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Zsuzsi kisasszony is an operetta in 3 acts by Hungarian composer Emmerich Kálmán. It premiered at the Vig theatre in Budapest on February 23, 1915. The Hungarian language libretto was by Martos and M. Bródy. As Miss Springtime, it opened, in heavily revised form, on Broadway in 1916.
Prior to the arrival of Europeans, the music of Tahiti was dominated by festivals called heiva. Dancing was a vital part of Tahitian life then, and dances were used to celebrate, pray and mark almost every occasion of life. Examples include the men's ʻōteʻa dance and the couple's 'upaʻupa.
French classical music began with the sacred music of the Roman Catholic Church, with written records predating the reign of Charlemagne. It includes all of the major genres of sacred and secular, instrumental and vocal music. French classical styles often have an identifiably national character, ranging from the clarity and precision of the music of the late Renaissance music to the sensitive and emotional Impressionistic styles of the early 20th century. Important French composers include Pérotin, Machaut, Du Fay, Ockeghem, Josquin, Lully, Charpentier, Couperin, Rameau, Leclair, Grétry, Méhul, Auber, Berlioz, Alkan, Gounod, Offenbach, Franck, Lalo, Saint-Saëns, Delibes, Bizet, Chabrier, Massenet, Widor, Fauré, d'Indy, Chausson, Debussy, Dukas, Vierne, Duruflé, Satie, Roussel, Hahn, Ravel, Honegger, Milhaud, Poulenc, Auric, Messiaen, Françaix, Dupré, Dutilleux, Xenakis, Boulez, Guillou, Grisey, and Murail.
Johannes Alanus was an English composer. He wrote the motet Sub arturo plebs/Fons citharizancium/In omnem terram. Also attributed to him are the songs "Min frow, min frow" and "Min herze wil all zit frowen pflegen", both lieds, and "S'en vos por moy pitié ne truis", a virelai. O amicus/Precursoris, attributed simply to "Johannes", may be the work of the same composer.
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Kunegunde Hergot was a German printer in Nuremberg and the wife of first Hans Hergot, and later of Georg Wachter, both printers.
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José Elías, full name Josep Elias i Verdaguer, was a Catalan organist and composer in the tiento tradition. He may have studied with Juan Cabanilles in Valencia but is first documented as organist in Barcelona at Sant Pere de les Puelles in 1712 and then at SS Justo y Pastor from 1715 to 1725, after which he moved to Madrid to become Capellan de su Majestad and principal organist of the Convent of Las Descalzas Reales. It is unknown whether Joseph Elias, organist from 1739 to 1741 at the Hieronymite monastery of El Parral was the same person.
References
- Cusick, Suzanne G. (2001). "Caterina Benedicta Grazianini". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5.
- Cusick, Suzanne G. (2001). "Maria de Raschenau". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5.
- Pendle, Karin Women in Music: A History "Musical Women of the Seventeenth and Eighteenth Centuries" by Barbara Garvey Jackson, Indiana University Press, Bloomington IN, 2001. ISBN 978-0-253-21422-5
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