth studio album by American heavy metal band Riot, released on May 21, 1982. It was the band's first record with vocalist Rhett Forrester. "When I Was Young" is an Eric Burdon and the Animals' cover.
Strength of Steel is the fourth studio album by Canadian heavy metal band Anvil. It was released by Metal Blade and Enigma Records on June 22, 1987.
The Pack Is Back is the fifth full-length album by the English heavy metal band Raven, released in 1986. It was recorded in the US with renowned producer Eddie Kramer and features a sound more FM-friendly and commercial than any other Raven album, retaining the glam metal vein from its predecessor Stay Hard. Despite the pressure of the label to produce a commercially successful album, The Pack Is Back did not have any relevant chart entry.
Uglier Than They Used ta Be is the fourth album by the American rock band Ugly Kid Joe, released in Europe on September 18, 2015, and in North America on October 16.
Master of Light is the ninth full-length album by the German power metal band Freedom Call. It was released on November 11, 2016, by SPV. Metal Hammer included the album cover on their list of "50 most hilariously ugly rock and metal album covers ever".
"In League with Satan" is the first song released by the English extreme metal band Venom. It was released on 17 April 1981 as a single with the B-side "Live Like an Angel" by Neat Records and later appeared on the band's first album, Welcome to Hell. The song has been cited as the first black metal song and is also often cited by critics who claim a connection between heavy metal and Satanism.
"Bloodlust" is a single released by English speed metal band Venom on August 13, 1982 through Neat Records. It is the bands second single and the follow-up to their debut single "In League with Satan".
Warfare was a British heavy metal band from Newcastle upon Tyne that formed in 1982 and disbanded in 1993. They were part of the later stages of the new wave of British heavy metal.
[1] 