Cathy Busby | |
---|---|
Born | 1958 (age 65–66) Toronto, Ontario, Canada |
Education | Concordia University, NSCAD, New York University |
Known for | Multimedia artist, Teacher, Writer, artist who uses Printed Matter |
Website | www |
Cathy Busby is Canadian artist based in Vancouver, BC. Born in Toronto, Ontario, on April 20, 1958, Busby is an artist who has a long-time interest in posters and printed matter and their potential for grassroots communication. She worked as an artist-activist in the 80's and has been exhibiting her work internationally over the past 20 years. She has a PhD in Communication (Concordia University, Montreal, 1999) and was a Fulbright Scholar at New York University (1995–96).
Busby completed a Bachelor of Fine Arts (1984) from the Nova Scotia College of Art and Design. She has an MA in Media Studies (Concordia University, 1992) and a PhD in Communication from Concordia University (Montreal, 1999).
Busby is currently an adjunct professor of visual art in the UBC Department of Art History, Visual Art and Theory.
Busby is co-editor of and contributor to the anthology When Pain Strikes (University of Minnesota, 1999). Her critical writing and artworks have been published in Image, Index and Inscription: Essays on Contemporary Canadian Photography (Gallery 44, YYZ Press, 2005) and General Idea Editions 1967–1995 (Blackwood Gallery, 2003), as well as C Magazine, Fuse, Tessara, Border/lines and Archivaria. She has a BFA from the Nova Scotia College of Art and Design, an MA in Media Studies (1992) and a PhD in Communication (1999) from Concordia University, Montreal.
Busby has shown in Berlin at the Emerson Gallery of posters collected in Halifax entitled The North End. Other recent exhibitions include Sorry, Saint Mary's University Art Gallery, Halifax and McMaster Museum of Art, Hamilton (2005); Totalled, Carleton University Art Gallery, Ottawa (2004); Testdrive, eyelevelgallery, Halifax (2002); How…, Gallery 101, Ottawa (2001). Her work is held in the collection of the National Gallery of Canada. [1]
Busby has works in the public collections of several galleries, including the Winnipeg Art Gallery, National Gallery of Canada, Carleton University Art Gallery, Nova Scotia Art Bank, Canada Council (Art Bank), City of Ottawa, and the Nova Scotia College of Art and Design.
Busby's WE CALL uses the Truth and Reconciliation Commission of Canada's (TRC) 94 "Calls to Action" to draw attention to the ways in which the government skirts responsibilities towards Indigenous rights and title. WE CALL was produced as an installation at the Teck Gallery (Simon Fraser University) and was a part of community based project in Hazelton, BC at the Gitksan Wet'suwet'en Education Society (GWES). [2]
One of Cathy Busby's best-known works, We Are Sorry (Melbourne 2009 / Winnipeg 2010), commemorated public apologies by Canadian and Australian heads of state to the Indian Residential School survivors in Canada and the Stolen Generations in Australia. While these landmark apologies had been relatively fleeting media moments when they were first delivered, We Are Sorry prolonged their public presence. In Melbourne, We Are Sorry took place outdoors as part of the Laneway Commissions and the following year it was presented in Eckhardt Hall at the Winnipeg Art Gallery in conjunction with the launch of the Truth and Reconciliation Commission (2010).
Garry Neill Kennedy, was a Canadian conceptual artist and educator from Halifax, Nova Scotia. In the mid-1970s, he created works that investigated the processes and materials of painting. In the first decade of the 2000s, he expanded his work to investigate art and its social, institutional, and political framework.
Steve Heinemann is a Canadian artist working in ceramics.
John Greer is a Canadian sculptor who likes to bring cultural and natural history together. One critic calls him one of Canada's most philosophically minded artists. He looks to ancient Celtic stones and Greek sculpture for inspiration. Greer was the catalyst behind "Halifax Sculpture", a 1990s movement, rooted in minimalism and conceptualism.
Janet Werner is a Canadian artist based in Montreal. Her work is known for its incisive and playful depictions of female figures, raising questions about the nature of the subject in painting.
Grace Nickel is a Canadian ceramic artist and art instructor in post-secondary education.
Ursula Johnson is a multidisciplinary Mi’kmaq artist based in Halifax, Nova Scotia, Canada. Her work combines the Mi’kmaq tradition of basket weaving with sculpture, installation, and performance art. In all its manifestations her work operates as didactic intervention, seeking to both confront and educate her viewers about issues of identity, colonial history, tradition, and cultural practice. In 2017, she won the Sobey Art Award.
Susan McEachern is an American/Canadian artist. McEachern is best known for her photography, which frequently includes text. Her work follows the feminist idea of "the personal is political," as she often combines images of her own life and personal space to investigate and comment on themes of socialization, gender, sexuality, and the natural world. McEachern has also been a professor at the Nova Scotia College of Art and Design University since 1979.
Carol Wainio is a Canadian painter. Her work, known for its visual complexity and monochrome color palette, has been exhibited in major art galleries in Canada, the U.S., Europe and China. She has won multiple awards, including the Governor General's Award in Visual and Media Arts.
Sherry Farrell Racette is a First Nations feminist scholar, author, curator, and artist. She is best known for her contributions to Indigenous and Canadian art histories. She is currently an associate professor of Visual Arts at the University of Regina.
Ghitta Caiserman-Roth was a Canadian painter and printmaker. She was a founder of the Montreal Artist School and her work is in the National Gallery of Canada. Caiserman-Roth was also an associate member of the Royal Canadian Academy and the first painter to receive the Governor General's Award for Visual Media and Art.
Peggy Gale is an independent Canadian curator, writer, and editor. Gale studied Art History and received her Honours Bachelor of Arts degree in Art History from the University of Toronto in 1967. Gale has published extensively on time-based works by contemporary artists in numerous magazines and exhibition catalogues. She was editor of Artists Talk 1969-1977, from The Press of the Nova Scotia College of Art and Design, Halifax (2004) and in 2006, she was awarded the Governor General's Award in Visual and Media Arts. Gale was the co-curator for Archival Dialogues: Reading the Black Star Collection in 2012 and later for the Biennale de Montréal 2014, L’avenir , at the Musée d’art contemporain de Montréal. Gale is a member of IKT, AICA, The Writers' Union of Canada, and has been a contributing editor of Canadian Art since 1986.
Lorraine Gilbert is a Canadian artist and photographer focusing on landscape as a genre, raising questions pertaining to the social and economic aspects of landscape as art, as nature, and as lived experience. She lives in Ottawa and in Quebec.
Lani Maestro is a Filipino-Canadian artist who divides her time between France and Canada. She works in installation, sound, video, bookworks and writing. Her works deal with investigations of memory, forgetting, language, silence, and the ethics of care. From 1990 to 1994 Maestro was co-founder and editor of HARBOUR Magazine of Art and Everyday Life, a journal of artworks and writings by artists, writers and theorists.
Tom Sherman is an American-Canadian artist working in video, audio, radio, performance, sculpture and text/image. He is also a writer of nonfiction and fiction. He is a recipient of Canada's Governor General's Awards in Visual and Media Arts. He is a professor of video art at Syracuse University.
Laurel Elizabeth Woodcock was a Canadian artist and academic. She worked in many formats including installation, video, and sculpture.
Nancy Edell was an American-born Canadian artist, best known for her rug hooking practice that pushed the boundaries between art and craft. Her practice included animated film, woodcut, monotypes and drawing which often expressed surrealist themes. Edell believed an artist’s work should be an expression of their personal experience. Her work was rooted in feminism and drew inspiration from her dreams, religion and politics. Her work is recognized for its dream-like qualities, art historical references, sensuality, sexuality, narrative and subversive wit.
Anne Ramsden is a Canadian artist who has exhibited widely in Canada. She currently lives and works on Gabriola Island, British Columbia on the traditional and unceded territory of the Snuneymuxw First Nation.
Maria Morris Miller (1813–1875) was a Canadian artist from Halifax, Nova Scotia who is known for her botanical paintings and illustrations. She presented her work to Queen Victoria and received royal patronage for life. She is also the first professional woman artist in Nova Scotia, recognized in her field during her active career years. She worked with scientists and government officials, garnering her accolades as the "Audubon of Nova Scotian field flowers".
Pamela Edmonds is a Canadian visual and media arts curator focused on themes of decolonization and the politics of representation. She is considered an influential figure in the Black Canadian arts scene. Since 2022, Edmonds has been the Director and Curator of the Dalhousie Art Gallery in Halifax, Nova Scotia.
Brian Frederick Foss is an art historian, academic, curator, and writer who specializes in the art history of Canada and British war art, especially of the late 19th and early 20th centuries.