Related Research Articles
The Zapatista Army of National Liberation, often referred to as the Zapatistas, is a far-left political and militant group that controls a substantial amount of territory in Chiapas, the southernmost state of Mexico.
Alternative media are media sources that differ from established or dominant types of media in terms of their content, production, or distribution. Sometimes the term independent media is used as a synonym, indicating independence from large media corporations, but generally independent media is used to describe a different meaning around freedom of the press and independence from government control. Alternative media does not refer to a specific format and may be inclusive of print, audio, film/video, online/digital and street art, among others. Some examples include the counter-culture zines of the 1960s, ethnic and indigenous media such as the First People's television network in Canada, and more recently online open publishing journalism sites such as Indymedia.
Peter Lunenfeld is a critic and theorist of digital media, digital humanities, and urban humanities. He is a professor and the Vice Chair of the Design Media Arts department at UCLA, director of the Institute for Technology and Aesthetics (ITA), and founder of mediawork: The Southern California New Media Group.
The Institute for Applied Autonomy was an activist group of anonymous artists known for employing technology in protest. The group focused on dissemination of knowledge, autonomy, and methods of self-determination through artistic expression and application of military-like technology to the topics of Criminal Mischief, decentralized systems and individual autonomy.
Călin Dan is a Romanian artist, theorist and curator based in Amsterdam, Netherlands. Member of the subREAL artist duo together with Josif Kiraly. As a curator, Călin Dan has produced numerous exhibitions and was appointed director of the Soros Foundation's Center for Contemporary Art in Bucharest in 1992.
McKenzie Wark is an Australian-born writer and scholar. Wark is known for her writings on media theory, critical theory, new media, and the Situationist International. Her best known works are A Hacker Manifesto and Gamer Theory. She is a professor of Media and Cultural Studies at The New School.
BioArt is an art practice where artists work with biology, live tissues, bacteria, living organisms, and life processes. Using scientific processes and practices such as biology and life science practices, microscopy, and biotechnology the artworks are produced in laboratories, galleries, or artists' studios. The scope of BioArt is a range considered by some artists to be strictly limited to "living forms", while other artists include art that uses the imagery of contemporary medicine and biological research, or require that it address a controversy or blind spot posed by the very character of the life sciences.
Merlyna Lim is a scholar studying ICT, particularly on the socio-political shaping of new media in non-Western contexts. She has been appointed a Canada Research Chair in Digital Media and Global Network Society in the School of Journalism and Communication Carleton University. Formerly she was a visiting research scholar at Princeton University's Center for Information Technology Policy and a distinguished scholar of technology and public engagement of the School of Social Transformation Justice and Social Inquiry Program and the Consortium for Science, Policy and Outcomes at Arizona State University. She previously held a networked public research associate position at the Annenberg Center for Communication at the University of Southern California, Los Angeles. She received her PhD, with distinction, from University of Twente in Enschede, Netherlands, with a dissertation entitled @rchipelago Online: The Internet and Political Activism in Indonesia.
Nettime is an internet mailing list proposed in 1995 by Geert Lovink and Pit Schultz at the second meeting of the "Medien Zentral Kommittee" during the Venice Biennale. Since 1998, Ted Byfield and Felix Stalder have moderated the main list, coordinated moderation of other lists in the nettime "family," and maintained the site as their nexus.
Geert Lovink is the founding director of the Institute of Network Cultures, whose goals are to explore, document and feed the potential for socio-economical change of the new media field through events, publications and open dialogue. As theorist, activist and net critic, Lovink has made an effort in helping to shape the development of the web.
Internet art is a form of new media art distributed via the Internet. This form of art circumvents the traditional dominance of the physical gallery and museum system. In many cases, the viewer is drawn into some kind of interaction with the work of art. Artists working in this manner are sometimes referred to as net artists.
Culture jamming is a form of protest used by many anti-consumerist social movements to disrupt or subvert media culture and its mainstream cultural institutions, including corporate advertising. It attempts to "expose the methods of domination" of mass society.
New media art includes artworks designed and produced by means of electronic media technologies. It comprises virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, immersive installation and cyborg art. The term defines itself by the thereby created artwork, which differentiates itself from that deriving from conventional visual arts such as architecture, painting or sculpture.
This is a list of books about Wikipedia or for which Wikipedia is a major subject.
Activism consists of efforts to promote, impede, direct or intervene in social, political, economic or environmental reform with the desire to make changes in society toward a perceived common good. Forms of activism range from mandate building in a community, petitioning elected officials, running or contributing to a political campaign, preferential patronage of businesses, and demonstrative forms of activism like rallies, street marches, strikes, sit-ins, or hunger strikes.
Post-conceptual, postconceptual, post-conceptualism or postconceptualism is an art theory that builds upon the legacy of conceptual art in contemporary art, where the concept(s) or idea(s) involved in the work takes some precedence over traditional aesthetic and material concerns. The term first came into art school parlance through the influence of John Baldessari at the California Institute of the Arts in the early 1970s. The writer Eldritch Priest, specifically ties John Baldessari's piece Throwing four balls in the air to get a square from 1973 as an early example of post-conceptual art. It is now often connected to generative art and digital art production.
Armin Medosch (1962–2017) was an Austrian artist, curator, theorist and critic working in the fields of net.art, new media art and DiY networking.
A self-managed social center, also known as an autonomous social center, is a self-organized community center in which anti-authoritarians put on voluntary activities. These autonomous spaces, often in multi-purpose venues affiliated with anarchism, can include bicycle workshops, infoshops, libraries, free schools, meeting spaces, free stores and concert venues. They often become political actors in their own right.
Tjebbe van Tijen is a sculptor, performance artist, curator, net artist, archivist, documentalist and media theorist who lives and works in Amsterdam. He is best known for his 1960s collaborative public performances, and for his later artworks and projects done in collaboration with archives and libraries.
Four Walls was an artist collaborative event space. From 1984 to 2000, it hosted a wide range of one night activities, such as artist conversations, panel discussions, exhibitions, screenings and performances. The organization consisted of two consecutive phases from 1984 to 1988 in Hoboken, New Jersey and from 1991 to 2000 in the Greenpoint Williamsburg neighborhood of Brooklyn, New York. Throughout its life Four Walls was situated in growing creative communities where it served to encourage an exchange of ideas and generated alternative ways of experiencing art.
References
- ↑ Nayar, Pramod K. (2010). An Introduction to New Media and Cybercultures. Wiley-Blackwell. p. 100. ISBN 978-1-4051-8167-9. OCLC 316772265.
- ↑ Meikle, Graham (2008). "Whacking Bush: Tactical Media as Play". In Boler, Megan (ed.). The Space of Tactical Media. MIT Press. p. 369. ISBN 978-0-262-02642-0. OCLC 165956671.
- ↑ Lovink 2003, p. 256.
- ↑ Meikle 2002, p. 114.
- ↑ Yeomans, Matthew (4 February 2000). "The Power Jokers". Slate .
- ↑ Meikle 2002, p. 117.
- ↑ Meikle 2002, p. 124.
- ↑ Meikle 2002, p. 119.