Cat Mazza

Last updated

Cat Mazza is an American textile artist. [1] [2] Her practice combines tactical media, activism, craft-based art making and animation in a form that has frequently been described as craftivism. [3] [4] She is the founder of the craftivist collective microRevolt. [5] Mazza is an associate professor of art at the University of Massachusetts Boston.

Contents

Biography

Cat Mazza (born 1977 Washington, DC) [1] has a BFA from Carnegie Mellon University and received her master's degree from Rensselaer Polytechnic Institute. [6] Her work has been featured in exhibitions nationally and internationally including the exhibitions Radical Lace & Subversive Knitting at the Museum of Arts and Design in New York City [7] , Disobedient Objects at the Victoria and Albert Museum in London, [8] Craft Futures: 40 Under 40 at the Smithsonian American Art Museum [9] and in "She Will Always Be Younger Than Us" at the Textile Museum of Canada and the Art Gallery of Calgary, along with work from Orly Cogan, Wednesday Lupypciw, Gillian Strong, and Ginger Brooks Takahashi [10] [11] in connection to the "When Women Rule The World: Judy Chicago in Thread" exhibit also at the Textile Museum of Canada. [12] Mazza has received many prestigious grants from institutions including Creative Capital, the Experimental Television Center, the Rockefeller Foundation in Media Arts, MacDowell Colony and the Craft Research Fund. [13] [14] She received a Creative Capital grant in 2012 for her project Knit for Defense [15] and was a presenter at the 2011 conference The Influencers. [16] From 1999-2002 Mazza additionally served as an Eyebeam staff member. [17] [18] She began working as a professor in the Art Department at UMass Boston in 2007.

Projects

Notes

  1. 1 2 "Cat Mazza". post-craft.net. Retrieved 3 July 2021.
  2. High, Kathy; Hocking, Sherry Miller; Jimenez, Mona (2014). The Emergence of Video Processing Tools. Intellect. p. 203. ISBN   978-1-84150-663-0.
  3. "The Politics of Knitting". www.vogueknitting.com. Retrieved 2016-03-05.
  4. Swenson, Kali. "These Craftivists Are Making A Statement—With Knitting". YES! Magazine. Retrieved 2016-05-15.
  5. "Interview with Cat Mazza (microRevolt)". We Make Money Not Art. 2008-01-16. Retrieved 2016-05-15.
  6. Sabrina Gschwandtner (2007-01-01). Knitknit: profiles + projects from knitting's new wave. New York: Stewart, Tabori & Chang. p.  121. ISBN   978-1584796312.
  7. Schwendener, Martha (2007-01-27). "Radical Lace & Subversive Knitting - Art - Review". The New York Times. ISSN   0362-4331 . Retrieved 2016-05-14.
  8. Amirkhani, Jordan. "Disobedient Objects at the Victoria & Albert Museum | Art Practical". Art Practical. Retrieved 2016-05-15.
  9. O'Steen, Danielle (2012-07-23). "'40 under 40: Craft Futures' at the Renwick Gallery". The Washington Post. ISSN   0190-8286 . Retrieved 2016-05-15.
  10. Mitchell, Allyson; Sorkin, Jennifer; Quinton, Sarah (2009). When women rule the world: Judy Chicago in thread (with work by Orly Cogan, Wednesday Lupypciw, Cat Mazza, Gillian Strong, and Ginger Brooks Takahashi). Toronto: Textile Museum of Canada / ABC Art Books Canada. ISBN   9780973665697.
  11. She Will Always Be Younger Than Us, The Textile Art Museum of Canada, retrieved June 9, 2019
  12. When Women Rule The World: Judy Chicago in Thread, The Textile Art Museum of Canada, retrieved June 9, 2019
  13. "CAT MAZZA". www.post-craft.net. Retrieved 2016-03-06.
  14. "Cat Mazza biography". www.experimentaltvcenter.org. 2013-02-02. Retrieved 2023-05-14.
  15. "Creative Capital Projects: Cat Mazza". Creative Capital. Retrieved 9 March 2015.
  16. "Cat Mazza". The Influencers. Retrieved 9 March 2015.
  17. "The Nike Blanket Petition by Cat Mazza - LEA Global Crossings Gallery". www.leoalmanac.org. Archived from the original on 25 August 2016. Retrieved 9 February 2016.
  18. "Cat Mazza | eyebeam.org". eyebeam.org. Archived from the original on 7 March 2016. Retrieved 9 February 2016.
  19. "In Focus: Cat Mazza's "Knit for Defense"". Creative-Capital. WordPress. Retrieved 8 March 2015.
  20. "Are All Young Artists 'Post-9/11' Artists?". NPR.org. Retrieved 2016-05-15.
  21. "Interview with Cat Mazza (microRevolt)". We Make Money Not Art. 2008-01-16. Retrieved 2016-05-14.
  22. "MicroRevolt: Changing the Way We Think About Protest | The Etsy Blog". blog.etsy.com. Retrieved 2016-05-14.
  23. "blanket". Nike Blanket Petition. MicroRevolt. Retrieved 8 March 2015.
  24. Richardson, Nick (2014-10-09). "At the V&A 1". London Review of Books. p. 18. ISSN   0260-9592 . Retrieved 2016-05-15.

Related Research Articles

Crochet is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread, or strands of other materials. The name is derived from the French term croc, which means 'hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, bone or even plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time.

<span class="mw-page-title-main">Knitting</span> Method of forming fabric

Knitting is a method for production of textile fabrics by interlacing yarn loops with loops of the same or other yarns. It is used to create many types of garments. Knitting may be done by hand or by machine.

<span class="mw-page-title-main">Yarn</span> Long continuous length of interlocked fibres

Yarn is a long continuous length of interlocked fibres, used in sewing, crocheting, knitting, weaving, embroidery, ropemaking, and the production of textiles. Thread is a type of yarn intended for sewing by hand or machine. Modern manufactured sewing threads may be finished with wax or other lubricants to withstand the stresses involved in sewing. Embroidery threads are yarns specifically designed for needlework. Yarn can be made of a number of natural or synthetic materials, and comes in a variety of colors and thicknesses. Although yarn may be dyed different colours, most yarns are solid coloured with a uniform hue.

<span class="mw-page-title-main">History of knitting</span> History of knitting

Knitting is the process of using two or more needles to pull and loop yarn into a series of interconnected loops in order to create a finished garment or some other type of fabric. The word is derived from knot, thought to originate from the Dutch verb knutten, which is similar to the Old English cnyttan, "to knot". Its origins lie in the basic human need for clothing for protection against the elements. More recently, hand knitting has become less a necessary skill and more of a hobby.

<span class="mw-page-title-main">Craftivism</span> Form of activism centered on practices of craft

Craftivism is a form of activism, typically incorporating elements of anti-capitalism, environmentalism, solidarity, or third-wave feminism, that is centered on practices of craft - or what has traditionally been referred to as "domestic arts". Craftivism includes, but is not limited to, various forms of needlework including yarn-bombing or cross-stitch. Craftivism is a social process of collective empowerment, action, expression and negotiation. In craftivism, engaging in the social and critical discourse around the work is central to its production and dissemination. Practitioners are known as craftivists. The word 'craftivism' is a portmanteau of the words craft and activism.

<i>Amigurumi</i> Japanese craft of knitting or crocheting small, stuffed yarn creatures

Amigurumi is the Japanese art of knitting or crocheting small, stuffed yarn creatures. The word is a compound of the Japanese words 編み ami, meaning "crocheted or knitted", and 包み kurumi, literally "wrapping", as in 縫い包み nuigurumi "(sewn) stuffed doll". Amigurumi vary in size and there are no restrictions about size or look. While the art of amigurumi has been known in Japan for several decades, the craft first started appealing to the masses in other countries, especially in the West, in 2003. By 2006, amigurumi were reported to be some of the most popular items on Etsy, an online craft marketplace, where they typically sold for $10 to $100.

<span class="mw-page-title-main">Mary Walker Phillips</span> American textile artist (1923–2007)

Mary Walker Phillips, was an American textile artist, author and educator. She revolutionized the craft of hand knitting by exploring knitting as an independent art form. Her hand-knit tapestries and other creative pieces are exhibited in museums in the U.S. and Europe. She was honored as a fellow by the American Craft Council (ACC) in 1978.

Shannon Okey is an American writer and knit designer.

<span class="mw-page-title-main">UK Hand Knitting Association</span>

The UK Hand Knitting Association (UKHKA) is a not-for-profit British organisation dedicated to promoting hand knitting in the UK. Through a variety of initiatives and the assistance of a nationwide network of volunteers who pass on their skills, the UKHKA focus on ensuring a vibrant future for all aspects of yarn crafts.

<span class="mw-page-title-main">Photo blanket</span>

A photo blanket is a large, rectangular piece of fabric displaying images, pictures, or designs, often with bound edges, used as a blanket or decorative object. Historically photo blanket were made of thick cloth depicting people, objects, and symbols intended to tell a story or reveal historical events.

<span class="mw-page-title-main">Yarn bombing</span> Type of graffiti or street art

Yarn bombing is a type of graffiti or street art that employs colourful displays of knitted or crocheted yarn or fibre rather than paint or chalk. It is also called wool bombing, yarn storming, guerrilla knitting, kniffiti, urban knitting, or graffiti knitting.

<span class="mw-page-title-main">Sarah Corbett (activist)</span> English speaker, author and activist

Sarah Corbett is an English activist, author, speaker, and the founder of Craftivist Collective. Corbett is known for developing the 'gentle protest' approach to activism, and coining the term 'gentle protest'.

Ginger Brooks Takahashi is an American artist based in Brooklyn, New York, and North Braddock, Pennsylvania. A self-identified “punk,” Takahashi grew up in Oregon. She co-founded the feminist genderqueer collective and journal LTTR and the Mobilivre project, a touring exhibition and library. She was also a member of MEN (band). Her work consists of a collaborative project-based practice. Takahashi is currently an adjunct professor of Art at Carnegie Mellon University.

Barb Hunt is a multidisciplinary textile artist from Winnipeg, Manitoba. Her art has contrasted knitting as a warming, protective art, against the violence of war. Through her tactile work, Hunt explores domesticity, mourning rituals, the natural world, and the colour pink.

Orly Cogan is an Israeli-American fiber artist who works with and combines multiple mediums. She is best known for crafting hand stitched embroidered figures on top of previously embroidered vintage fabrics.

L.J. Roberts is an American textile artist. Roberts, who is genderqueer and uses singular they pronouns, explores queer and feminist politics in their work.

Kate Just is an American-born Australian feminist artist. Just is best known for her inventive and political use of knitting, both in sculptural and pictorial form. In addition to her solo practice, Just often works socially and collaboratively within communities to create large scale, public art projects that tackle significant social issues including sexual harassment and violence against women.

Liz Collins is an American contemporary artist and designer. Collins is recognized for her artwork involving fabric, knitwear, and textiles as well as the fashion label she developed. She has expertise in textile media including the transition of fabric into multi-dimensional forms as a method to vary the scale of her pieces to make them architectural and inviting rather than object-based. Collins is based in Brooklyn, New York.

<span class="mw-page-title-main">The Tempestry Project</span> Arts project promoting climate change awareness

The Tempestry Project is a collaborative fiber arts project that presents global warming data in visual form through knitted or crocheted artwork. The project is part of a larger "data art" movement and the developing field of climate change art, which seeks to exploit the human tendency to value personal experience over data by creating accessible experiential representations of the data.

Kirk Andrew Dunn is an actor, writer, and fibre artist best known for his use of texture and colour in knitting, and most particularly, for the giant triptych installation, "Stitched Glass," and the one-man show he co-wrote and tours about that work, The Knitting Pilgrim.