Ginger Brooks Takahashi | |
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Born | July 26, 1977 |
Occupation | American artist |
Years active | 2001–present |
Ginger Brooks Takahashi (born July 26, 1977) is an American artist based in Brooklyn, New York, and North Braddock, Pennsylvania. A self-identified “punk,” [1] Takahashi grew up in Oregon. [2] She co-founded the feminist genderqueer collective and journal LTTR and the Mobilivre project, a touring exhibition and library. Takahashi was also a member of the band MEN. Her work consists of a collaborative project-based practice, [3] and one of her most notable works is An Army of Lovers Cannot Fail (2004–2013), a series of quilting forums.
Takahashi is currently an adjunct professor of art at Carnegie Mellon University.
Takahashi received her BA from Oberlin College in 1999. She participated in the Independent Study Program at the Whitney Museum of American Art in 2007 and was a resident artist of Smack Mellon from 2008 to 2009.
In 2001, Takahashi helped co-found the Mobilivre-Bookmobile project. The project, created by a collective of North American artists and activists, involved touring the United States and Canada in a converted Airstream trailer, which served as an exhibition space, as well as a zine and art book library. The project was dedicated to exploring "the long held tradition of bookmobiles as traveling libraries that promote the distribution of information." [4] The project ran until 2006; in 2003 it featured an issue of LTTR in the collection. [5]
Takahashi co-founded the feminist genderqueer artist collective and annual literary journal, LTTR, with Emily Roysdon and K8 Hardy in 2001. [6] The flexible titular acronym stood for “Lesbians to the Rescue” in the first issue, and “Listen Translate Translate Record” in the second. In addition to co-editing the journal, Takahashi also contributed to its contents. For “LTTR #1 - Lesbians to the Rescue,” she contributed screenprinted door hangers. For “LTTR #4 - Do You Wish To Direct Me,” she collaborated with Hardy, Roysdon, Ulrike Müller, and Lanka Tatersall on an editorial entitled “Pants Down at Noon.” For “LTTR #5 - Positively Nasty,” she contributed an editorial entitled, “I No We Can Reign Here.”
Takahashi was a member of the artist collective Third Leg along with Onya Hogan-Finlay and Logan MacDonald. The collective presented their project Welcome to Gayside (2006) in an exhibition at Eastern Edge Gallery in St. John's, Newfoundland, in 2007. [7]
General Sisters is Takahashi's collaborative project with artist Dana Bishop-Root. Started in 2013 with the purchase of a storefront north of Pittsburgh,[ where? ] its goal was to become a fully functional grocery store designed and run by and for the surrounding community. General Sisters ended up shifting focus towards anti-fracking and other activist causes that affected the neighborhood. While it now seems unlikely the storefront will open as originally intended, the project continues in the form of a community garden, website, and other sub-projects and exhibitions such as “We Will Open (With You),” 2018 at Williams College of Art.
Takahashi's multimedia practices include painting, installation work, and crafts. One of her most notable works is An Army of Lovers Cannot Fail (2004–2013), a series of quilting forums in which participants were invited to stitch “sexually explicit but whimsical images” [8] on Takahashi's all-white quilt. Events were organized in community spaces such as homes, galleries, gardens, and other public settings in New York City, L.A., and Philadelphia. [9]
Some of Takahashi's exhibitions include: "Unwilling: Exercises in Melancholy" at Haverford College Cantor Fitzgerald Gallery, 2018; "Shared Women" at Los Angeles Contemporary Exhibitions, 2007; "Exile of the Imaginary" at the Generali Foundation, Vienna, 2007; "Locally Localized Gravity" at the Institute of Contemporary Art, Philadelphia, 2007; and "Alien She" at the Orange County Museum of Art, 2015. She has also presented at Serpentine Gallery, London, 2008; documenta 12, Kassel, 2007; Art Metropole, Toronto, 2007; and with Ridykeulous at The Kitchen, NY, 2007. [10]
In 2009 Takahashi work was featured in "She Will Always Be Younger Than Us" at Textile Museum of Canada, along with work from Orly Cogan, Wednesday Lupypciw, Cat Mazza, and Gillian Strong [11] [12] in connection to the "When Women Rule The World: Judy Chicago in Thread" exhibit also at the Textile Museum of Canada. [13]
In 2009 and 2010, Takahashi was one of several artists that took part in the arts-based initiative, Queer Pier: 40 Years, [14] which coincided with the 10-year anniversary of FIERCE, an organization that builds leadership among LGBTQ youth of color in New York City. [15] Takahashi facilitated a screen-printing workshop to create images that showed the contributions made by members of the organization in community organizing at the piers. [16]
In 2020, Takahashi participated in Make Our Differences Our Strengths: a billboard campaign and traveling exhibition organized by the Westmoreland Diversity Coalition in Pennsylvania.
Takahashi has also earned acting/performance credit for her role in To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation (2013), a film directed by Bernadette Paassen that was exhibited at the Badischer Kunstverein, Karlsruhe, Germany in 2013.
The San Jose Museum of Quilts & Textiles is an art museum in Downtown San Jose, California, USA. Founded in 1977, the museum is the first in the United States devoted solely to quilts and textiles as an art form. Holdings include a permanent collection of over 1,000 quilts, garments and ethnic textiles, emphasizing artists of the 20th- and 21st-century, and a research library with over 500 books concerning the history and techniques of the craft.
JD Samson & MEN, originally named simply MEN, was a Brooklyn-based band and art/performance collective that focuses on the energy of live performance and the radical potential of dance music. MEN spoke to issues such as trans awareness, wartime economies, sexual compromise, and demanding civil liberties. The collective disbanded in late 2014.
K8 Hardy is an American artist and filmmaker. Hardy's work spans painting, sculpture, video, and photography and her work has been exhibited internationally at the Whitney Museum of American Art, Tate Modern, Tensta Konsthalle, Karma International, and the Dallas Contemporary. Hardy's work is included in the permanent collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Museum of Modern Art. She is a founding member of the queer feminist artist collective and journal LTTR. She lives and works in New York, New York.
Every Ocean Hughes, formerly known as Emily Roysdon, is a multimedia interdisciplinary artist based in New York and Stockholm. They also work as a writer and currently hold the position of Professor of Art at Konstfack in Stockholm, Sweden. Hughes employs various mediums such as performance, photography, printmaking, text, and video. Hughes curates and collaborates to express their artistic vision.
Ulrike Müller is a contemporary visual artist. Müller is a member of the New York-based feminist genderqueer group LTTR as well as an editor of its eponymous journal. She also represented Austria at the Cairo Biennale in 2011. She is currently a professor and co-chair of Painting at the Milton Avery Graduate School of the Arts at Bard College in Annandale-on-Hudson, New York.
LTTR is a feminist genderqueer collective with a flexible project oriented practice. LTTR was founded in 2001 by Ginger Brooks Takahashi, K8 Hardy and Emily Roysdon. LTTR produces a performance series, events, screenings and collaborations. It also released five issues of an annual independent art journal between 2002 and 2006.
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